Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

A STAFF OFFICERS SCRAP-BOOK DURING THE RUSSO-JAPANESE WAR by SIR IAN HAMILTON, K. C. B. WITH ILLUSTRATIONS, MAPS AND PLANS. Originally published in 1906. PREFACE: IT is difficult to convey to the peaceable citizens of Greater Britain a true picture of that glorious and impressive survival from heroic times, a nation in arms. The difficulty is enhanced by the fact that military history must be always to some extent misleading. If facts are hurriedly issued, fresh from the mint of battle, they cannot be expected to supply an account which is either well balanced or exhaustive. On the other hand, it is equally certain that, when once the fight has been fairly lost or won, it is the tendency of all ranks to combine and recast the story of their achievement into a shape which shall satisfy the susceptibilities of national and regimental vain glory. It is then already too late for the painstaking historian to set to work. He may record the orders given and the movements which ensued, and lie may build up thereon any ingenious theories which occur to him but to the hopes and fears which dictated those orders, and to the spirit and method in which those movements were executed, he has for ever lost the clue. On the actual da r of battle naked truths may be picked up for the asking by the following morning they have already begun to get into their uniforms. If the impressions here recorded possess any value, it will be because they do faithfully represent the facts as they appeared to the First Japanese Army while the wounded still lay bleeding upon the stricken field. Further than this they do not profess to go. The time has hardly yet come for a full and critical account by an ex-attache of awar round which so many conflicting national ambitions have revolved. Meanwhile these scraps, snap-shots, by-products, or whatever they may be called, are offered to the public in the hope that they may interest, without hurting the feelings of either of the great armies concerned. If this hope should be realised, I shall be encouraged to advance with Kuroki through conflicts fiercer and bloodier far than any I have here attempted to set down. My special thanks are due to Captain Vincent for the help he has given me, and for the maps, sketches and photographs with which the volume is illustrated. It is hardly necessary for rne here to acknowledge my indebtedness to my kind hosts, or to other British attaches, for this will become patent to the reader as he reads. TAX HAMILTON. Contents include: CHAPTER 1 . PAGE I. FIRST IMPRESSIONS OF THE JAPANESE ARMY ... 1 II. SOME NEW ACQUAINTANCES 1 J III. THREE PLEASING TRAITS 36 IV. FROM TOKIO TO THE YALU 44 V. FENGHUANGCIIENG 64 VI. THE POSITION ON THE YAH . .... 73 VII. THE BATTLE OF THE YALU 97 VIII. THE ATTACHES ARE ENTERTAINED . ... 140 IX. THE CHINESE GENERAL PAYS A VISIT . . 161 X. GENERAL FUJII TALKS 180 XI. THE FEAST OF THE DEAD 193 XII. ON THE MARCH AT LAST 210 XIII. AN AFFAIR OF OUTPOSTS 230 XIV. THE BATTLE OF THE HKAVEN-REACHJNG PASS, . 253 XV. CHAOTAO 280 XVI. A PAUSE BEFORE THE ADVANCE 302 XVII. THE BATTLE OF YUSHIKEI. i315 KVI11. THE DISASTROUS RETREAT FKOM PENLIN . . . 330 ILLUSTRATIONS MAPS AND SKETCHES I. General Map of Korea and Manchuria . .... At end II. Map of the Battle of the Yalu To face page 134 III. Map of the Fight at Hamaton, , 126 IV. Panorama of the Battle of the Yalu from Wiju . 90 V. Panorama of Fenghuangcheng 174VI. View of the Motienling Range from a Mountain above Lienshankuan 234 VII. The First Russian Attack on the Motienling, July 4th, 1904 23 x ILLUSTRATIONS VIII. View of the Motienling from the Old Temple, in con nection with the Second Russian Attack on July 17th, 1904 To face page 274 IX. Plan of the Battle of Motienling, July 17th, 1904 . . 276 X. Plan of the Fight of the 16th Regiment on July 17th, 1904 ..., , 278 XI...

