Human security has been advanced as an alternative to traditional state-based conceptualizations of security, yet controversies about the use and abuse of the concept remain. Investigating innovations in the advancement of the human security agenda over the past decade, this book identifies themes and processes around which consensus for future policy action might be built. It considers the ongoing debates regarding the human security agenda, explores prospects and projects for the advancement of human security, addresses issues of human security as emerging forms of new multilateralisms and examines claims that human security is being undermined by US unilateralisms. This comprehensive volume explores the theoretical debate surrounding human security and details the implications for practical application. It will prove ideal for students of international relations, security studies and development studies.

This is the first book devoted to radiowave propagation over land and sea. Researchers and engineers involved in propagation studies and applications in communications, broadcasting, radar and remote sensing will find this volume invaluable.

Large area sky surveys are now a reality in the radio, IR, optical and X-ray passbands. In the next few years, new surveys using optical, UV and IR mosaic cameras with high throughput digital detectors will expand the dynamic range and accuracy of photometry and astrometry of objects over a significant fraction of the entire sky. Parallel X-ray and radio surveys over the same areas will produce astronomical image and spectroscopic databases of unprecedented size and quality. The combined data sets will provide significant new constraints on star formation, stellar dynamics, Galactic structure, the evolution of galaxies and large scale structure, as well as new opportunities to identify rare objects in the solar system and the Galaxy. Large area surveys have formidable data acquisition, processing, archiving, and data distribution demands and this meeting provided a forum for sharing experiences amongst workers specializing in different wavebands as well as discussing how multiband observations can reveal fundamental relationships in our understanding of the Universe.

This title was first published in 2001. Investigating the relations between ethnicity and governance in Asia and Africa and going well beyond traditional and orthodox treatments, this volume is not only a stimulating text, but also an invaluable tool for original and innovative research.

Crumpled Paper Boat is a book of experimental ventures in ethnographic writing, an exploration of the possibilities of a literary anthropology. These original essays from notable writers in the field blur the boundaries between ethnography and genres such as poetry, fiction, memoir, and cinema. They address topics as diverse as ritual expression in Cuba and madness in a Moroccan city, the HIV epidemic in South Africa and roadkill in suburban America. Essays alternate with methodological reflections on fundamental problems of writerly heritage, craft, and responsibility in anthropology. Crumpled Paper Boat engages writing as a creative process of encounter, a way of making and unmaking worlds, and a material practice no less participatory and dynamic than fieldwork itself. These talented writers show how inventive, appealing, and intellectually adventurous prose can allow us to enter more profoundly into the lives and worlds of others, breaking with conventional notions of representation and subjectivity. They argue that such experimentation is essential to anthropology's role in the contemporary world, and one of our most powerful means of engaging it. Contributors. Daniella Gandolfo, Angela Garcia, Tobias Hecht, Michael Jackson, Adrie Kusserow, Stuart McLean, Todd Ramon Ochoa, Anand Pandian, Stefania Pandolfo, Lisa Stevenson, Kathleen Stewart A School for Advanced Research Advanced Seminar

This title was first published in 2001. Investigating the relations between ethnicity and governance in Asia and Africa and going well beyond traditional and orthodox treatments, this volume is not only a stimulating text, but also an invaluable tool for original and innovative research.

Few schools can claim to have had such a deep and diverse effect on British history as Rugby. Its influence on the sporting field is well-known, but this book examines the roles played by Rugbeians in many different spheres during the Great War. Politicians and academics, Olympians and artists all left their ordinary lives to fight for their country and it was their school which bound them together. Some such as Ernest Swinton, inventor of the tank, and Maurice Hankey, Cabinet Secretary, had direct influence on the shaping of the conflict, whereas others such as Duncan Mackinnon (Olympic gold medal-winning rower) and the Cawley brothers (both Members of Parliament) are remembered primarily for their pre-war achievements. Until now there has never been a volume which traces the extent of Rugby's influence, but this book showcases the extraordinary range of individuals from the school who left their mark on the war and the world at large.

The purpose of the package is to answer the question 'What is the radio field strength at a certain point?' when power is radiated from a transmit ting source. Because of the complexity of the question in general, it can only be answered at present in certain idealized situations. Nevertheless it is valuable to have quantitative data available for these situations. The package is divided into two parts. In the first of these, propagation in free space and over a flat earth are dealt with. In the second, propagation over a spherical earth is considered. In the free-space situation the power density of the signal in a given direction will fall as the inverse square of the distance from the source. For propagation from a transmitting source at an arbitrary height above a perfecdy conducting flat earth, the field strength at large distances can be 3 dB higher than in free space. With a finite conduc tivity earth, the field strength will be lower than this because of the power dissipation in the earth.

Large area sky surveys are now a reality in the radio, IR, optical and X-ray passbands. In the next few years, new surveys using optical, UV and IR mosaic cameras with high throughput digital detectors will expand the dynamic range and accuracy of photometry and astrometry of objects over a significant fraction of the entire sky. Parallel X-ray and radio surveys over the same areas will produce astronomical image and spectroscopic databases of unprecedented size and quality. The combined data sets will provide significant new constraints on star formation, stellar dynamics, Galactic structure, the evolution of galaxies and large scale structure, as well as new opportunities to identify rare objects in the solar system and the Galaxy. Large area surveys have formidable data acquisition, processing, archiving, and data distribution demands and this meeting provided a forum for sharing experiences amongst workers specializing in different wavebands as well as discussing how multiband observations can reveal fundamental relationships in our understanding of the Universe.

