Across three decades of democracy, South Africa has seen an outpouring of longform, narrative journalism and creative nonfiction – genres in which some of the country’s finest writers have tried to make sense of a complex and changing society. This brand new, one-of-a-kind anthology collects some of the best nonfiction published since the end of apartheid, carefully selected and introduced by editors Sean Christie and Hedley Twidle.

From the underworld of zama-zama goldminers to the tragicomic closure of a Cape Town Zoo, from stick fighting to punk rock, game lodges to fruit farms, cricket pitches to mermaids, The Interpreters: South Africa’s New Nonfiction assembles a range of true stories that are often more far-fetched, and more compelling, than any fiction.

Creative nonfiction in South Africa has often been found at the margins of our media – in zines, journals, now defunct magazines and personal blogs. It is a kind of writing that has, in general, not made much financial sense – more a medium for those obsessed with pursuing a single story over months or years. In The Interpreters, the editors have combed through 30 years of post-apartheid writing to produce a collection that combines preeminent names with lesser known but no less immersive and powerful works of nonfiction – voices that deserve to be read and that represent fresh interpretations of a nation’s history.

Featuring J. M. Coetzee • Kimon de Greef • William Dicey • Alexandra Dodd • Madeleine Fullard • Mark Gevisser • Anna Hartford • Anton Harber • Michiel Heyns • Anton Kannemeyer • Bongani Kona • Rustum Kozain • Antjie Krog • Alastair Laird • Adrian Leftwich • Lidudumalingani • Bongani Madondo • Rian Malan • Zanele Mji • Mogorosi Motshumi • Nosisi Mpolweni • Julie Nxadi • Njabulo Ndebele • Lindokuhle Nkosi • Sean O’Toole • Kopano Ratele • Warren Raysdorf • Srila Roy • Lin Sampson • Kwanele Sosibo • Jonny Steinberg • Niren Tolsi • Matthew Wilhelm-Solomon • Roger Young • Percy Zvomuya

An essay collection searching through history, memory and literature to find glimmers of utopia. The collection is a book of elsewheres; in it, the author charts a journey to find other liveable places and spaces in a troubled world.

Whether embarking on a bizarre quest to find Cecil Rhodes’s missing nose (sliced off the bust of the Rhodes Memorial) or bike-packing the Scottish islands with a couple of squabbling anarchists; whether learning to surf (much too late) in the wild, freezing waters off the Cape Peninsula or navigating the fraught politics of a Buddhist retreat centre – the author explores forgotten utopias, intentional communities and islands of imagination with curiosity, hope and humour.

Threaded through the pieces in this collection are questions of friendship and human community, of environmental destruction and repair, of landscape and memory. Show Me the Place investigates the deep human desire to imagine social and environmental alternatives to what we take as normal or inevitable.

This collection brims with the imaginative, informative and comic personal narratives of Hedley Twidle. Twidle brings a sense of lightness, play and comedy to subjects that are often dealt with in predictable or self-righteous ways.

It chronicles South Africa during the ‘second transition’ – one in which the foundations of the post-apartheid settlement are being shaken and questioned in all kinds of ways.