In Leaves from the Garden of Eden, Howard Schwartz, a three-time winner of the National Jewish Book Award, has gathered together one hundred of the most astonishing and luminous stories from Jewish folk tradition.
Just as Schwartz's award-winning book Tree of Souls: The Mythology of Judaism collected the essential myths of Jewish tradition, Leaves from the Garden of Eden collects one hundred essential Jewish tales. As imaginative as the Arabian Nights, these stories invoke enchanted worlds, demonic realms, and mystical experiences. The four most popular types of Jewish tales are gathered here--fairy tales, folktales, supernatural tales, and mystical tales--taking readers on heavenly journeys, lifelong quests, and descents to the underworld. King David is still alive in the City of Luz, which the Angel of Death cannot enter, and somewhere deep in the forest a mysterious cottage contains the candle of your soul. In these stories, a bride who is not careful may end up marrying a demon, while the charm sewn into a dress may drive a pious woman to lascivious behavior. There is a dybbuk lurking in a well, a book that comes to life, and a world where Lilith, the Queen of Demons, seduces the unsuspecting. Here too are Jewish versions of many of the best-known tales, including "Cinderella," "Snow White," and "Rapunzel." Schwartz's retelling of one of these stories, "The Finger," inspired Tim Burton's film Corpse Bride.
With its broad selection from written and oral sources, Leaves from the Garden of Eden is a landmark collection, representing the full range of Jewish folklore, from the Talmud to the present. It is a must-read for everyone who loves fiction and an ideal holiday gift.

Only one of the world's mythologies has remained essentially unrecognized-the mythology of Judaism. As Howard Schwartz reveals in Tree of Souls, the first anthology of Jewish mythology in English, this mythical tradition is as rich and as fascinating as any in the world. Drawing from the Bible, the Pseudepigrapha, the Talmud and Midrash, the kabbalistic literature, medieval folklore, Hasidic texts, and oral lore collected in the modern era, Schwartz has gathered together nearly 700 of the key Jewish myths. The myths themselves are marvelous. We read of Adam's diamond and the Land of Eretz (where it is always dark), the fall of Lucifer and the quarrel of the sun and the moon, the Treasury of Souls and the Divine Chariot. We discover new tales about the great figures of the Hebrew Bible, from Adam to Moses; stories about God's Bride, the Shekhinah, and the evil temptress, Lilith; plus many tales about angels and demons, spirits and vampires, giant beasts and the Golem. Equally important, Schwartz provides a wealth of additional information. For each myth, he includes extensive commentary, revealing the source of the myth and explaining how it relates to other Jewish myths as well as to world literature (for instance, comparing Eve's release of evil into the world with Pandora's). For ease of use, Schwartz divides the volume into ten books: Myths of God, Myths of Creation, Myths of Heaven, Myths of Hell, Myths of the Holy Word, Myths of the Holy Time, Myths of the Holy People, Myths of the Holy Land, Myths of Exile, and Myths of the Messiah. Schwartz, a renowned collector and teller of traditional Jewish tales, now illuminates the previously unexplored territory of Jewish mythology. This pioneering anthology is essential for anyone interested in the Hebrew Bible, Jewish faith and culture, and world mythology.

Reimagining the Bible collects a dozen essays by Howard Schwartz. Together the essays present a coherent theory of the way in which each successive phase of Jewish literature has drawn upon and reimagined the previous ones. The book is organized into four sections: The Ancient Models; The Folk Tradition; Mythic Echoes; Modern Jewish Literature and the Ancient Models. Within these divisions, each of the essays focuses on a specific genre, ranging from Torah and Aggadah to Kabbalah, fairy tales, and the modern Yiddish stories of S.Y. Agnon and Isaac Bashevis Singer.
Arguing the important thesis that there is a continuity in Jewish literature which extends from the Biblical era to our own times, over a period of more than 3,000 years, this collection also serves as a guide to the history of that literature, and to the genres it comprises.

