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This edited collection examines the effects that macrosystems have
on the figuration of our everyday-of microdystopias-and argues that
microdystopic narratives are part of a genre that has emerged in
contract to classic dystopic manifestations of world-shattering
events. From different methodological and theoretical positions in
fieldworks ranging from literary works and young adult series to
concrete places and games, the contributors in Microdystopias:
Aesthetics and Ideologies in a Broken Moment sound the depths of an
existential sense of shrinking horizons - spatially, temporally,
emotionally, and politically. The everyday encroachment on our
sense of spatial orientation that gradually and discreetly shrinks
the horizons of possibilities is demonstrated by examining what the
form of the microdystopic look like when they are aesthetically
configured. Contributors analyze the aesthetics that play a
particularly central and complex role in mediating, as well as
disrupting, the parameters of dystopian emergences and emergencies,
reflecting an increasingly uneasy relationship between the
fictional, the cautionary, and the real. Scholars of media studies,
sociology, and philosophy will find this book of particular
interest.
Africa has emerged as a prime arena of global health interventions
that focus on particular diseases and health emergencies. These are
framed increasingly in terms of international concerns about
security, human rights, and humanitarian crisis. This presents a
stark contrast to the 1960s and '70s, when many newly independent
African governments pursued the vision of public health "for all,"
of comprehensive health care services directed by the state with
support from foreign donors. These initiatives often failed,
undermined by international politics, structural adjustment, and
neoliberal policies, and by African states themselves. Yet their
traces remain in contemporary expectations of and yearnings for a
more robust public health.
This volume explores how medical professionals and patients,
government officials, and ordinary citizens approach questions of
public health as they navigate contemporary landscapes of NGOs and
transnational projects, faltering state services, and expanding
privatization. Its contributors analyze the relations between the
public and the private providers of public health, from the state
to new global biopolitical formations of political institutions,
markets, human populations, and health. Tensions and ambiguities
animate these complex relationships, suggesting that the question
of what public health actually is in Africa cannot be taken for
granted. Offering historical and ethnographic analyses, the volume
develops an anthropology of public health in Africa.
Contributors: P. Wenzel Geissler; Murray Last; Rebecca Marsland;
Lotte Meinert; Benson A. Mulemi; Ruth J. Prince; and Noemi
Tousignant.
As seen in military documents, medical journals, novels, films,
television shows, and memoirs, soldiers' invisible wounds are not
innate cracks in individual psyches that break under the stress of
war. Instead, the generation of weary warriors is caught up in
wider social and political networks and institutions-families,
activist groups, government bureaucracies, welfare state
programs-mediated through a military hierarchy, psychiatry rooted
in mind-body sciences, and various cultural constructs of
masculinity. This book offers a history of military psychiatry from
the American Civil War to the latest Afghanistan conflict. The
authors trace the effects of power and knowledge in relation to the
emotional and psychological trauma that shapes soldiers' bodies,
minds, and souls, developing an extensive account of the emergence,
diagnosis, and treatment of soldiers' invisible wounds.
The book explores comparatively the role of non-profit
organizations in conditions of social and economic change. The
focus of the study is an investigation of the proposition that
non-profit organizations provide sites and processes for enhancing
active citizenship, invigorating the public sphere and extending
political participation. The study explores the economic
constraints on voluntary associations and argues that they can
function as 'schools of democracy'. This book is the first national
study of the third-sector in Australia, but its conclusions have a
general relevance to deregulated welfare societies in Europe and
North America.
As seen in military documents, medical journals, novels, films,
television shows, and memoirs, soldiers' invisible wounds are not
innate cracks in individual psyches that break under the stress of
war. Instead, the generation of weary warriors is caught up in
wider social and political networks and institutions-families,
activist groups, government bureaucracies, welfare state
programs-mediated through a military hierarchy, psychiatry rooted
in mind-body sciences, and various cultural constructs of
masculinity. This book offers a history of military psychiatry from
the American Civil War to the latest Afghanistan conflict. The
authors trace the effects of power and knowledge in relation to the
emotional and psychological trauma that shapes soldiers' bodies,
minds, and souls, developing an extensive account of the emergence,
diagnosis, and treatment of soldiers' invisible wounds.
The past century's culture wars that Britain has been consumed by,
but that few North Americans seem aware of, have resulted in
revised notions of Britishness and British literature. Yet literary
anthologies remain anchored to an archaic Anglo-English
interpretation of British literature. Conflicts have been played
out over specific national vs. British identity (some residents
prefer to describe themselves as being from Scotland, England,
Wales, or Northern Ireland instead of Britain), in debates over
immigration, race, ethnicity, class, and gender, and in arguments
over British literature. These debates are strikingly detailed in
such chapters as: ""The Difficulty Defining 'Black British',""
""British Jewish Writers"" and ""Xenophobia and the Booker Prize.""
Connections are also drawn between civil rights movements in the
U.S. and UK. This generalist cultural study is a lively read and a
fascinating glimpse into Britain's changing identity as reflected
in 20th and 21st century British literature.
