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This is an open access book. This book is the first comprehensive
and systematic study on the Chinese Marxist literary criticism as
an independent theoretical form. It discusses and describes the
theoretical features of the Chinese form of Marxist literary
criticism by refining and re-interpreting the iconic key concepts
of “people,” “nation,” “politics,” “praxis,” and
the relationships between literature and high-tech, literature and
capital. The value judgment of literary criticism has also been
discussed at length, and insightful and valuable views have been
provided. This book is a brilliant introduction and the ideal
academic material for global readers to grasp the essence of
Chinese Marxist literary thoughts.
This is an open access book. This book is the first comprehensive
and systematic study on the Chinese Marxist literary criticism as
an independent theoretical form. It discusses and describes the
theoretical features of the Chinese form of Marxist literary
criticism by refining and re-interpreting the iconic key concepts
of “people,” “nation,” “politics,” “praxis,” and
the relationships between literature and high-tech, literature and
capital. The value judgment of literary criticism has also been
discussed at length, and insightful and valuable views have been
provided. This book is a brilliant introduction and the ideal
academic material for global readers to grasp the essence of
Chinese Marxist literary thoughts.
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Making - DNA #7 (Paperback)
Katrin Klingan, Nick Houde, Johanna Schindler; Text written by Luis Campos, Maria Chehonadskih, …
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R311
Discovery Miles 3 110
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Ships in 12 - 17 working days
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This is a stunning presentation of works by contemporary Chinese
artists, from the collection of the Swiss diplomat Uli Sigg, one of
the world's most influential collectors of Chinese contemporary
art. This book reflects on the current state of art in China today
through a selection of over 50 works by different artists produced
between 1986 and 2006 - a period of enormous economic and social
change in the country with worldwide implications. This book shows
Chinese avant-garde art against the backdrop of China's radical
social and economic changes. Many of the works reveal the tension
between current socialist ideals and the new consumerism shifting
towards a capitalist economy.
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