The Revolt of the Primitive explores the psychological dynamics of political correctness and gender warfare. Author Howard Schwartz argues that perceptions of men as abusers, sexual predators, and deadbeat dads have become firmly entrenched in our culture due to fantasy rather than solid, objective facts. This volume delves into the psychological forces that have given rise to these ideas and reveals the hard facts about men and women in our society. Schwartz illustrates how feminists have taken the most vulgar stereotype of men and pronounced it a universal and inviolable cultural norm. He then examines his thesis in the context of work and the work organization, discussing how the feminization of the workplace has been driven by the archetypal need to remake it into a maternal world, banishing the limitations that shape survival and progress. He examines the traditional sexual division of labor and its alleged oppressive nature. He also discusses the psychological forces that drive the idea of placing women in combat roles in the military. Howard S. Schwartz is a professor of organizational behavior in the School of Business Administration at Oakland University in Rochester, Michigan, and is one of the founders of the International Society for Psychoanalytic Study of Organizations (ISPSO).

Robert G. Gregory challenges the apparent assumption that non-Western peoples lack a significant indigenous philanthropic culture. Focusing on the large South Asian community in East Africa, he relates how, over a century, they built a philanthropic culture of great magnitude, and how it finally collapsed under the ascendency of increasing state regulation and policies directed against non-African communities. Compelled by poverty to seek better oppurtunities overseas, most Asians arrived in East Africa as peasant farmers. Denied access to productive land and sensing economic opportunity, they turned to business. Despite severe forms of racial discrimination in the colonial society, they suffered few restrictions on their business enterprises and some became very wealthy. Gregory's historical analysis shows philanthropy as an important contribution, one that stemmed from deep roots in Hindu, Muslim, and Buddhist culture. The sense of nonracial social responsibility cultivated social, medical, and educational facilities designed for all. This age of philanthropy terminated with the Asian exodus. The socialist and racial policies adopted by East African governments over the past few decades have virtually destroyed the foundation necessary for philanthropy as well as the distinct Asian cultural identity. Gregory's account of the East Asian's role in philanthropy deserves great attention and sober reflection.

Robert G. Gregory challenges the apparent assumption that non-Western peoples lack a significant indigenous philanthropic culture. Focusing on the large South Asian community in East Africa, he relates how, over a century, they built a philanthropic culture of great magnitude, and how it finally collapsed under the ascendency of increasing state regulation and policies directed against non-African communities.

Compelled by poverty to seek better oppurtunities overseas, most Asians arrived in East Africa as peasant farmers. Denied access to productive land and sensing economic opportunity, they turned to business. Despite severe forms of racial discrimination in the colonial society, they suffered few restrictions on their business enterprises and some became very wealthy. Gregory's historical analysis shows philanthropy as an important contribution, one that stemmed from deep roots in Hindu, Muslim, and Buddhist culture. The sense of nonracial social responsibility cultivated social, medical, and educational facilities designed for all.

This age of philanthropy terminated with the Asian exodus. The socialist and racial policies adopted by East African governments over the past few decades have virtually destroyed the foundation necessary for philanthropy as well as the distinct Asian cultural identity. Gregory's account of the East Asian's role in philanthropy deserves great attention and sober reflection.

