The conclusion to the Cat and Mouse Duet is here...

The Diamond

Death walks alongside me,
But the reaper is no match for me.
I'm trapped in a world full of monsters dressed as men, and those who aren't as they seem.
They won't keep me forever.
I no longer recognize the person I've become,
And I'm fighting to find my way back to the beast who hunts me in the night.
They call me a diamond,
But they've only created an angel of death.

The Hunter

I was born a predator,
With ruthlessness ingrained in my bones.
When what's mine is stolen from me in the night,
Like a diamond hidden within a fortress,
I find that I can no longer contain the beast.
Blood will paint the ground as I tear apart this world to find her.
And bring her back to where she belongs.
No one will escape my wrath,
Especially not those who have betrayed me.

Warning: This is the second and final installment to the Duet. You must read Haunting Adeline first.

Every Halloween, Satan's Affair will come to you.

We travel the country, offering terrifying haunted houses, thrilling rides and the tastiest food. And with every passing town, I cleanse this world, one execution at a time.

I hide within the walls, casting my judgement for those that reek of evil, singing lullabies to their rotting souls.

Once you've been chosen, there's no escaping my henchmen—they cater to my every desire.

You can run and you can hide, but it only excites me.

Come.

Take a walk through my dollhouse, where your screams will blend and your cute little pleas will go unanswered.

But I can't promise it'll be over quickly...

The Manipulator

I can manipulate the emotions of anyone who lets me.
I will make you hurt, make you cry, make you laugh and sigh.
But my words don't affect him. Especially not when I plead for him to leave.
He's always there, watching and waiting.
And I can never look away.
Not when I want him to come closer.

The Shadow

I didn't mean to fall in love.
But now that I have, I can't stay away.
I'm mesmerized by her smile, by her eyes, and the way she moves.
The way she undresses...
I'll keep watching and waiting. Until I can make her mine.
And once she is, I'll never let her go.
Not even when she begs me to.

While not required, it is highly suggested to read the novella, Satan's Affair, first.

Author's Note: This book ends on a cliffhanger. For CWs, please check the author's website.

This is the first of Newman's Anglican works to be presented in a fully annotated edition. Newman published the first two editions in 1836 and 1837 at the height of his career within the Oxford Movement. The third edition was published in 1877, when Newman had been a Roman Catholic for thiry-two years. It represents a dialogue between the Evangelical Anglican, Anglo-Catholic, and Roman Catholic Newman. As such it is a critical work in understanding Newman's development, as well as the impact of his thought on the larger Christian Church in his century and even in this one as it comes to a close. The text of this edition is based on the edition of 1889 (with obvious errors and misprints silently corrected), the edition to be seen through the press by Newman before his death in 1890; its pagination is preserved in the margin alongside the present text to facilitate reference to the uniform edition of the collected works. The text is supplemented by an introduction and textual appendix which lists all the variant readings between the editions of 1836, 1837, 1877 and the final edition.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.