"[An] ingeniously plotted novel . . . Norman knows how to weave an enticing and satisfying mystery, one tantalizing thread at a time." -- New York Times Book Review A witty, engrossing homage to noir, from National Book Award finalist Howard Norman Jacob Rigolet, soon-to-be former assistant to a wealthy art collector, looks up from his seat at an auction--his mother, former head librarian at the Halifax Free Library, is walking almost casually up the aisle. Before a stunned audience, she flings an open jar of ink at master photographer Robert Capa's Death on a Leipzig Balcony. Jacob's police detective fiancee is assigned to the ensuing interrogation. My Darling Detective delivers a fond nod to classic noir, as Jacob's understanding of the man he has always assumed to be his father unravels against the darker truth of Robert Emil, a police officer suspected of murdering two Jewish residents during an upswing of anti-Semitism in 1945. The denouement, involving a dire shootout and an emergency delivery--it's the second Rigolet to be born in the Halifax library in a three decades--is Howard Norman at his uncannily moving best. "Norman works with an offhand ease and grace . . . Whimsy is balanced by moments of powerfully evoked realism." -- Washington Post "An unconventional, lively literary mystery." -- Kirkus Reviews

"The events of a single episode of Howard Norman's superb memoir are both on the edge of chaos and gathered superbly into coherent meaning . . . A wise, riskily written, beautiful book." -- Michael Ondaatje
Howard Norman's spellbinding memoir begins with a portrait, both harrowing and hilarious, of a Midwest boyhood summer working in a bookmobile, in the shadow of a grifter father and under the erotic tutelage of his brother's girlfriend. His life story continues in places as far-flung as the Arctic, where he spends part of a decade as a translator of Inuit tales--including the story of a soapstone carver turned into a goose whose migration-time lament is "I hate to leave this beautiful place"--and in his beloved Point Reyes, California, as a student of birds. Years later, in Washington, D.C., an act of deeply felt violence occurs in the form of a murder-suicide when Norman and his wife loan their home to a poet and her young son. In Norman's hands, life's arresting strangeness is made into a profound, creative, and redemptive story.
"Uses the tight focus of geography to describe five unsettling periods of his life, each separated by time and subtle shifts in his narrative voice . . . The originality of his telling here is as surprising as ever." -- "Washington Post"
"These stories almost seem like tall tales themselves, but Norman renders them with a journalistic attention to detail. Amidst these bizarre experiences, he finds solace through the places he's lived and their quirky inhabitants, human and avian." -- "The New Yorker"

Howard Norman, widely regarded as one of this country's finest novelists, returns to the mesmerizing fictional terrain of his major books--"The Bird Artist," "The Museum Guard," and "The Haunting of L"--in this erotically charged and morally complex story.

Seventeen-year-old Wyatt Hillyer is suddenly orphaned when his parents, within hours of each other, jump off two different bridges--the result of their separate involvements with the same compelling neighbor, a Halifax switchboard operator and aspiring actress. The suicides cause Wyatt to move to small-town Middle Economy to live with his uncle, aunt, and ravishing cousin Tilda.

Setting in motion the novel's chain of life-altering passions and the wartime perfidy at its core is the arrival of the German student Hans Mohring, carrying only a satchel. Actual historical incidents--including a German U-boat's sinking of the Nova Scotia-Newfoundland ferry "Caribou," on which Aunt Constance Hillyer might or might not be traveling--lend intense narrative power to Norman's uncannily layered story.

Wyatt's account of the astonishing--not least to him-- events leading up to his fathering of a beloved daughter spills out twenty-one years later. It's a confession that speaks profoundly of the mysteries of human character in wartime and is directed, with both despair and hope, to an audience of one.

An utterly stirring novel. This is Howard Norman at his celebrated best.

With tales from the tribal peoples of Greenland, Canada, Siberia, Alaska, Japan, and the polar region, told and retold during months-long winter nights, "Northern Tales" gathers together a rich diversity of traditions and cultures, spanning the Way-Back Time through the coming of the first white explorers. By turns tragic and comic, fantastic and earthy, frivolous and profound, this collection transports the reader to the haunting, little-known world of the far North, with all its fragile majesty and power.

Like many of Howard Norman's celebrated novels, this intense and intriguingly unconventional love story begins with a crime. David Kozol has assaulted his father-in-law on a London street. What could possibly enrage David enough that he would strike the father of his new bride? Why would William, the gentle caretaker of an estate in Nova Scotia -- along with its flock of swans -- be so angry at the man who has just married his beloved daughter Maggie? And what would lead Maggie to believe that David has been unfaithful to her?
At its core, Devotion is an elegantly constructed, unsparing examination of love in its various forms -- romantic, filial -- and of course, love for the vast open spaces of the natural world.

In the fall of 1977, Howard Norman went to Churchill, Manitoba, to translate Inuit folktales, and there he met Helen Tanizaki, an extraordinary linguist translating the same tales into Japanese. "In Fond Remembrance of Me" recaptures their intimacy, and the remarkable influence that she, and the tales themselves, would have on the future novelist. Through a series of overlapping panels of reality and memory, Norman evokes with vivid immediacy their brief but life-shifting encounter, and the earthy, robust Inuit folklore that occasioned it.

Howard Norman's The Bird Artist, the first book of his Canadian trilogy, begins in 1911. Its narrator, Fabian Vas is a bird artist: He draws and paints the birds of Witless Bay, his remote Newfoundland coastal village home. In the first paragraph of his tale Fabian reveals that he has murdered the village lighthouse keeper, Botho August. Later, he confesses who and what drove him to his crime—a measured, profoundly engrossing story of passion, betrayal, guilt, and redemption between men and women.