How do women writers cope with changes and juggle the demands in their already full lives to make time for their lives as artists? In this anthology, noted female novelists, journalists, essayists, poets, and nonfiction writers address the old and new challenges of "doing it all" that face women writers as the twenty-first century approaches. With eloquence, sensitivity, and more than a touch of wry humor, Sleeping with One Eye Open relates positive stories from women who lead effective lives as artists, emphasizing how sources of inspiration, discipline, resourcefulness, and determination help them succeed despite the obstacle of "no time.

This book presents gender and diversity in smart transport as a cutting-edge issue in urban contexts around the globe. It addresses new challenges and possibilities related to the smart transport sector. It demonstrates how gender and diversity are entangled in concepts and various forms of current smart mobility practices in policy, planning, and innovation. Gender Smart Mobility is presented as a game changer for future transport planning and mobility practices and how smart mobility technologies and practices might be created as a common good for all. The readers are presented with fresh approaches ranging from intersectional and visual analysis of smart mobility, gender scripts and language, to gendered innovation of design and planning. Moreover, the readers will encounter engaging boxed features which present historical, cross-cultural, and methodological examples and pose questions for critical thinking. This book meets a need for a systematic, accessible, and practical introduction and is of interest to city planners, transport providers, and politicians as well as the general public. It will also be a valuable reference for graduate and postgraduate students at technical universities, schools of architecture and planning, and for students and faculties in the social sciences, humanities, and IT and design studies. The Open Access version of this book, available at www.taylorfrancis.com, has been made available under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International license. Funded by the University of Copenhagen and the Swedish National Road and Transport Research Institute.

This elegant and moving collection documents Hilda Raz's experience with breast cancer. The journey, from diagnosis to chemotherapy to mastectomy, from denial to humor to grief and rage, is ultimately one of courage and creativity. The poems themselves are accessible and finely wrought. They are equally testaments to Raz's insistence on making an order out of chaos, of finding ways to create and understand and eventually accept new definitions of good and evil, health, blame, and personal boundaries-in short, a new sense of self. These poems remain intimately bound to the world and of the senses, becoming documents of transformation.

This elegant and moving collection of poems grew out of Hilda Raz's experience with her son's journey to a transgender identity. Born Sarah, now Aaron, Raz's child has had a profound impact on her understanding of what it means to be a family, to be whole, and to know oneself. The collection moves between past and present, allowing Raz to reflect on her own childhood and on her experience with breast cancer to find ways to connect with Aaron. The journey takes us from intimacy to strangeness and back again, from denial to humor to grief and rage, but always laced with love and acceptance. "Trans" means across, through, over, to or on the other side, and beyond. This book documents some major transformations of body, self, society, and spirit that art requires and life allows. The poems are accessible and finely wrought. They are equally testaments to Raz's insistence on making an order out of chaos, of finding ways to create and understand and eventually accept new definitions of self and family. The physical and sensuous language of Raz's poems, and their humanity, keep them intimately bound to the world and to the senses.

This collection of poems is an exploration of lives and selves transformed by choice and by chance. Formally and thematically diverse, these poems are testament to the will to redefine oneself in a world of constant, and often painful, change. Beginning intimately with poems of personal examination and moving gradually to the world of shared experience, Hilda Raz rethinks the structures of family and community while examining the impact of loss and growth. All Odd and Splendid takes its title from a quotation attributed to Diane Arbus, the American photographer known for her portraits. Raz's poems share Arbus's steadfast celebration of the strangeness in the ordinary, bringing us into contact with a beauty and pain that are inseparable when we see things as they truly are.

In What Happens these musically wrought and emotionally candid poems explore the pleasure and pain of family relationships, the complicated joy of being a woman, and the unconventional beauty of the Great Plains. Readers will meet Raz's son, Aaron, and find themselves drawn to fundamental questions about identity and belonging.

Long's work begs to be read aloud in order to savor the rich language and rhythm she instills in each poem. She explores the beauty of specific bridges while employing them as a metaphor for crossings to death (a sister's suicide), eros, and art. Part elegy, the book also explores living, remembering, and celebrating.

