Ingmar Bergman is still the doyen of cinema. He is known for masterpieces of controlled human emotion, exploring every facet of the personality in relentless detail. He wrote: "I had the possibility of corresponding with the world around me in a language that is literally spoken from soul to soul."

These two screenplays, liberally illustrated with production stills featuring actors, including his favourite actress, ex wife, Liv Ullman, are classics of the screen. They will be sought after by film students, and lovers of his films, New interest in Bergman is being generated by the recent release of Faithless, Liv Ullman's 2001 masterpiece, with a screenplay by Bergman.

Born in Sweden in 1918, Ingmar Bergman is still contributing to his canon of work.

"The finest filmmaker of my lifetime . . . Bergman was a born spinner of tales." --Woody Allen In this new paperback edition, Ingmar Bergman presents an intimate view of his own unique body of work in film. His career spanned forty years and produced more than fifty films, many of which are considered classics: The Seventh Seal, The Virgin Spring, Persona, Smiles of a Summer Night, Wild Strawberries, and Fanny and Alexander, to name but a few. When he began this book, Bergman had not seen most of his movies since he made them. Resorting to scripts and working notebooks, and especially to memory, he comments brilliantly and always cogently on his failures as well as his successes; on the themes that bind his work together; on his concerns, anxieties, and moments of happiness; on the relationship between his life and art. Readers are allowed a glimpse of the inner workings behind his well-known masterpieces: his anxiety and pain as he edited a 312 minute Fanny and Alexander for a three-hour feature film release; his attempt to reconcile the towering figures of his parents with Wild Strawberries. He relates his own starkly honest view of his great triumphs and quiet failures. More clearly than ever before, Images allows us to listen to his "voice of genius" (Woody Allen, New York Times Book Review).

When a film is not a document, it is a dream...At the editing table, when I run the strip of film through, frame by frame, I still feel that dizzy sense of magic of my childhood." Bergman, who has conveyed this heady sense of wonder and vision to moviegoers for decades, traces his lifelong love affair with film in his breathtakingly visual autobiography, "The Magic Lantern". More grand mosaic than linear account, Bergman's vignettes trace his life from a rural Swedish childhood through his work in theater to Hollywood's golden age, and a tumultuous romantic history that includes five wives and more than a few mistresses. Throughout, Bergman recounts his life in a series of deeply personal flashbacks that document some of the most important moments in twentieth-century filmmaking as well as the private obsessions of the man behind them. Ambitious in scope yet sensitively wrought, "The Magic Lantern" is a window to the mind of one of our era's great geniuses.

'There is no shame in deriving pleasure from this little world.' Siblings Fanny and Alexander are growing up amidst the gilded romance and glamour of 1900s Sweden. But their world is turned upside down when their widowed mother remarries the iron-willed local bishop. As creative freedom and rigid orthodoxy clash, a war ensues between imagination and austerity in this magical study of childhood, family and love. Legendary film-maker Ingmar Bergman's 1982 masterpiece Fanny & Alexander was adapted for the stage by Stephen Beresford. It premiered at The Old Vic, London, in 2018, in a production starring Penelope Wilton and directed by Old Vic Associate Director Max Webster. Stephen Beresford is the BAFTA award-winning screenwriter of Pride. His other plays include The Last of the Haussmans, which premiered at the National Theatre.

The first novel in world renowned film-maker, Ingmar Bergman's trilogy of novels plotting the fractious marriage of his parents In 1909, Ingmar Bergman's mother and father first meet. Anna is a nurse from a wealthy family; Henrik, a poor, trainee priest living with his lover. From the intensity of their courtship, to the difficult early years of their marriage, Bergman fictionalises his parent's life before his birth, drawing the quiet, emotional sensitivity of his film-maker's eye deep into the heart of his own family. The Best Intentions is the first in renowned film-maker Ingmar Bergman's loose trilogy of novels that plots the fractious marriage of his parents, continued in Sunday's Children and Private Confessions.

The second novel in world renowned film-maker, Ingmar Bergman's trilogy of novels plotting the fractious marriage of his parents Over the course of one summer, eight-year-old Pu Bergman makes the terrible realisation that his father and mother are no longer in love. Surrounded by the quiet idyll of the Swedish countryside, with its ponds, its rivers and woods, the daily chaos of the family's ramshackle summer home threatens to bring to a close the bright, brilliant haze of Pu's childhood world. Based upon film-maker Ingmar Bergman's own family life, Sunday's Children is the second part in Bergman's loose trilogy of books that started with The Best Intentions, and closes with Private Confessions.