In the post-World War II era, authors of the beat generation
produced some of the most enduring literature of the day. More than
six decades since, work of the Beat Poets conjures images of
unconventionality, defiance, and a changing consciousness that
permeated the 1950s and 60s. In recent years, the key texts of Beat
authors such as Allen Ginsberg, William S. Burroughs, and Jack
Kerouac have been appropriated for a new generation in
feature-length films, graphic novels, and other media. In Adapting
the Beat Poets: Burroughs, Ginsberg, and Kerouc on Screen, Michael
J. Prince examines how works by these authors have been translated
to film. Looking primarily at three key works-Burroughs' Naked
Lunch, Ginsberg's Howl, and Kerouac's On the Road-Prince considers
how Beat literature has been significantly altered by the
unintended intrusion of irony or other inflections. Prince also
explores how these screen adaptations offer evidence of a growing
cultural thirst for authenticity, even as mediated in postmodern
works. Additional works discussed in this volume include The
Subterraneans, Towers Open Fire, The Junky's Christmas, and Big
Sur. By examining the screen versions of the Beat triumvirate's
creations, this volume questions the ways in which their original
works serve as artistic anchors and whether these films honor the
authentic intent of the authors. Adapting the Beat Poets is a
valuable resource for anyone studying the beat generation,
including scholars of literature, film, and American history.
Growth in the incidence of dementia presents major challenges to
global healthcare systems. As the burden of dementia in non-Western
cultures grows, developing nations are expected to overtake
developed nations in terms of dementia prevalence. Insights from
developing nations and transcultural considerations are,
nevertheless, neglected in the published literature. Dementia: A
Global Approach fills this gap by integrating contemporary
cross-cultural knowledge about dementia. Each section reviews the
literature from the published, predominantly Western, perspective,
contrasting it with empirical knowledge from non-Western cultures.
Covering major clinical, epidemiological and scientific areas of
interest, detailed consideration is also given to care-giving
models across the world and management of patients who have
migrated between regions. Enriched with personal insights from
clinical experts across the globe, this is a key text for
neurologists, geriatricians, psychiatrists, psychologists,
epidemiologists and all those responsible for managing provisions
of dementia services.
The book explores comparatively the role of non-profit
organizations in conditions of social and economic change. The
focus of the study is an investigation of the proposition that
non-profit organizations provide sites and processes for enhancing
active citizenship, invigorating the public sphere and extending
political participation. The study explores the economic
constraints on voluntary associations and argues that they can
function as 'schools of democracy'. This book is the first national
study of the third-sector in Australia, but its conclusions have a
general relevance to deregulated welfare societies in Europe and
North America.
Africa has emerged as a prime arena of global health interventions
that focus on particular diseases and health emergencies. These are
framed increasingly in terms of international concerns about
security, human rights, and humanitarian crisis. This presents a
stark contrast to the 1960s and '70s, when many newly independent
African governments pursued the vision of public health "for all,"
of comprehensive health care services directed by the state with
support from foreign donors. These initiatives often failed,
undermined by international politics, structural adjustment, and
neoliberal policies, and by African states themselves. Yet their
traces remain in contemporary expectations of and yearnings for a
more robust public health.
This volume explores how medical professionals and patients,
government officials, and ordinary citizens approach questions of
public health as they navigate contemporary landscapes of NGOs and
transnational projects, faltering state services, and expanding
privatization. Its contributors analyze the relations between the
public and the private providers of public health, from the state
to new global biopolitical formations of political institutions,
markets, human populations, and health. Tensions and ambiguities
animate these complex relationships, suggesting that the question
of what public health actually is in Africa cannot be taken for
granted. Offering historical and ethnographic analyses, the volume
develops an anthropology of public health in Africa.
Contributors: P. Wenzel Geissler; Murray Last; Rebecca Marsland;
Lotte Meinert; Benson A. Mulemi; Ruth J. Prince; and Noemi
Tousignant.
Biotechnology has become one of the most important issues in
public policy and governance, altering the boundaries between the
public and the private, the economic and the social, and further
complicating the divide between what is scientifically possible and
ethically preferred. Given the importance of biotechnology in
shaping relations between the state, science, the economy, and the
citizenry, a book that explores the Canadian biotechnology regime
and its place in our democracy is timelier than ever.
Three Bio-Realms provides the first integrated examination of
the thirty-year story of the democratic governance of biotechnology
in Canada. G. Bruce Doern and Michael J. Prince, two recognized
specialists in governance innovation and social policy, look at
particular 'network-based' factors that seek to promote and to
regulate biotechnology inside the state as well as at broader
levels. Unmatched by any other book in its historical scope and
range, Three Bio-Realms is sure to be read for years to come.
What if the Earth's natural disasters were caused by something-
somewhere- bigger than we could ever imagine? What if these
tragedies were actually triggered by an unseen parallel world, with
creatures whose tears represent our floods, their anger our
earthquakes, their blood lava from a volcano? The actions and
emotions of these creatures have dire consequences for those on
Earth, as Robbie is about to discover, when the Boxing Day Tsunami
hits his island home. When Robbie's mother dies in the tsunami in
Phuket, Thailand, the Australian-born teenager begins a search,
believing someone or something is responsible for her death. It
wasn't just an accident. Through an unrelenting ache and his
steadfast determination, Robbie desperately tries to find out who-
or what- is responsible. Fuelled by grief and alcohol, a downward
spiral is set in motion, leading Robbie's girlfriend Bo to believe
he is hallucinating. However when they come face to face with a
giant creature, Robbie and Bo must face the truth- and The Bigger
World- together.
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