In January 1788, the First Fleet arrived in New South Wales, Australia and a thousand British men and women encountered the people who would be their new neighbors. Dancing with Strangers tells the story of what happened between the first British settlers of Australia and these Aborigines. Inga Clendinnen interprets the earliest written sources, and the reports, letters and journals of the first British settlers in Australia. She reconstructs the difficult path to friendship and conciliation pursued by Arthur Phillip and the local leader 'Bennelong' (Baneelon) that was ultimately destroyed by the assertion of profound cultural differences. A Prize-winning archaeologist, anthropologist and historian of ancient Mexican cultures, Inga Clendinnen has spent most of her teaching career at La Trobe University in Bundoora, Australia. Ambivalent Conquests: Maya and Spaniard in Yucatan (Cambridge, 1989) and Aztecs: An Interpretation (Cambridge, 1995) are two of her best-known scholarly works; Tiger's Eye: A Memoir, (Scribner, 2001) describes her battle against liver cancer. Reading the Holocaust (Cambridge, 2002) explores World War II genocide from various perspectives.

In what is both a specific study of conversion in a corner of the Spanish Empire and a work with implications for the understanding of European domination and native resistance throughout the colonial world, Inga Clendinnen explores the intensifying conflict between competing and increasingly divergent Spanish visions of Yucatan and its destructive outcomes. In Ambivalent Conquests Clendinnen penetrates the thinking and feeling of the Mayan Indians in a detailed reconstruction of their assessment of the intruders. This new edition contains a preface by the author where she reflects upon the book's contribution in the past fifteen years. Inga Clendinnen is Emeritus scholar, LaTrobe University, Australia. Her books include the acclaimed Reading the Holocaust (Cambridge, 1999), named a Best Book of the Year by the New York Times Book Review, and Aztec: An Interpretation (Cambridge, 1995), and Tiger's Eye: A Memoir (Scribner, 2001).

How can men be brought to look steadily on the face of battle? Tenochtitlan, the great city of the Aztecs, was the creation of war, and war was its dynamic. In the title work of this compelling collection of essays, Inga Clendinnen reconstructs the sequence of experiences through which young Aztec warriors were brought to embrace their duty to their people, to their city, and to the forces that moved the world and the heavens. Subsequent essays explore the survival of Yucatec Maya culture in the face of Spanish conquest and colonisation, the insidious corruption of an austere ideology translated into dangerously novel circumstances, and the multiple paths to the sacred constructed by 'defeated' populations in sixteenth-century Mexico. The collection ends with Clendinnen's transition to the colonial history of her own country: a close and loving reading of the 1841 expedition journal of George Augustus Robinson, appointed 'Protector of Aborigines' in the Port Philip District of Australia. Inga Clendinnen is Emeritus Scholar in History at La Trobe University, Melbourne. Her publications include Aztecs (Cambridge, 1991), Reading the Holocaust (Cambridge, 1999), and Ambivalent Conquests: Maya and Spaniard in Yucatan, 1517-1579 (second edition, Cambridge, 2003). Her memoir, Tiger's Eye, was published in 2001; her Boyer Lectures, True Stories, in 1999; and a collection of her literary essays, Agamemnon's Kiss, in 2006. Her book on the meeting between the First Fleet and Aboriginal Australians, Dancing with Strangers (Cambridge, 2003), won several awards, including the Pacific Rim Kiriyama Prize.

In 1521, the city of Tenochtitlan, magnificent centre of the Aztec empire, fell to the Spaniards and their Indian allies. Inga Clendinnen's account of the Aztecs recreates the culture of that city in its last unthreatened years. It provides a vividly dramatic analysis of Aztec ceremony as performance art, binding the key experiences and concerns of social existence in the late imperial city to the mannered violence of their ritual killings.

In what is both a specific study of conversion in a corner of the Spanish Empire and a work with implications for the understanding of European domination and native resistance throughout the colonial world, Inga Clendinnen explores the intensifying conflict between competing and increasingly divergent Spanish visions of Yucatan and its destructive outcomes. In Ambivalent Conquests Clendinnen penetrates the thinking and feeling of the Mayan Indians in a detailed reconstruction of their assessment of the intruders. This new edition contains a preface by the author where she reflects upon the book's contribution in the past fifteen years. Inga Clendinnen is Emeritus scholar, LaTrobe University, Australia. Her books include the acclaimed Reading the Holocaust (Cambridge, 1999), named a Best Book of the Year by the New York Times Book Review, and Aztec: An Interpretation (Cambridge, 1995), and Tiger's Eye: A Memoir (Scribner, 2001).

