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Joyce & Jung offers a uniquely feminist poststructuralist and
post-Jungian psychoanalytic analysis of Stephen Dedalus's
psychosexual growth in James Joyce's twentieth-century classic A
Portrait of the Artist as a Young Man. Hiromi Yoshida relocates
Stephen's growth within the Jungian soul-portrait gallery, known as
the "four stages of eroticism," in which Eve, Helen, Mary, and
Sophia are collective anima projections. Throughout this dazzling
lyrical analysis of poetic identity formation, the mother, the
prostitute, the Virgin Mary, and the Bird-Girl are celebrated as
Stephen Dedalus's ironically experienced anima women, who enable
his achievement of cross-dressed lyric authority.
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