Studies of women's roles in the secular literary world, as patrons, authors, readers, and characters in secular literature. This second volume of proceedings from the `Women and the Book' conference, held at St Hilda's College, Oxford in 1993, brings together fifteen papers dealing with women's experience in the secular literary world. It covers the whole variety of roles women might take, as patrons, authors, readers, and characters in secular literature; encompassed in its range are well-known characters, real and fictional, such as Christine de Pisan and the Wife of Bath, and the more obscure but no less fascinating topic of women in Chinese medieval court poetry. Like its predecessor Women, the Book, and the Godly(Brewer, 1995), this volume illuminates the world of medieval women with carefulscholarship and attention to sources, producing new readings and new materials which shed fresh light on an increasingly important field of study. Contributors: PATRICIA SKINNER, PHILIP E. BENNETT, JENNIFER GOODMAN, CHARITY CANNON-WILLARD, BENJAMIN SEMPLE, ANNE BIRRELL, JEANETTE BEER, MARK BALFOUR, CAROL HARVEY, HEATHER ARDEN, KAREN JAMBECK, JULIA BOFFEY, JENNIFER SUMMIT, MARGARITA STOCKER

[This] substantial book...makes an important and stimulating contribution. MEDIEVAL ARCHAEOLOGY Warfare in Europe in the middle ages underwent a marked change of emphasis as urban life expanded. The concentration of wealth represented by a city was a valuable objective, and the static nature of a siege was infinitely preferable to the uncertainties of campaign. As the incidence of sieges increased, so pitched battles declined. The studies in this book, intended for specialists as well as general readers, follow the history of siege warfare, exploringthe urban milieu within which it developed, and the evolution of siege technology up to the advent of gunpowder weaponry. The logistics of specific sieges, from the Crusader kingdoms in the Near East and the Byzantine Empire as well as medieval Europe, are also considered, with evidence from literature, engineering, architecture and cliometrics. IVY CORFIS is professor in the department of Spanish and Portuguese at the University of Wisconsin, Madison; MICHAEL WOLFE is professor in the department of history at Penn State University, Altoona. Contributors: MICHAEL WOLFE, JAMES F. POWERS, MICHAEL TOCH, DENYS PRINGLE, ERIC McGEER, PAUL E. CHEVEDDEN, MICHAEL HARNEY, HEATHER ARDEN, WINTHROP WETHERBEE, KELLY DEVRIES, MICHAEL MALLETT, BERT S. HALL.

The sottie was a short, comical play which flourished in France from about 1440 to 1560. Although a vital part of late medieval popular culture, this dramatic genre has received scant critical attention. In this study, Dr Arden adds to our understanding of the sottie by examining in detail the subjects satirised in the plays, the dramatic structure underlying this satire, the attitudes expressed by the plays, and their social function in late medieval France. Through an approach combining critical readings of the texts with historical study of class structure and its evolution in this period, she offers a fresh interpretation of a remarkable type of satire. In addition to analysing the undercurrent of class conflict in late medieval theatre, Dr Arden clarifies lower-class values of the period and suggests a reason for the widespread fascination with folly and the fool in the late Middle Ages.