For anyone with an interest in the early history of Islam, this erudite anthology will prove to be informative and enlightening.
Scholars have long known that the text of the Koran shows evidence of many influences from religious sources outside Islam. For example, stories in the Koran about Abraham, Moses, Jesus, and other characters from the Bible obviously come from the Jewish Torah and the Christian Gospels. But there is also evidence of borrowing in the Koran from more obscure literature.
In this anthology, the acclaimed critic of Islam Ibn Warraq has assembled scholarly articles that delve into these unusual, little-known sources. The contributors examine the connections between pre-Islamic poetry and the text of the Koran; and they explore similarities between various Muslim doctrines and ideas found in the writings of the Ebionites, a Jewish Christian sect that existed from the second to the fourth centuries. Also considered is the influence of Coptic Christian literature on the writing of the traditional biography of Muhammad.

This book reveals how, for well over a millennium and across three continents - Asia, Africa, and Europe - non-Muslims who were vanquished by jihad wars became forced tributaries (called dhimmi in Arabic) in lieu of being slain. Under the dhimmi religious caste system, non-Muslims were subjected to legal and financial oppression, as well as social isolation. Extensive primary and secondary source materials, many translated here for the first time into English, are presented, making clear that jihad conquests were brutal, imperialist advances, which spurred waves of Muslims to expropriate a vast expanse of lands and subdue millions of indigenous peoples. Finally, the book examines how jihad war, as a permanent and uniquely Islamic institution, ultimately regulates the relations of Muslims with non-Muslims to this day. Scholars, educators, and interested lay readers will find this collection an invaluable resource.

For many millions of Muslims there is one and only one true Koran that offers the word of Allah to the faithful. Few Muslims realize, however, that there are several Korans in circulation in the Islamic world, with textual variations whose significance, extent, and meaning have never been properly examined. The author of Virgins? What Virgins? and Why I Am Not a Muslim has here assembled important scholarly articles that address the history, linguistics, and religious implications of these significant variants in Islam's sacred book, which call into question the claim of its status as the divinely revealed and inerrant word of the Muslim god. This work includes valuable charts that list the many textual variants found in Korans available in the Islamic world, along with remarks on their significance.

In the West abandoning one's religion (apostasy) can be a difficult, emotional decision, which sometimes has social repercussions. However, in culturally diverse societies where there is a mixture of ethnic groups and various philosophies of life, most people look upon such shifts in intellectual allegiance as a matter of personal choice and individual right. By contrast, in Islam apostasy is still viewed as an almost unthinkable act, and in orthodox circles it is considered a crime punishable by death. Renowned scholar of Islamic Studies Bernard Lewis described the seriousness of leaving the Islamic faith in the following dire terms: "Apostasy was a crime as well as a sin, and the apostate was damned both in this world and the next. His crime was treason u desertion and betrayal of the community to which he belonged, and to which he owed loyalty; his life and property were forfeit. He was a dead limb to be excised."
Defying the death penalty applicable to all apostates in Islam, the ex-Muslims who are here represented feel it is their duty to speak up against their former faith, to tell the truth about the fastest growing religion in the world. These former Muslims, from all parts of the Islamic world, recount how they slowly came to realize that the religion into which they were born was in many respects unbelievable and sometimes even dangerous.
These memoirs of personal journeys to enlightenment and intellectual freedom make for moving reading and are a courageous signal to other ex-Muslims to come out of the closet.

In this wide-ranging collection of insightful, controversial, and often-witty essays, the renowned author of Why I Am Not a Muslim has created a representative selection of his best work on the Koran and various problems posed by the interaction of Islam with the West. The title of the collection comes from an article that originally appeared in the London Guardian on recent textual studies of the Koran. This research suggests that, contrary to a longstanding Muslim belief about the afterlife, a harem of beautiful virgins may not be waiting for the faithful male departed in heaven. For the many readers of his books who have wondered about his background, the author begins with a charming personal sketch about his upbringing in England and his unabashed Anglophilia. A section on Koranic criticism includes excerpts from two of his books, What the Koran Really Says and Which Koran? No stranger to controversy and polemics, the author devotes two sections to articles that consider the totalitarian nature of contemporary political Islam and explore the potential for an Islamic Reformation comparable to the Protestant Reformation in the West. The concluding section is composed of Ibn Warraq's journalism, including a critique of reputed Muslim reformer Tariq Ramadan, a defense of Western culture ("Why the West Is Best)," an article about the Danish cartoons that provoked widespread Muslim outrage, and even a commentary on heavy metal music in a Muslim setting. This thoughtful, engaging collection on diverse topics will interest both longtime readers of Ibn Warraq and those new to his work.

This volume rejects the notion that Islam's sacred text is error free and cannot be critically evaluated. The study of the Koran must develop and mature. Scholars of Islam are of course familiar with the book's many errors and contradictions, but these inherent flaws have rarely been revealed to a wider public. This book is an attempt to remedy this deficiency by bringing together classic critical essays which raise key issues surrounding Islam's holy book. Divided into four parts, this important anthology begins with Theodor Noldeke's first truly scientific study of the Koran. Part Two focuses on the difficulty of establishing a reliable Koranic text, while Part Three examines the Jewish, Christian, and Zoroastrian sources of Muhammad's "revelation." Part Four is a consideration of the controversial interpretations of contemporary scholar John Wansbrough, who questions the historical reliability of the earliest Islamic sources. This superb collection, which includes additional selections from Leone Caetani, Arthur Jeffery, David Margoliouth, Andrew Rippin, C.C. Torrey, and more, will prove indispensable to scholars and all those interested in the textual underpinning of one of the fastest growing religions in the world.