"The Revolt of the Primitive" explores the psychological dynamics of political correctness and gender warfare. Author Howard Schwartz argues that perceptions of men as abusers, sexual predators, and deadbeat dads have become firmly entrenched in our culture due to fantasy rather than solid, objective facts. This volume delves into the psychological forces that have given rise to these ideas and reveals the hard facts about men and women in our society.
Schwartz illustrates how feminists have taken the most vulgar stereotype of men and pronounced it a universal and inviolable cultural norm. He then examines his thesis in the context of work and the work organization, discussing how the feminization of the workplace has been driven by the archetypal need to remake it into a maternal world, banishing the limitations that shape survival and progress. He examines the traditional sexual division of labor and its alleged oppressive nature. He also discusses the psychological forces that drive the idea of placing women in combat roles in the military.
""The Revolt of the Primitive" is one of the most original, profound, and disturbing analyses of cultural politics in our time. It raises the discourse of gender politics and gender wars to an altogether higher level, revealing some of the primitive emotional forces that loom behind the vilification of the father and its dire consequences for our cultural and political institutions."--Yiannis Gabriel, professor of organizational behavior, Imperial College, London
"I heartily commend and recommend Schwartz's book. It] is a monument in thought that towers conspicuously above the figurative rubble of our age."--Lou Marinoff, professor of philosophy, City College of New York
""The Revolt of the Primitive" is a fascinating account of an intellectual's attempt to understand his own history and the strange cultural forms which give shape to it, past and present. In documenting these bizarre forms and attempting to specify their inner meaning, Schwartz teaches us a lot about what motivates some of the key political struggles of our time."--"Human Relations"
Howard S. Schwartz is a professor of organizational behavior in the School of Business Administration at Oakland University in Rochester, Michigan, and is one of the founders of the International Society for Psychoanalytic Study of Organizations (ISPSO).

A vast bounty of tales recounting mystical experiences among the rabbis can be found in the Talmud, the Zohar, Jewish folktales, and Hasidic lore. Now, in Gabriel's Palace, scholar Howard Schwartz has collected the greatest of these stories, sacred and secular, in a marvelously readable anthology.
Gabriel's Palace offers a treasury of 150 pithy and powerful tales, involving experiences of union with the divine, out-of-body travel, encounters with angels and demons, possession by spirits holy and pernicious, and more. Schwartz provides an informative introduction placing these remarkable tales firmly in the context of centuries of post-biblical Jewish tradition. The body of the text presents spellbinding tales from the Talmud, Zohar, the Hasidic masters, and an enormous range of other sources. Here are stories of Shimon bar Yohai, reputed to be the author of the Zohar; Isaac Luria, known as the Ari, who was the central figure among the Safed mystics of the 16th century; Israel ben Eliezer, known as Baal Shem Tov, who founded Hasidism; Elimelech of Lizensk, possessor of legendary mystical powers; and Nachman of Bratslav, the great storyteller whose wandering spirit is said to protect his followers to this day. Together, these tales paint a vivid picture of "a world of signs and symbols, where everything that took place had meaning, a world of mythic proportions....A world in which the spirits of the dead were no longer invisible, nor the angels," where the master and his disciples labor to repair the world so that the footsteps of the Messiah might be heard.
Drawn from rabbinic, kabbalistic, folk, and Hasidic sources, these collected tales form a rich genre all their own. In Gabriel's Palace, the powerful tradition of Jewish mysticism comes to life in clear, contemporary English.

This is a collection of essays drawn from Schwartz's previously published work in which he explores how each successive phase of Jewish literature has drawn upon and reimagined the previous ones. Arguing that there is a continuity in Jewish literature which extends from the biblical era to our own times, this collection serves as a useful guide to the history of that literature and its genres.

Rabbi Nachman of Bratslav (1772-1810) is widely considered to be one of the foremost visionary storytellers of the Hasidic movement. The great-grandson of the Ba'al Shem Tov, founder of the movement, Rabbi Nachman came to be regarded as a great figure and leader in his own right, guiding his followers on a spiritual path inspired by Kabbalah. In the last four years of his life he turned to storytelling, crafting highly imaginative, allegorical tales for his Hasidim. Three-time National Jewish Book Award winner Howard Schwartz has masterfully compiled the most extensive collection of Nachman's stories available in English. In addition to the well-known Thirteen Tales, including "The Lost Princess" and "The Seven Beggars," Schwartz has included over one hundred narratives in the various genres of fairy tales, fables, parables, dreams, and folktales, many of them previously unknown or believed lost. One such story is the carefully guarded "Tale of the Bread," which was never intended to be written down and was only to be shared with those Bratslavers who could be trusted not to reveal it. Eventually recorded by Rabbi Nachman's scribe, the tale has maintained its mythical status as a "hidden story." With utmost reverence and unfettered delight, Schwartz has carefully curated A Palace of Pearls alongside masterful commentary that guides the reader through the Rabbi's spiritual mysticism and uniquely Kabbalistic approach, ultimately revealing Rabbi Nachman to be a literary heavyweight in the vein of Gogol and Kafka. Vibrant, wise, and provocative, this book is a must-read for any lover of fairy tales and fables.

