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Showing 1 - 7 of
7 matches in All Departments
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Red Cavalry
Isaac Babel
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R792
Discovery Miles 7 920
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Ships in 12 - 17 working days
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'One of those "where have you been all my life?" books' Nick Lezard, Guardian
In the city of Odessa, the lawless streets hide darker stories of their own. From the magnetic cruelty of mob boss Benya Krik to the devastating account of a young Jewish boy caught up in a pogrom, Odessa Stories uncovers the tales of gangsters, prostitutes, beggars and smugglers: no one can escape the pungent, sinewy force of Isaac Babel's pen.
Translated with precision and sensitivity by Boris Dralyuk, whose rendering of the rich Odessan slang is pitch-perfect, this acclaimed new translation of Odessa Stories contains the grittiest of Babel's tales, considered by may to be some of the greatest masterpieces of twentieth-century Russian literature.
"A book that will last, that you will reread all your life and then pass on to your grandchildren. Or ask to be buried with."—Michael Dirda, Washington Post
Following the historic publication of Norton's The Complete Works of Isaac Babel in the fall of 2001, The Collected Stories of Isaac Babel appears as the most authoritative and complete edition of his fiction ever published in paperback. Babel was best known for his mastery of the short story form—in which he ranks alongside Kafka and Hemingway—but his career was tragically cut short when he was murdered by Stalin's secret police. Edited by his daughter Nathalie Babel and translated by award-winner Peter Constantine, this paperback edition includes the stunning Red Cavalry Stories; The Odessa Tales, featuring the legendary gangster Benya Krik; and the tragic later stories, including "Guy de Maupassant." This will be the standard edition of Babel's stories for years to come.
"He is a writer who stabs the mind and the heart and the inner eye with short, savage strokes."—Richard Bernstein, New York Times
From the early Soviet period, the impassioned short fiction of the
great Russian-Jewish writer
One of the most powerful short-story writers of the twentieth
century, Isaac Babel expressed his sense of inner conflict through
disturbing tales that explored the contradictions of Russian
society. Whether reflecting on anti-Semitism in stories such as
?Story of My Dovecote? and ?First Love, ? or depicting Jewish
gangsters in his native Odessa, Babel's eye for the comical laid
bare the ironies of history. His masterpiece, ?Red Cavalry, ? set
in the Soviet-Polish war, is one of the classics of modern fiction.
By turns flamboyant and restrained, this collection of Babel's
best-known stories vividly expresses the horrors of his age.
?Amazing not only as literature but as biography.? ?Richard
Bernstein, "The New York Times"
?Marvelously subtle, tragic, and often comic.? ?James Wood, "The
New Republic"
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Red Cavalry
Isaac Babel
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R422
Discovery Miles 4 220
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Ships in 10 - 15 working days
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1920 Diary (Paperback, New Ed)
Isaac Babel; Edited by Carol J. Avins; Translated by H.T. Willetts
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R848
Discovery Miles 8 480
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Ships in 10 - 15 working days
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The Russian writer Isaac Babel (1894-1940) is widely acknowledged
to be one of the great masters of twentieth-century literature,
hailed as a genius by such critics as Lionel Trilling and Irving
Howe. The work for which he is best known is a cycle of stories
called Red Cavalry, which depicts the exploits of the Cossack
cavalry during the Polish-Soviet war of 1919-1920 and is based on
Babel's experiences as he rode with the Cossacks during the
campaign. Throughout this period Babel kept a diary, in which he
recorded the devastation of the war, the extreme cruelty of the
Polish and Red armies alike toward the Jewish population in Ukraine
and eastern Poland, and his own conflicted role as both Soviet
revolutionary and Jew. The 1920 Diary, a vital source for Red
Cavalry as well as a compelling narrative, is now published in
English for the first time. The 1920 Diary is the most significant
contemporary account of the tragedy of Eastern European Jewry
during this period. The Diary also yields important insights into
Babel's personal evolution, showing his youthful curiosity and his
anguish as, frequently concealing his own Jewish identity, he
mingled with the victimized Jews of the region's shtetls and with
his Cossack comrades. Finally, the Diary sheds light on Babel's
artistic development, revealing the path from observations recorded
in excitement and despair to the painstakingly crafted narratives
of the Red Cavalry cycle.
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