A collection of the year’s best short stories, selected by National Book Award finalist Min Jin Lee and series editor Heidi Pitlor. Min Jin Lee, author of the highly acclaimed National Book Award Finalist Pachinko, selects twenty stories out of thousands that represent the best examples of the form published the previous year. 

"They were windows into emotions I had and hadn't had, into other settings and circumstances and observations and relationships." Decades later, Sittenfeld was met by the same feeling selecting the stories for this year's edition. The result is a striking and nuanced collection, bringing to life awkward college students, disgraced public figures, raunchy grandparents, and mystical godmothers. To read these stories is to experience the transporting joys of discovery and affirmation, and to realise that story writing in America continues to flourish.

When Allie lands the job as Lana's ghostwriter, it seems as if things will finally go Allie's way. At last, she thinks, there will be enough money not just to pay her bills but to actually buy a house. After years of working as a ghostwriter for other celebrities, Allie believes she knows the drill: she has learned how to inhabit the lives of others and tell their stories better than they can. But this time, everything becomes more complicated. Allie's childcare arrangements unravel; she falls behind on her rent; her subject, Lana, is better at critiquing than actually providing material; and Allie's boyfriend decides to go on a road trip toward self-discovery. But as a writer for hire, Allie has gotten too used to being accommodating. At what point will she speak up for all that she deserves?When Allie lands the job as Lana's ghostwriter, it seems as if things will finally go Allie's way. At last, she thinks, there will be enough money not just to pay her bills but to actually buy a house. After years of working as a ghostwriter for other celebrities, Allie believes she knows the drill: she has learned how to inhabit the lives of others and tell their stories better than they can. But this time, everything becomes more complicated. Allie's childcare arrangements unravel; she falls behind on her rent; her subject, Lana, is better at critiquing than actually providing material; and Allie's boyfriend decides to go on a road trip toward self-discovery. But as a writer for hire, Allie has gotten too used to being accommodating. At what point will she speak up for all that she deserves?

A collection of the year's best short stories, selected by Pulitzer Prize winner Andrew Sean Greer and series editor Heidi Pitlor. Andrew Sean Greer, "an exceptionally lovely writer, capable of mingling humor with sharp poignancy" (Washington Post), selects twenty stories out of thousands that represent the best examples of the form published the previous year.

"The literary 'Oscars' features twenty outstanding examples of the best of the best in American short stories." -- "Shelf Awareness for Readers"

"The Best American Short Stories 2014" will be selected by national best-selling author Jennifer Egan, who won the 2011 Pulitzer Prize and the National Book Critics Circle Award for fiction for "A Visit from the Goon Squad, " heralded by "Time" magazine as "a new classic of American fiction." Egan "possesses a satirist's eye and a romance novelist's heart" ("New York Times Book Review").

The Best American Series(R)
First, Best, and Best-Selling
The Best American series is the premier annual showcase for the country's finest short fiction and nonfiction. Each volume's series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected -- and most popular -- of its kind.
"The Best American Short Stories 2012" includes

Nathan Englander, Mary Gaitskill, Roxane Gay, Jennifer Haigh,
Steven Millhauser, Alice Munro, Lawrence Osborne, Eric Puchner,
George Saunders, Kate Walbert, and others

The Best American Series(R)
First, Best, and Best-Selling
The Best American series is the premier annual showcase for the country's finest short fiction and nonfiction. Each volume's series editor selects notable works from hundreds of magazines, journals, and websites. A special guest editor, a leading writer in the field, then chooses the best twenty or so pieces to publish. This unique system has made the Best American series the most respected -- and most popular -- of its kind.
"The Best American Short Stories 2011" includes
Chimamanda Ngozi Adichie, Megan Mayhew Bergman, Jennifer Egan,
Nathan Englander, Allegra Goodman,
Ehud Havazelet, Rebecca Makkai, Steven Millhauser,
George Saunders, Mark Slouka, and others

Edited by the award-winning, best-selling author Richard Russo, this year's collection boasts a satisfying "chorus of twenty stories that are by turns playful, ironic, somber, and meditative" ("Wall Street Journal"). With the masterful Russo picking the best of the best, America's oldest and best-selling story anthology is sure to be of "enduring quality" ("Chicago Tribune") this year.