Once upon a time in the city of Tunis, a flirtatious young girl was drawn into Lilith's dangerous web by glancing repeatedly at herself in the mirror. It seems that a demon daughter of the legendary Lilith had made her home in the mirror and would soon completely possess the unsuspecting girl. Such tales of terror and the supernaturual occupy an honored position in the Jewish folkloric tradition.

Howard Schwartz has superbly translated and retold fifty of the best of these folktales, now collected into one volume for the first time. Gathered from countless sources ranging from the ancient Middle East to twelfth-century Germany and later Eastern European oral tradition, these captivating stories include Jewish variants of the Pandora and Persephone myths and of such famous folktales as "The Fisherman and His Wife," "The Sorcerer's Apprentice," and "Bluebeard," as well as several tales from the Middle Ages that have never before been published.

Focusing on crucial turning points in life--birth, marriage, and death--the tales feature wandering spirits, marriage with demons, werewolves, speaking heads, possession by dybbuks (souls of the dead who enter the bodies of the living), and every other kind of supernatural adversary. Readers will encounter a carpenter who is haunted when he makes a violin from the wood of a coffin; a wife who saves herself from the demoness her husband has inadvertently married by agreeing to share him for an hour each day; and the age-old tale of Lilith, Adam's first wife, who refused to submit to him and instead banished herself from the Garden of Eden to give birth to the demons of the world.

Drawn from Rabbinic sources, medieval Jewish folklore, Hasidic texts, and oral tradition, these stories will equally entrance readers of Jewish literature and those with an affection for fantasy and the supernatural.

In this magical collection, Howard Schwartz has gathered together and retold thirty-six Jewish fairy tales that are at once otherworldly and earthy, pious and playful. Drawn from sources as diverse as Morocco and India, Spain and Eastern Europe, Babylon and Egypt, the stories are characterized by their infusion of traditional Jewish characters with the archetypal forms found in all fairy tales, or by their treatment of Jewish religious themes. The book combines the playfulness of fairy tales that will be loved by children with the author's depth of knowledge of the historical origins of the tales. Throughout one can find the quests and riddles of the traditional fairy tale along with the divine intervention that characterizes the Jewish fairy tale.

Only one of the world's mythologies has remained essentially unrecognized-the mythology of Judaism. As Howard Schwartz reveals in Tree of Souls, the first anthology of Jewish mythology in English, this mythical tradition is as rich and as fascinating as any in the world. Drawing from the Bible, the Pseudepigrapha, the Talmud and Midrash, the kabbalistic literature, medieval folklore, Hasidic texts, and oral lore collected in the modern era, Schwartz has gathered together nearly 700 of the key Jewish myths. The myths themselves are marvelous. We read of Adam's diamond and the Land of Eretz (where it is always dark), the fall of Lucifer and the quarrel of the sun and the moon, the Treasury of Souls and the Divine Chariot. We discover new tales about the great figures of the Hebrew Bible, from Adam to Moses; stories about God's Bride, the Shekhinah, and the evil temptress, Lilith; plus many tales about angels and demons, spirits and vampires, giant beasts and the Golem. Equally important, Schwartz provides a wealth of additional information. For each myth, he includes extensive commentary, revealing the source of the myth and explaining how it relates to other Jewish myths as well as to world literature (for instance, comparing Eve's release of evil into the world with Pandora's). For ease of use, Schwartz divides the volume into ten books: Myths of God, Myths of Creation, Myths of Heaven, Myths of Hell, Myths of the Holy Word, Myths of the Holy Time, Myths of the Holy People, Myths of the Holy Land, Myths of Exile, and Myths of the Messiah. Schwartz, a renowned collector and teller of traditional Jewish tales, now illuminates the previously unexplored territory of Jewish mythology. This pioneering anthology is essential for anyone interested in the Hebrew Bible, Jewish faith and culture, and world mythology.