Centering on the pioneering work of Christoph Luxenberg, this anthology of scholarly yet accessible studies of the Koran makes a convincing case that Islam's holy book borrowed heavily from Christian texts in Syriac and other Near Eastern sources.
In this important compilation, Ibn Warraq focuses on the pioneering work in Syriac and Arabic linguistics of Christoph Luxenberg, a native speaker of Arabic who lives in the West and writes under a pseudonym. Luxenberg's careful studies of the Koran are significant for many reasons. First, he has clarified numerous obscurities in the Koran by treating the confusing passages as poor translations into Arabic of original Syriac texts. He demonstrates that when one translates the difficult Arabic words back into Syriac, the meaning becomes clear. Beyond textual clarity, Luxenberg's scholarship provides ample evidence that the Koran developed from a Judeo-Christian background, since Syriac (a dialect of Aramaic) was the main language of both Jews and Christians in the Middle East before the advent of Islam.
Ibn Warraq supplies English translations of key articles by Luxenberg that originally appeared in German and have never before been available to an English readership. This is followed by commentary by other scholars on Luxenberg's work. Also included are articles by earlier specialists who anticipated the later insights of Luxenberg, and more recent scholarship inspired by his methodology.
Erudite but accessible, this groundbreaking collection is must reading for anyone with an interest in the origins of the Koran and the early history of Islam.

More than one hundred years ago Western scholars began to investigate the origins of Islam, using the highest standards of objective historical scholarship of the time. Their aim was to determine what could be known about Muhammad and the rise of early Islam quite apart from the pious and totally unobjective traditions preserved by the Muslim religious community. In some ways this research was inspired by a similar investigation of Christianity made famous by Albert Schweitzer's Quest of the Historical Jesus. Today although much has been learned about early Christianity, little comparable progress has been made in the field of Islamic Studies. Here objective historical research has long been severely handicapped both by the resistance of Muslim societies to Western analysis of their sacred traditions and by the apologetic approaches of many Western scholars, who have compromised their investigations for fear of offending Muslim sensibilities.
It is in this context that Ibn Warraq presents this important anthology of the best studies of Muhammad and early Islam ranging from the very beginnings of Islamic Studies in the nineteenth century to contemporary research. In his selection and in an introductory essay, Warraq makes it clear that some very serious scholarly controversies lie at the heart of Islam. First, the Koran itself, the Muslim sacred scripture and the foundation of Islamic culture, is called into question as the basis for objective historical knowledge of Muhammad. Some scholars have also questioned the reliability of most of the other early Arabic documents that supposedly attest to events in the life of Muhammad and his followers. Was the Koran dictated by Muhammad at all? Was it actually compiled any earlier than a hundred years after the Prophet's death? How much of Muslim sacred tradition, in the light of objective historical analysis, must be dismissed as unreliable hearsay? Were the motives of the first Muslim conquerors during the Jihad truly religious in nature or largely mercenary? These disturbing questions, long suppressed throughout the history of Islamic scholarship, are here raised again in these erudite and thoroughly researched essays by noted scholars.

Ibn Warraq makes an invaluable corrective contribution to our understanding of literature and its impact on popular conceptions of history. Warraq takes for his study the historical novels of Sir Walter Scott and makes a facinating comparison between the novels (and Scott's sources) and what is known from the Arab sources and biographers of Saladin and the Crusades. Then he discusses the work of many other scholars of this period so the reader comes away with a well-rounded view, not only of the Crusades, but the scholarship of the period as well. Beyond that, Warraq discusses antisemitism and the Jewish plight during the Medieval era, (as well as their oppressed status under Islamic rule) on through to the early Christian Zionist movement in literature focusing especially on the work of George Eliot and Charlotte Elizabeth. Warraq ends by discussing the primary importance of freedom of expression and how that is threatened in the modern world. He holds up the South Park Affair as a prime example of the West's tendency of to fold before Islam "like some third rate poker player who throws in the cards at the first aggressive bluff when he is in fact holding the winning hand." Ibn Warraq is the rare scholar who still believes in objective truth and that that truth may be found (or at least approximated) by a thorough and dispassionate examination of the evidence. His is the calm voice of reason in a world carried away by hyperbole. Read him and be wiser.

This is the first systematic critique of Edward Said's influential work, Orientalism, a book that for almost three decades has received wide acclaim, voluminous commentary, and translation into more than fifteen languages. Said's main thesis was that the Western image of the East was heavily biased by colonialist attitudes, racism, and more than two centuries of political exploitation. Although Said's critique was controversial, the impact of his ideas has been a pervasive rethinking of Western perceptions of Eastern cultures, plus a tendency to view all scholarship in Oriental Studies as tainted by considerations of power and prejudice.
In this thorough reconsideration of Said's famous work, Ibn Warraq argues that Said's case against the West is seriously flawed. Warraq accuses Said of not only willfully misinterpreting the work of many scholars, but also of systematically misrepresenting Western civilization as a whole. With example after example, he shows that ever since the Greeks Western civilization has always had a strand in its very makeup that has accepted non-Westerners with open arms and has ever been open to foreign ideas.
The author also criticizes Said for inadequate methodology, incoherent arguments, and a faulty historical understanding. He points out, not only Said's tendentious interpretations, but historical howlers that would make a sophomore blush.
Warraq further looks at the destructive influence of Said's study on the history of Western painting, especially of the 19th century, and shows how, once again, the epigones of Said have succeeded in relegating thousands of first-class paintings to the lofts and storage rooms of major museums.
An extended appendix reconsiders the value of 18th- and 19th-century Orientalist scholars and artists, whose work fell into disrepute as a result of Said's work.