"By turns revealing, hilarious, dishy, and razor-sharp, Impersonation lives in that rarest of sweet spots: the propulsive page-turner for people with high literary standards." --Rebecca Makkai, author of The Great Believers TOGETHER, THEY MAKE THE PERFECT FEMINIST MOTHER Allie Lang is a professional ghostwriter and a perpetually broke single mother to a young boy. Years of navigating her own and America's cultural definition of motherhood have left her a lapsed idealist. Lana Breban is a high-profile lawyer, economist, and advocate for women's rights with designs on elected office. She also has a son. Lana and her staff have decided she needs help softening her image in the eyes of the public and that a memoir about her life as a mother will help. Allie struggles to write Lana's book as obstacles pile up: not enough childcare, looming deadlines, an unresponsive subject, an ill-defined romantic relationship on the verge of slipping away. Eventually, Lana comes to require far too much of Allie and even her son. Allie's ability to stand up for herself and ask for all that she deserves will ultimately determine the power that she can wield over her own life. With the satirical eye of Tom Perrotta's Mrs. Fletcher and the incisiveness of Meg Wolitzer's The Female Persuasion, acclaimed writer Heidi Pitlor tells a timely, bitingly funny, and insightful story of ambition, motherhood, and class.

This brilliant collection, edited by the award-winning and perennially provocative Salman Rushdie, boasts a "magnificent array" (Library Journal) of voices both new and recognized.With Rushdie at the helm, the 2008 edition "reflects the variety of substance and style and the consistent quality that readers have come to expect" (Publishers Weekly).
"We all live in and with and by stories, every day, whoever and wherever we are. The freedom to tell each other the stories of ourselves, to retell the stories of our culture and beliefs, is profoundly connected to the larger subject of freedom itself."--Salman Rushdie, editor
The Best American Short Stories 2008 includes KEVIN BROCKMEIER - ALLEGRA GOODMAN - A. M. HOMES - NICOLE KRAUSS - JONATHAN LETHEM - STEVEN MILLHAUSER - DANIYAL MUEENUDDIN - ALICE MUNRO - GEORGE SAUNDERS - TOBIAS WOLFF - and others

In his introduction to this volume, Stephen King writes, "Talent does more than come out; it bursts out, again and again, doing exuberant cartwheels while the band plays 'Stars and Stripes Forever' . . . Talent can't help itself; it roars along in fair weather or foul, not sparing the fireworks. It gets emotional. It struts its stuff. In fact, that's its job."
Wonderfully eclectic, The Best American Short Stories 2007 collects stories by writers of undeniable talent, both newcomers and favorites. These stories examine the turning points in life when we, as children or parents, lovers or friends or colleagues, must break certain rules in order to remain true to ourselves. In T. C. Boyle's heartbreaking "Balto," a thirteen-year-old girl provides devastating courtroom testimony in her father's trial. Aryn Kyle's charming story "Allegiance" shows a young girl caught between her despairing British mother and motherly American father. In "The Bris," Eileen Pollack brilliantly writes of a son struggling to fulfill his filial obligations, even when they require a breach of morality and religion. Kate Walbert's stunning "Do Something" portrays one mother's impassioned and revolutionary refusal to accept her son's death. And in Richard Russo's graceful "Horseman," an English professor comes to understand that plagiarism reveals more about a student than original work can.
New series editor Heidi Pitlor writes, " Stephen King's] dedication, unflagging hard work, and enthusiasm for excellent writing shone through on nearly a daily basis this past year . . . We agreed, disagreed, and in the end very much concurred on the merit of the twenty stories chosen." The result is a vibrant assortment of stories and voices brimming with attitude, deep wisdom, and rare compassion.

On an island off the coast of Maine, the Miller family reunites to celebrate the father's seventy-fifth birthday. Each of the adult children is expecting a first child, and at the same time each is at a major crossroads in life. The eldest, Daniel, still reeling from a car accident that has left him a paraplegic, is also grappling with the fact that his wife had to be artificially inseminated. Jake, the middle child, discovers that his wife is carrying twins after many trying years of fertility treatments. Hilary - the free-spirited youngest daughter - arrives in Maine five months pregnant with no identifiable father in sight. As the family gathers, something shattering happens from which no one will emerge the same. "The Birthdays" deftly explores the myriad ways of seeking sustenance after disappointment or loss. Reading group guide included.

Edited by critically acclaimed, best-selling author Alice Sebold, the stories in this year's collection serve as a provacative literary "antenna for what is going on in the world" ("Chicago Tribune)." The collection boasts great variety from "famous to first-timers, sifted from major magazines and little reviews, grand and little worlds" ("St. Louis Post-Dispatch)," ensuring yet another rewarding, eduring edition of the oldest and best-selling Best American.