Iets vreemd is in Rhynsburg aan die gang.

Lizelle het nie avontuur verwag toe sy een middag tydens haar Desembervakansie buite Stina’s Café vir die koerant gewag het met sambaksalf en ’n pakkie sigarette in die hand nie. Niks gebeur dan ooit in hierdie kurkdroeë klein Karoodorpie waar sy nou sit te danke aan haar pa se afdanking en haar ma se gebrek aan selfbeheer nie.

Maar sy kom vinnig agter iets is nie pluis nie. Die wit rose in almal se tuine steek iets baie meer onheilspellend weg – iets wat haar een aand aanval!

Lizelle het niks behalwe tyd nie, en sy is vasberade om uit te vind wat aangaan. Die koster en sy kerkklokke weet meer as wat hy voorgee, en so ook Wilma – die misterieuse bibliotekaresse wat deur die res van die dorp vermy word.

Sy is net glad nie voorbereid vir wat sy vind nie.

Drake ... in die Karoo.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Arts and Crafts Movement produced some of the country's most popular, loved and recognizable buildings. This book guides the general reader through its history from the mid-nineteenth century to the early twentieth. Of equal interest to those with a more informed interest, it will open your eyes to the richness and beauty of one of the most important artistic movements the British Isles ever produced. This beautifully illustrated book includes a comprehensive thematic introduction; an up-to-date history of Arts and Crafts architecture, the key individual and the characteristics of the buildings. In-depth case-studies of all the major buildings are given, as well as those overlooked by the current literature. There is a useful accompanying guide to places to visit and, finally, a list of stunning Arts and Crafts buildings you can stay in.