In January of 1788 the First Fleet arrived in New South Wales and a thousand British men and women encountered the people who will be their new neighbours; the beach nomads of Australia. "These people mixed with ours," wrote a British observer soon after the landfall, "and all hands danced together." What followed would determine relations between the peoples for the next two hundred years. Drawing skilfully on first-hand accounts and historical records, Inga Clendinnen reconstructs the complex dance of curiosity, attraction and mistrust performed by the protagonists of either side. She brings this key chapter in British colonial history brilliantly alive. Then we discover why the dancing stopped . . .

How can men be brought to look steadily on the face of battle? Tenochtitlan, the great city of the Aztecs, was the creation of war, and war was its dynamic. In the title work of this compelling collection of essays, Inga Clendinnen reconstructs the sequence of experiences through which young Aztec warriors were brought to embrace their duty to their people, to their city, and to the forces that moved the world and the heavens. Subsequent essays explore the survival of Yucatec Maya culture in the face of Spanish conquest and colonisation, the insidious corruption of an austere ideology translated into dangerously novel circumstances, and the multiple paths to the sacred constructed by defeated populations in sixteenth-century Mexico. The collection ends with Clendinnen s transition to the colonial history of her own country: a close and loving reading of the 1841 expedition journal of George Augustus Robinson, appointed Protector of Aborigines in the Port Philip District of Australia. Inga Clendinnen is Emeritus Scholar in History at La Trobe University, Melbourne. Her publications include Aztecs (Cambridge, 1991), Reading the Holocaust (Cambridge, 1999), and Ambivalent Conquests: Maya and Spaniard in Yucatan, 1517 1579 (second edition, Cambridge, 2003). Her memoir, Tiger s Eye, was published in 2001; her Boyer Lectures, True Stories, in 1999; and a collection of her literary essays, Agamemnon's Kiss, in 2006. Her book on the meeting between the First Fleet and Aboriginal Australians, Dancing with Strangers (Cambridge, 2003), won several awards, including the Pacific Rim Kiriyama Prize.

The events of the Holocaust remain unthinkable to many men and women, as morally and intellectually baffling today as they were a half century ago. Inga Clendinnen seeks to dispel what she calls the "Gorgon effect:" the sickening of imagination and the draining of the will that afflict so many of us when we try to confront the horrors of this history. Clendinnen explores the experience of the Holocaust from both the victims' and the perpetrators' points of view. She discusses the remarkable survivor testimonies of writers such as Primo Levi and Charlotte Delbo, the vexing issue of "resistance" in the camps, and survivors' strategies for understanding the motivations of the Nazi leadership. She focuses an anthropologist's precise gaze on the actions of the murderers in the police battalions and among the SS in the camps. Finally she considers how the Holocaust has been portrayed in poetry, fiction, and film. A Prize-winning archaeologist, anthropologist and historian of ancient Mexican cultures, Inga Clendinnen has spent most of her teaching career at La Trobe University in Bundoora, Australia. Ambivalent Conquests: Maya and Spaniard in Yucatan (Cambridge, 1989) and Aztecs: An Interpretation (Cambridge, 1995) are two of her best-known scholarly works; Tiger's Eye: A Memoir, (Scribner, 2001) describes her battle against liver cancer.

In QE23, acclaimed writer and thinker Inga Clendinnen looks past the skirmishes and pitched battles of the history wars and asks what's at stake - what kind of history do we want and need? What are the differences between memory, history and myth? Clendinnen discusses what good history looks like and, more specifically, what good Australian history looks like. She looks at the recent spate of books on our beginnings as a colony, as well as the vogue for popular story-telling accounts of key events in our past, such as Gallipoli. Why is there now a gulf separating popular writers and the historical professions? This is a characteristically original and eloquent essay that looks anew at one of the most divisive topics of recent times- how we as a nation remember the past.

In January 1788, the First Fleet arrived in New South Wales, Australia and a thousand British men and women encountered the people who would be their new neighbors. Dancing with Strangers tells the story of what happened between the first British settlers of Australia and these Aborigines. Inga Clendinnen interprets the earliest written sources, and the reports, letters and journals of the first British settlers in Australia. She reconstructs the difficult path to friendship and conciliation pursued by Arthur Phillip and the local leader 'Bennelong' (Baneelon) that was ultimately destroyed by the assertion of profound cultural differences. A Prize-winning archaeologist, anthropologist and historian of ancient Mexican cultures, Inga Clendinnen has spent most of her teaching career at La Trobe University in Bundoora, Australia. Ambivalent Conquests: Maya and Spaniard in Yucatan (Cambridge, 1989) and Aztecs: An Interpretation (Cambridge, 1995) are two of her best-known scholarly works; Tiger's Eye: A Memoir, (Scribner, 2001) describes her battle against liver cancer. Reading the Holocaust (Cambridge, 2002) explores World War II genocide from various perspectives.