Offers an excellent introduction to the work currently and historically being done on fairy tales by folk-lorists. MEDIEVAL REVIEW Introduction by Derek Brewer. This book discusses the characteristics of the traditional fairy tale in Europe and North America, and various theories of its development and interpretation. The book deals with the main collections - the Grimm brothers, Hans Andersen, Perrault and Afanes'ev - and with the development of tales in various regions of Europe, including Ireland, Wales, Scandinavia, Germany and Russia, as well as India, where it was once claimed that they originated. The subject of the fairy tale is a controversial one: problems discussed here include the relationship between tales recorded from story-tellers and literary works, the importance of printed worksfor the spread of the tales, the growth of recent examples with a feminine approach, the spread of popular tales like Cinderella, special types like the cumulative tales, possible effects of TV, and the nature of traditional plots and characters. Above all, the collection is concerned with the distribution and long survival of these tales, and the nature of their appeal. SHORTLISTED FOR THE KATHARINE BRIGGS FOLKLORE AWARD 2004. Contributors: GRAHAM ANDERSON, DAVID BLAMIRES, RUTH BOTTIGHEIMER, DEREK BREWER, MARY BROCKINGTON, ANNA CHAUDHRI, HILDA ELLIS DAVIDSON, ROBIN GWYNDAF, BENGT HOLBEK, DAVID HUNT, REIMUND KVIDELAND, PATRICIA LYSAGHT, NEIL PHILIP, JAMES RIORDAN, PAT SCHAEFER, TOM SHIPPEY, JOYCE THOMAS.

The Sword is closely associated with all that was most significant in a man's life in the Anglo-Saxon world: family ties, loyalty to a lord, the duties of a king, the excitement of battle, the attainment of manhood, and the last funeral rites. Hilda Ellis Davidson explores the revelations of archaeology, methods of sword-making, and references in Anglo-Saxon poetry and Old Norse sagas to reveal a past where the sword was of supreme importance, as a weapon and as a symbol. She restores a vital dimension to Old English literature, and endows those few surviving swords in museums with a real glamour and magic. She shows that for a fuller understanding of Anglo-Saxon poetry it is important to have due regard to the warrior culture from which it sprang, and of the potent part played by the sword within that culture. Much can be learnt from surviving swords and from the context in which they are discovered. Careful study of the disposition of swords found in peat bogs in Denmark, and in graves, lakes and rivers in the British Isles, yields information on religious and social practices. The swords themselves, and their decoration, reveal the technical skill and cultural achievements of the people who wielded them. To read Beowolf is to be immediately aware of the aura of magical power the poet vested in the sword, and Hilda Ellis Davidson's other concern in this book is to look at literary sources for what they reveal of the quality of a good sword and its significance in Anglo-Saxon and Viking societies - for Viking raiders played as important a part as Anglo-Saxon colonists in the history of early medieval Britain. A survey of the sword in Anglo-Saxon historical records and poetry isfollowed by an exploration of descriptions of the sword, and of the parts of the sword, in Old Norse literature. The real world of the Anglo-Saxons is brought into dramatic close-focus through this thorough study of the physical remains and literary memorials of a highly-charged symbol.

In the early years of the thirteenth century the Danish writer Saxo Grammaticus provided his people with a History of the Danes, an account of their glorious past from the legendary kings and heroes of Denmark to the historical present. It is one of the major sources for the heroic and mythological traditions of northern Europe, though the complex Latin style and the wide range of material brought together from different sources have limited its use. Here Hilda Ellis Davidson, a specialist in Scandinavian mythology, together with the translator Peter Fisher, provides a full English edition; each of the first nine books is preceded by an introductory summary, and a detailed commentary follows on the folklore and life and customs of twelfth-century Denmark - including the sources of Hamlet, of which Saxo gives the earliest known account. HILDA ELLIS DAVIDSON's other books include The Sword in Anglo-Saxon England; PETER FISHER is also the translator of Olaus Magnus: A Description of the Northern Peoples. Both are available from Boydell & Brewer. In the early years of the 13th century the Danish writer Saxo Grammaticus provided his people with a dignified and ambitious Latin account of their glorious past from the mythical past to the historical present -(He) collected the legends of Scandinavian gods and heroes, and arranged their exploits in a series of biographies' which ostensibly formed an unbroken sequence. He took his tales from a variety of sources, and readers will find his collection of myths, folklore and fabulous history fascinating - An accurate and readable translation of the nine mythological books based on the best scholarly edition'. RUTH MORSE, BRITISH BOOK NEWS.