After ten years of selecting great books from writers, new and established, Prairie Schooner celebrates the first decade of its Book Prize series by offering this collection of excerpts from each year's winners in fiction and poetry. Writers such as Brock Clarke, Anne Finger, Rynn Williams, and Paul Guest open windows to ordinary and fantastic experience showcasing the liveliness and power of contemporary literature. Greg Hrbek's darkly comic, genre-bending tales stand alongside Ted Gilley's stories about achieving bliss through pain and John Keeble's reflections on community and the difficulty of love. Here Shane Book's poems serve as an elegiac witness to suffering, while Kathleen Flenniken's poems consider ordinary women constructing their own significance, and Kara Candito's explore sex, loss, and human passions. Whether the topic is fantastic or quotidian, childbirth or monsters, South American airplane disaster or suburban Wisconsin, this writing carries us to the furthest reaches of human experience.

Born, raised, and educated in Lincoln, Nebraska, Loren Eiseley (1907-77) was a highly respected writer and poet best known for explaining complex scientific concepts in poems easily read and understood by the general public. Much of his work covered anthropology, ecology, and human evolution, topics in which Eiseley himself was extensively educated. "Loren Eiseley" collects essays and remembrances of his work by friends and academics. Throughout this volume, Eiseley is praised as a brilliant thinker, accomplished writer, and esteemed man of science who drew inspiration from his midwestern upbringing and worked to bring science into the mainstream at a time when its understanding was restricted largely to those working directly in the field. Decades after his departure from the world he sought to understand, Eiseley is lauded for beautifully joining the worlds of science and literature.

Now celebrating seventy-five years of continuous publication, "Prairie Schooner" has been called one of the best magazines in America by Nan Talese, "the roots" in Esquire's garden of contemporary literature, and one of the best places for "fabulous fiction" by the "Washington Post." One of the oldest and most prestigious literary journals in the country, it ranks among "Writer's Digest's" "Nineteen Magazines That Matter." This anthology collects some of the best fiction and poetry from the writers who have appeared in the journal's pages.

Called one of the best magazines in America by Nan Talese and "the roots" in "Esquire's" garden of contemporary literature, and named one of "Writer's Digest's" "Nineteen Magazines That Matter," "Prairie Schooner"--one of the oldest and most prestigious literary journals in the country--celebrates seventy-five years of continuous publication. This powerful anthology collects some of the best personal essays from the poets, novelists and critics who have appeared in the journal's pages.

Readers will explore a kaleidoscope of memories and experiences, including the power of a planting season, the catharsis that fishing holds for an adolescent boy, the literary fallout from a cousin's death, the lessons learned in the parlor of a Puerto Rican grandmother, the impact of discovering an identical twin's homosexuality, and the revelations of a homecoming.

"Being a man, like being a woman, is something you have to learn," Aaron Raz Link remarks. Few would know this better than the coauthor of What Becomes You, who began life as a girl named Sarah and twenty-nine years later began life anew as a gay man. Turning from female to male and from teaching scientist to theatre performer, Link documents the extraordinary medical, social, legal, and personal processes involved in a complete identity change. Hilda Raz, a well-known feminist writer and teacher, observes the process as both an "astonished" parent and as a professor who has studied gender issues. All these perspectives come into play in this collaborative memoir, which travels between women's experience and men's lives, explores the art and science of changing sex, maps uncharted family values, and journeys through a world transformed by surgery, hormones, love, and . . . clown school. Combining personal experience and critical analysis, the book is an unusual-and unusually fascinating-reflection on gender, sex, and the art of living.

Hilda Raz has long been a significant voice for American poetry. She writes of widows dancing and of squirrels fat in late September, of the power of a woman's voice, solitary, 'blessed to be the womb put to use or not.' Raz brings to her poetry and all the things it may encompass an authority wrought of compassion, of awareness and hard-won wisdom. She writes, 'I bent over the mess, began to gather it up' and this is an apt description for how a life might be crafted into poetry. She knows where poetry comes from, as Yeats did in his 'foul rag and bone shop,' that 'I'm not afraid anymore. / How heavy you were on my body. / How burnt I was from exposure.' The reader will remember the triumphs and heartbreaks, where 'I lean on rituals of the house. / Is it possible to live forever in silence?' and where a mother, dreaming,. . . sits in the rocking chair. From the shut closet, a cry. In the closet, wrapped in a snowsuit, under the zipper, one of the twins she gave birth to, this child in her arms. One twin died, she remembers, but this one is alive and mewing, a swollen belly, a perfect little head, a face. She'd forgotten him. No. I can fix everything.