Retellings of twelve traditional tales from Jewish folklore featuring elements of magic and relating to holidays, including Rosh Hodesh, Sukkot, Tu bi-Shevat, and Shabbat.

What is real and what is imaginary? Do evil creatures lurk in the shadows? Do demons attack the helpless? Are there such things as invisible men? For generations, storytellers have given substance to our worst fears. In Ask the Bones, master storytellers Arielle North Olson and Howard Schwartz retell a varied selection of the world's most frightening folktales. Be warned-these stories could scare you to death!

Illustrated by David Linn.

"These twenty-two stories provide a wide variety of supernatural happenings that won't disappoint the young horror acolyte." (The Horn Book, starred review)

In this collection of fifteen classic Jewish folktales, the authors share some of the richest stories of Jewish tradition from countries the world over, including France, Turkey, Israel, Yemen, Egypt, and Iraq, thus opening up new worlds for young readers. Each tale, magnificently illustrated with a pen-and-ink drawing, reveals a specific Jewish value handed down from one generation to the next.

Efforts to reconstruct the reality of a social scene have evolved numerous theoretical and methodological strategies. Qualitative sociology fills the gap in existing literature by providing a comprehensive and detailed treatment of the broad range of non-quantitative methods currently being used in sociological research, with the conceptual rationales for each method.

Recognizing the need for a clear, concise discussion of both the theoretical and practical aspects of "reality reconstruction" and "formal sociology," Drs. Schwartz and Jacobs draw on the theories and strategies of Weber, Mead, Blumer, Glaser, Straus, Simmel, Goffman, Schutz, Garfinkel, and Cicourel, among others, to justify, explain, and illustrate:

field studies

participant observation (ethnography)

interviewing

life histories and personal accounts

the analysis of unobtrusive measures

audio-visual techniques

methods of studying and subjectivity

phenomenology

and more

Thus, the authors not only describe the various theories and methods, but they add to the reader's understanding by providing insight into who has used the methods and why, and by evaluating the strengths and weaknesses of each method. They also supplement the text throughout with a collection of case studies which illustrate the kind of substantive work qualitative research can produce.

No other available text covers as many methods as are described in Qualitative Sociology. All the methods are examined in an informal, conversational style, making the discussion accessible to the student with no previous knowledge of qualitative theories and practices.

In Leaves from the Garden of Eden, Howard Schwartz, a three-time winner of the National Jewish Book Award, has gathered together one hundred of the most astonishing and luminous stories from Jewish folk tradition. Just as Schwartz's award-winning book Tree of Souls collected the essential myths of Jewish tradition, Leaves from the Garden of Eden collects one hundred essential Jewish tales. As imaginative as the Arabian Nights, these stories invoke enchanted worlds, demonic realms, and mystical experiences. The four most popular types of Jewish tales are gathered here-fairy tales, folktales, supernatural tales, and mystical tales-taking readers on heavenly journeys, lifelong quests, and descents to the underworld. There is a dybbuk lurking in a well, a book that comes to life, and a world where Lilith, the Queen of Demons, seduces the unsuspecting. Here too are Jewish versions of many of the best-known tales, including "Cinderella," "Snow White," and "Rapunzel." Schwartz's retelling of one of these stories, "The Finger," inspired Tim Burton's film Corpse Bride.