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The Tenth Edition introduces diverse, compelling, relevant
texts-from Civil War songs and stories to The Turn of the Screw to
The Great Gatsby to poems by Juan Felipe Herrera and Claudia
Rankine to a science fiction cluster featuring Octavia Butler and
N. K. Jemisin. And continuing its course of innovative and
market-responsive changes, the anthology now offers resources to
help instructors meet today's teaching challenges. Chief among
these resources is InQuizitive, Norton's award-winning learning
tool, which includes interactive questions on the period
introductions and often-taught works in the anthology. In addition,
the Tenth Edition maintains the anthology's exceptional editorial
apparatus and generous and diverse slate of texts overall.
Available in print and as an annotatable ebook, the Shorter Tenth
Edition is ideal for online, hybrid or in-person teaching.
The Tenth Edition introduces diverse, compelling, relevant
texts-from Civil War songs and stories to The Turn of the Screw to
The Great Gatsby to poems by Juan Felipe Herrera and Claudia
Rankine to a science fiction cluster featuring Octavia Butler and
N. K. Jemisin. And continuing its course of innovative and
market-responsive changes, the anthology now offers resources to
help instructors meet today's teaching challenges. Chief among
these resources is InQuizitive, Norton's award-winning learning
tool, which includes interactive questions on the period
introductions and often-taught works in the anthology. In addition,
the Tenth Edition maintains the anthology's exceptional editorial
apparatus and generous and diverse slate of texts overall.
Available in print and as an annotatable ebook, the Shorter Tenth
Edition is ideal for online, hybrid or in-person teaching.
The Tenth Edition introduces diverse, compelling, relevant
texts-from Civil War songs and stories to The Turn of the Screw to
The Great Gatsby to poems by Juan Felipe Herrera and Claudia
Rankine to a science fiction cluster featuring Octavia Butler and
N. K. Jemisin. And continuing its course of innovative and
market-responsive changes, the anthology now offers resources to
help instructors meet today's teaching challenges. Chief among
these resources is InQuizitive, Norton's award-winning learning
tool, which includes interactive questions on the period
introductions and often-taught works in the anthology. In addition,
the Tenth Edition maintains the anthology's exceptional editorial
apparatus and generous and diverse slate of texts overall.
Available in print and as an annotatable ebook, the anthology is
ideal for online, hybrid or in-person teaching.
The Tenth Edition introduces diverse, compelling, relevant
texts-from Civil War songs and stories to The Turn of the Screw to
The Great Gatsby to poems by Juan Felipe Herrera and Claudia
Rankine to a science fiction cluster featuring Octavia Butler and
N. K. Jemisin. And continuing its course of innovative and
market-responsive changes, the anthology now offers resources to
help instructors meet today's teaching challenges. Chief among
these resources is InQuizitive, Norton's award-winning learning
tool, which includes interactive questions on the period
introductions and often-taught works in the anthology. In addition,
the Tenth Edition maintains the anthology's exceptional editorial
apparatus and generous and diverse slate of texts overall.
Available in print and as an annotatable ebook, the anthology is
ideal for online, hybrid or in-person teaching.
The most-trusted anthology for complete works, balanced selections
and helpful editorial apparatus, The Norton Anthology of American
Literature features a cover-to-cover revision. The ninth edition
introduces new General Editor Robert Levine and three
new-generation editors who have reenergised the volume across the
centuries. Fresh scholarship, new authors-with an emphasis on
contemporary writers-new topical clusters and a new ebook make the
Norton Anthology an even better teaching tool and an unmatched
value for students.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
Unlike some other reproductions of classic texts (1) We have not
used OCR(Optical Character Recognition), as this leads to bad
quality books with introduced typos. (2) In books where there are
images such as portraits, maps, sketches etc We have endeavoured to
keep the quality of these images, so they represent accurately the
original artefact. Although occasionally there may be certain
imperfections with these old texts, we feel they deserve to be made
available for future generations to enjoy.
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