Crumpled Paper Boat is a book of experimental ventures in ethnographic writing, an exploration of the possibilities of a literary anthropology. These original essays from notable writers in the field blur the boundaries between ethnography and genres such as poetry, fiction, memoir, and cinema. They address topics as diverse as ritual expression in Cuba and madness in a Moroccan city, the HIV epidemic in South Africa and roadkill in suburban America. Essays alternate with methodological reflections on fundamental problems of writerly heritage, craft, and responsibility in anthropology. Crumpled Paper Boat engages writing as a creative process of encounter, a way of making and unmaking worlds, and a material practice no less participatory and dynamic than fieldwork itself. These talented writers show how inventive, appealing, and intellectually adventurous prose can allow us to enter more profoundly into the lives and worlds of others, breaking with conventional notions of representation and subjectivity. They argue that such experimentation is essential to anthropology's role in the contemporary world, and one of our most powerful means of engaging it. Contributors. Daniella Gandolfo, Angela Garcia, Tobias Hecht, Michael Jackson, Adrie Kusserow, Stuart McLean, Todd Ramon Ochoa, Anand Pandian, Stefania Pandolfo, Lisa Stevenson, Kathleen Stewart A School for Advanced Research Advanced Seminar

A free ebook version of this title is available through Luminos, University of California Press's Open Access publishing program. Visit www.luminosoa.org to learn more. In the United States, the exercise of police authority-and the public's trust that police authority is used properly-is a recurring concern. Contemporary prescriptions for police reform hold that the public would better trust the police and feel a greater obligation to comply and cooperate if police-citizen interactions were marked by higher levels of procedural justice by police. In this book, Robert E. Worden and Sarah J. McLean argue that the procedural justice model of reform is a mirage. From a distance, procedural justice seemingly offers a relief from strained police-community relations. But a closer look at police organizations and police-citizen interactions shows that the relief offered by such reform is, in fact, illusory.

What might become of anthropology if it were to suspend its sometime claims to be a social science? What if it were to turn instead to exploring its affinities with art and literature as a mode of engaged creative practice carried forward in a world heterogeneously composed of humans and other than humans? Stuart McLean claims that anthropology stands to learn most from art and literature not as “evidence� to support explanations based on an appeal to social context or history but as modes of engagement with the materiality of expressive media—including language—that always retain the capacity to disrupt or exceed the human projects enacted through them.   At once comparative in scope and ethnographically informed, Fictionalizing Anthropology draws on an eclectic range of sources, including ancient Mesopotamian myth, Norse saga literature, Hesiod, Lucretius, Joyce, Artaud, and Lispector, as well as film, multimedia, and performance art, along with the concept of “fabulation� (the making of fictions capable of intervening in and transforming reality) developed in the writings of Bergson and Deleuze. Sharing with proponents of anthropology’s recent “ontological turn,� McLean insists that experiments with language and form are a performative means of exploring alternative possibilities of collective existence, new ways of being human and other than human, and that such experiments must therefore be indispensable to anthropology’s engagement with the contemporary world.

What might become of anthropology if it were to suspend its sometime claims to be a social science? What if it were to turn instead to exploring its affinities with art and literature as a mode of engaged creative practice carried forward in a world heterogeneously composed of humans and other than humans? Stuart McLean claims that anthropology stands to learn most from art and literature not as “evidence� to support explanations based on an appeal to social context or history but as modes of engagement with the materiality of expressive media—including language—that always retain the capacity to disrupt or exceed the human projects enacted through them.   At once comparative in scope and ethnographically informed, Fictionalizing Anthropology draws on an eclectic range of sources, including ancient Mesopotamian myth, Norse saga literature, Hesiod, Lucretius, Joyce, Artaud, and Lispector, as well as film, multimedia, and performance art, along with the concept of “fabulation� (the making of fictions capable of intervening in and transforming reality) developed in the writings of Bergson and Deleuze. Sharing with proponents of anthropology’s recent “ontological turn,� McLean insists that experiments with language and form are a performative means of exploring alternative possibilities of collective existence, new ways of being human and other than human, and that such experiments must therefore be indispensable to anthropology’s engagement with the contemporary world.

"Molasses Smothered Lemon Slices" is a collection of 189 poems, about half of which have been published in journals and magazines in Canada, USA, UK, and Australia. Forty years of writing in a variety of styles and with vast array of themes is represented. Free verse, short, experimental, rhyming, metered, shape, narrative, formal, traditional, lyrical, cleave, and combinations of those are found here. The themes range from the tried and true of the human condition to unique vignettes of experience. Some works are simple lyrical statements, some venture into complex scientific, historical, philosophical, or ecological subjects, and some are all of those. Humor is understated and darker places are faced with courage. The external world often appears front and center; challenging yet welcoming and surprising, like the pieces found here. The author invites readers to take their time reading. Poems, medicine, or chocolate should not be consumed all at once. The poet might be an outsider of the poetic establishment and readers who don't normally read poetry are given special welcome to this volume. The writing is sometimes sentimental but never cloying, sometimes didactic but not unbalanced, sometimes a wilderness but not without signposts. There is a seriousness here and attention to sound. Time spans from centuries ago to the future, place ranges from Africa to the Arctic. There is something here for most everyone.