New essays providing an up-to-date picture of the engagement of artists, philosophers, and critics with Kafka's work. The topic of "Kafka after Kafka" is a fascinating one: the engagement of artists, philosophers, and critics in dialogical exchange with Kafka's works. The present collection of new essays highlights the engagement of lesser knownartists and commentators with Kafka, and represents those who are well known, such as Arendt, Blanchot, Nabokov, and Coetzee, from new perspectives. The eleven essays contained here represent the most recent scholarly engagements with this topic. An essay on major trends in current Kafka criticism provides background for several essays on novelists, philosophers, and critics whose relationship to Kafka is not very well known. A section devoted to Kafka from an Israeli perspective includes artists not commonly known in the US or Europe (Ya'acov Shteinberg, Hezi Leskly, Sayed Kashua), as well as an essay on the recent trial in Israel regarding the fate of Kafka's literary legacy. A final section addresses important contemporary approaches to Kafka in film studies, animal studies, the graphic novel, and in postmodern culture and counterculture. Contributors: Iris Bruce, Stanley Corngold, AmirEngel, Mark H. Gelber, Sander L. Gilman, Caroline Jessen, Tali Latowicki, Michael G. Levine, Ido Lewit, Vivian Liska, Alana Sobelman. Iris Bruce is Associate Professor of German at McMaster University. Mark H. Gelber is Senior Professor and Director of the Center for Austrian and German Studies at Ben-Gurion University.

"Kafka and Cultural Zionism" is an illumination of the individual Jewish identity of this major modernist German author. Through a thorough examination of Kafka's life, his influences, and his writings, Iris Bruce makes a case for Kafka's interest in Zionism and demonstrates the presence of Jewish themes and motifs in Kafka's literary works. In recognizing this essential part of Kafka's individual voice, Bruce hopes to provide a new perspective on Kafka and his writings that allows the reader to find the humor, playfulness, rebelliousness, and challenge that can be overlooked if the reader expects to find a Kafka who is disengaged from his ethnic and cultural identity, as well as the politics of his age. Outstanding Academic Title, "Choice Magazine"