The conclusion to the Cat and Mouse Duet is here...

The Diamond

Death walks alongside me,
But the reaper is no match for me.
I'm trapped in a world full of monsters dressed as men, and those who aren't as they seem.
They won't keep me forever.
I no longer recognize the person I've become,
And I'm fighting to find my way back to the beast who hunts me in the night.
They call me a diamond,
But they've only created an angel of death.

The Hunter

I was born a predator,
With ruthlessness ingrained in my bones.
When what's mine is stolen from me in the night,
Like a diamond hidden within a fortress,
I find that I can no longer contain the beast.
Blood will paint the ground as I tear apart this world to find her.
And bring her back to where she belongs.
No one will escape my wrath,
Especially not those who have betrayed me.

Warning: This is the second and final installment to the Duet. You must read Haunting Adeline first.

The Manipulator

I can manipulate the emotions of anyone who lets me.
I will make you hurt, make you cry, make you laugh and sigh.
But my words don't affect him. Especially not when I plead for him to leave.
He's always there, watching and waiting.
And I can never look away.
Not when I want him to come closer.

The Shadow

I didn't mean to fall in love.
But now that I have, I can't stay away.
I'm mesmerized by her smile, by her eyes, and the way she moves.
The way she undresses...
I'll keep watching and waiting. Until I can make her mine.
And once she is, I'll never let her go.
Not even when she begs me to.

While not required, it is highly suggested to read the novella, Satan's Affair, first.

Author's Note: This book ends on a cliffhanger. For CWs, please check the author's website.

This is the first of Newman's Anglican works to be presented in a fully annotated edition. Newman published the first two editions in 1836 and 1837 at the height of his career within the Oxford Movement. The third edition was published in 1877, when Newman had been a Roman Catholic for thiry-two years. It represents a dialogue between the Evangelical Anglican, Anglo-Catholic, and Roman Catholic Newman. As such it is a critical work in understanding Newman's development, as well as the impact of his thought on the larger Christian Church in his century and even in this one as it comes to a close. The text of this edition is based on the edition of 1889 (with obvious errors and misprints silently corrected), the edition to be seen through the press by Newman before his death in 1890; its pagination is preserved in the margin alongside the present text to facilitate reference to the uniform edition of the collected works. The text is supplemented by an introduction and textual appendix which lists all the variant readings between the editions of 1836, 1837, 1877 and the final edition.

Who am I? I've forgotten the answer to that question long ago. Ever since I ran from that house, so desperate to escape, I left with only the clothes on my back and socks on my feet. After that day, I've only ever walked in stolen shoes.

Could I be a girl who is searching for the meaning of life in faceless men? They were all so forgettable. Until he came along. He took me under a waterfall and made me forget my name, and in return, I took his instead. Enzo Vitale. An enigmatic man that will only ever love the deep sea. Or rather the predators that inhabit it.

Turns out, he's not so different than the monsters he feeds. He lured me onto his boat like a fish in the ocean, seeking vengeance for my crime. Had I realized his intentions, and that a massive storm would leave us shipwrecked, I would've run. Now, I'm a girl who's seeking refuge in a decrepit lighthouse with a man who loathes me almost as much as he craves me.

He wants to hurt me, but the old caretaker of the abandoned island may have intentions far more sinister. It's no longer a question of who I am, but rather, will I survive?

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Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.