With beguiling wit and undeniable passion, Lush Lives is a deliciously queer and sexy novel about bold, brilliant women unafraid to take risks and fight for what they love An unabashedly charged love story set in the evocative and high-stakes world of art and auction in New York City, Roxane Gay Books’ second title is a crowd-pleaser in the vein of Jasmine Guillory’s The Wedding Date, Helen Wan’s The Partner Track, and Alyssa Cole's A Princess in Theory. For Glory Hopkins, inheriting her Aunt Lucille’s Harlem brownstone feels more like a curse than a blessing. As a restless artist struggling to find gallery representation, Glory doesn’t have the money, time, or patience to look after the aging house of an aunt she barely knew. But when she stumbles into Parkie de Groot, a savvy, ambitious auction house appraiser on the verge of a coveted promotion, her unexpected inheritance begins to look more promising. Glory and Parkie form an unlikely alliance and work to unearth the origins of a rare manuscript hidden in the brownstone’s trove. In doing so, they uncover not only the well-kept secrets of Lucille’s life but also the complex relationships between Harlem and its distinguished residents. Undeniable as their connection may be, complications arise that threaten to tear apart their newly forged relationship. Between Parkie’s struggle to overcome the heartache of past romances and professional problems that threaten to end her rising career, and Glory’s unbridled and all-consuming drive, they begin to keep secrets from each other. The deeper they dig into the mysteries of the Harlem brownstone, the more fraught their relationship becomes. Lush Lives is an unforgettable novel of queer love, ambition, and the forgotten histories that define us.

Figuring Faith and Female Power in the Art of Rubens argues that the Baroque painter, propagandist, and diplomat, Peter Paul Rubens, was not only aware of rapidly shifting religious and cultural attitudes toward women, but actively engaged in shaping them. Today, Rubens's paintings continue to be used -- and abused -- to prescribe and proscribe certain forms of femininity. Repositioning some of the artist's best-known works within seventeenth-century Catholic theology and female court culture, this book provides a feminist corrective to a body of art historical scholarship in which studies of gender and religion are often mutually exclusive. Moving chronologically through Rubens's lengthy career, the author shows that, in relation to the powerful women in his life, Rubens figured the female form as a transhistorical carrier of meaning whose devotional and rhetorical efficacy was heightened rather than diminished by notions of female difference and particularity.