How have African writers addressed the issue of war and its impact across the continent? Since the second half of the twentieth century, no single phenomenon has marred the image and development of Africa more than senseless fratricidal wars which rapidly followed the political independence of nations. This issue ofAfrican Literature Today is devoted to studies of how African writers, as historical witnesses, have handled the recreation of war as a cataclysmic phenomenon in various locations on the continent. The contributors explore the subject from a variety of perspectives: panoramic, regional, national and through comparative studies. War has enriched contemporary African literature, but at what price to human lives, peace and the environment? ERNESTEMENYONU is Professor of the Department of Africana Studies University of Michigan-Flint. The contributors include: CHIMALUM NWANKWO, CHRISTINE MATZKE, CLEMENT A. OKAFOR, INIBONG I. UKO, OIKE MACHIKO, SOPHIE OGWUDE, MAURICE TAONEZVI VAMBE, ZOE NORRIDGE and ISIDORE DIALA. Nigeria: HEBN

AFRICAN LITERATURE TODAY was established at a time of uncertainty and reconstruction but for 50 years it has played a leading role in nurturing imaginative creativity and its criticism on the African continent and beyond. Contemporary African creative writers have confidently taken strides which resonate all over the world. The daring diversities, stylistic innovations and enchanting audacities which characterize their works across many different genres resonate with readers beyond African geographic and linguistic boundaries. Writers in Africa and the diaspora seem to be speaking with collective and individual voices that compel world attention and admiration. And they arebeing read in numerous world languages. This volume's contributors recognize the foundations laid by the pioneer African writers as they point vigorously to contemporary writers who have moved African imaginative creativityforward with utmost integrity, and to the critics who continue to respond with unyielding tenacity. The founding Editor of ALT, Professor Eldred Durosimi Jones, recalls in an interview in this volume, the role ALT played in the evolution and stimulation of a wave of African literary studies and criticism in mid-20th century: "The 1960s saw a good deal of activity among scholars teaching African Literature throughout Africa and the world, and this ledto a series of conferences in African Literature in Dakar, Nairobi, and Freetown.around the idea of communication between the various English Departments which took an interest in African Literature. We decided on a bulletin, which was just a kind of newsletter between departments saying what was going on....it was that bulletin that showed the potential of this kind of communication... after that we started African Literature Today as a journal inviting articles on the works of African writers." Contributors to the series demonstrate the impact of the growth in studies and criticism of African Literature in the 50 years since its founding. Series Editor: Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA. Reviews Editor: Obi Nwakanma

PAPERBACK FOR SALE IN AFRICA ONLY A critical examination of the engaging voice and multiple stories of Chimamanda Ngozi Adichie on war, feminism, art, ideology, hair, complex human identities and the challenges of multicultural existence. Easily the leading and most engaging voice of her era and generation, Chimamanda Ngozi Adichie has bridged gaps and introduced new motifs and narrative varieties which have energized contemporary African fiction since her first novel, Purple Hibiscus (2003). With Half of a Yellow Sun (2007) and The Thing Around Your Neck - Short Stories (2009), she established herself as a preeminent story-teller. Americanah (2013), with ingenious craftsmanship addresses the sensitive themes of passionate love, independence, freedom and moral responsibility with extravagant and versatile narrative innovations. Through her writings, she has made herself relevantto people of all ages - across racial and linguistic boundaries. Her talks, blogs, musings on social media, essays and commentaries, workshop-mentoring for budding young writers, lecture circuit discourses, all enrich her imaginative creativity as they expand and define her mission as a writer. "We Should All be Feminists" she proclaimed in an essay, giving feminism a "tweak and twist" and suggesting new outlooks in literary theory. Her contributions to African, Diasporic and World literatures deserve serious analyses, commentaries and interpretations, and this Companion to her work critically examines her creative outputs from her art and ideology, from feminism to war, to matters of myth and perception, and the challenges of multicultural existence and complex human identities. Ernest N. Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA.

A critical examination of the engaging voice and multiple stories of Chimamanda Ngozi Adichie on war, feminism, art, ideology, hair, complex human identities and the challenges of multicultural existence. Easily the leading and most engaging voice of her era and generation, Chimamanda Ngozi Adichie has bridged gaps and introduced new motifs and narrative styles which have energized contemporary African fiction since her first novel, Purple Hibiscus (2003). With Half of a Yellow Sun (2007) and The Thing Around Your Neck - Short Stories (2009), she established herself as a preeminent story-teller. Americanah (2013), with ingeniouscraftsmanship addresses the sensitive themes of passionate love, independence, freedom and moral responsibility with extravagant and versatile narrative innovations. Through her writings, she has made herself relevant topeople of all ages - across racial and linguistic boundaries. Her talks, blogs, musings on social media, essays and commentaries, workshop-mentoring for budding young writers, lecture circuit discourses, all enrich her imaginativecreativity as they expand and define her mission as a writer. "We Should All be Feminists" she proclaimed in an essay, giving feminism a "tweak and twist" and suggesting new outlooks in literary theory. Her contributionsto African, Diasporic and World literatures deserve serious analyses, commentaries and interpretations, and this Companion to her work critically examines her creative outputs from her art and ideology, from feminism to war, to matters of myth and perception, and the challenges of multicultural existence and complex human identities.

The success of the Caine Prize for African Writing and the growth of online publishing have played key roles in putting the short story in its rightful place within the study and criticism of African literature. African writers have, much more than the critics, recognized the beauty and potency of the short story. Always the least studied in African literature classrooms and the most critically overlooked genre in African literature today, the African short story is now given the attention it deserves. Contributors here take a close look at the African short story to re-define its own peculiar pedigree, chart its trajectory, critique its present state and examineits creative possibilities. They examine how the short story and the novel complement each other, or exist in contradistinction, within the context of culture and politics, history and public memory, legends, myths and folklore. Ernest Emenyonu is Professor of Africana Studies at the University of Michigan-Flint, USA; the editorial board is composed of scholars from US, UK and African universities Nigeria: HEBN