This impressive volume provides over 1,500 thoroughly revised and updated entries on modern poets active from 1910 to the present day. An extensive guide to the lives of influential poets writing in English, in Britain and around the world, this companion helps to illuminate the influences, inspirations, and movements that have shaped the lives and works of these important authors. First published in 1994 as the Oxford Companion to Twentieth Century Poetry in English and compiled by a team of 230 experts, including famous poets such as Carol Rumens and Andrew Motion, this edition also includes new biographical entries on more contemporary poets such as Don Paterson, Anne Carson, John Kinsella, and Leslie Marmon Silko. It also contains insightful entries by well-known peers, such as Seamus Heaney on Robert Lowell and Anne Stevenson on Sylvia Plath. The A-Z biographies are complemented by new appendices including coverage of poetry events and movements and lists of anthologies and important poetry prizes and prize-winners. In addition, many entries include details of in-depth supplementary material available online on the dedicated companion website. This superb reference work is the ideal companion for students of English Literature, Language, and Creative Writing, as well as for anyone with an interest in modern poetry.

Originally published in 1987 and taking a review of the theories and processes of industrial relocation as its starting point, this book examines the nature of organisational and technologcal changes in detail and concludes with a series of industry case studies drawn from areas throughout the world. The book examines the salient features and implications of the reorganisation of industries and industrial enterprises, reflecting their development or harnessing of technological changes - not least ot increase their bargaining power with, control over, or use of labour. Various chapters discuss policy-making and the role of the State posed by the speed, scale and character of the changes.

The ten years before this book was originally published in 1986 saw major restructuring in the economies of the developed world. This was often closely related to industrial development in newly industrializing and third world countries. This book examines the performance of these developing countries and includes studies of 'peripheral regions' - less developed regions within more advanced economies. The overall findings are that whilst some areas and countries have success stories to tell (such as Korea), many so-called newly industrializing countries and regions have had serious problems.

The ten years before this book was originally published in 1986 saw major restructuring in the economies of the developed world. This was often closely related to industrial development in newly industrializing and third world countries. This book examines the performance of these developing countries and includes studies of 'peripheral regions' - less developed regions within more advanced economies. The overall findings are that whilst some areas and countries have success stories to tell (such as Korea), many so-called newly industrializing countries and regions have had serious problems.

This Companion is both an alphabetically arranged reference work and, in its sum, a history, a map of modern poetry in English. From the last decade of the century, it offers a survey of the terrain, from 1900 to the present, and from Britain and America to New Zealand, Pakistan, Singapore, Trinidad, Zimbabwe - anywhere, if fact, where poets write in English. It charts the shift from `poetry' to `poetries' - from primarily British and American traditions to a rich diversity of younger poetic identities elsewhere. The only comprehensive work of its kind, it covers not just individuals - some 1,500 of them - but also magazines, movements, concepts, and critical terms. Edited and introduced by Ian Hamilton, himself a notable poet, The Companion to Twentieth-Century Poetry in English has the distinction of including among its contributors many other celebrated poet-critics, often in intriguing author/subject combinations. Encounter, for example, Seamus Heaney writing on Robert Lowell, Dan Jacobson on Thomas Hardy, Jon Stallworthy on Rupert Brooke, Carol Rumens on Edith Sitwell, Andrew Motion on Edward Thomas, and Anne Stevenson on Sylvia Plath. These and other writers offer lively and opinionated critical assessments as well as biographical and bibliographical information. And, as one soon discovers, twentieth-century poets have lived far from humdrum lives. Twenty-seven here had nervous breakdowns, nineteen served time in jail, fourteen died in battle, three were murdered, one executed. One played hockey for his country. There were fifteen suicides, and one poet who staged his own death only to reappear, still writing poetry, under a new name.

Literature and a love of the English countryside are natural companions. Walking the Literary Landscape by Ian Hamilton and Diane Roberts brings the two together in a collection of 20 circular routes in the north of England, all between 3 and 9 miles (5 and 15 kilometres) in length. The walks explore the physical settings that inspired some of our greatest literature. Walk in the footsteps of writers like Arthur Ransome, who drew inspiration from the Lake District for his classic children's adventure Swallows and Amazons, or the Bronte sisters whose love of the moors around Haworth echoes through the centuries. See Chatsworth, the Peak District house that thrilled Jane Austen, and tread carefully in Whitby, the Yorkshire seaside town where Bram Stoker set his most famous creation Dracula. Each route introduces you to a landscape familiar to some of our greatest writers, and is accompanied by clear and easy-to-use Ordnance Survey 1:25,000 maps, straightforward directions, and information on each area's literary links, refreshment stops and local amenities. Everything you need for a great literary walk.