Today, country music enjoys a national fan base that transcends both economic and social boundaries. Sixty years ago, however, it was primarily the music of rural, working-class whites living in the South and was perceived by many Americans as hillbilly music. In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music s transformation from a rural, southern folk art form to a national phenomenon. In his meticulous analysis of changing performance styles and alterations in the lifestyles of listeners, Lange illuminates the acculturation of country music and its audience into the American mainstream. Dividing country music into six subgenres (progressive country, western swing, postwar traditional, honky-tonk, country pop, and country blues), Lange discusses the music s expanding appeal. As he analyzes the recordings and comments of each of the subgenre s most significant artists, including Roy Acuff, Bob Wills, Bill Monroe, Hank Williams, and Red Foley, he traces the many paths the musical form took on its road to respectability. Lange shows how along the way the music and its audience became more sophisticated, how the subgenres blended with one another and with American popular music, and how Nashville emerged as the country music hub. By 1954, the transformation from hillbilly music to country music was complete, precipitated by the modernizing forces of World War II and realized by the efforts of promoters, producers, and performers.

In "Origami Zoo, "two of the world's finest paper folders present an exciting collection of original origami animals. Their creatures, ranging from the exotic to the familiar, the elegant to the whimsical, will both inspire the beginner and challenge the most accomplished folder.
Choose among the dolphin, penguin, swan, owl, goose, kangaroo, praying mantis, or even the mythical Pegasus or extinct wooly mammoth. Each of these thirty-seven new projects is true origami-folded from a single piece of paper with no cutting or gluing-and is complete with clear step-by-step diagrams, instructions, and a photograph of the finished model.
"Origami Zoo "will challenge and delight anyone with a penchant for creating something wonderful out of (almost) nothing.

Every project in the book can really move Origami in Action presents 39 actions origami models that are as animated as they are exquisite. Each project is complete with clear step-by-step diagrams, instructions, and a photograph of the finished model. Included are such traditional favorites as the cootie catcher and the waterbomb, as well as some modern novelties--a strumming guitar player and a toothy Tyrannosaurus Rex. Other projects include: --Flapping Butterfly
--Blow-up Bunny
--Barking Wolf
--Talking Dragon
--Wagging-Tail Doggie
--Boardsailor
--Swimming Manatee
--Indian Paddling a Canoe

Designed for function, each chair has a story to tell about the history and evolution of American design, art, and craftmanship. At the heart of the catalogue is the presentation of 57 chairs from the DeMell Jacobsen Collection of American Art covered in 49 essays, showcasing the beauty of the chairs and their historical context, as well as important social, economic, political, and cultural influences. Highlights include designs by John Henry Belter, George Hunzinger, Herter Brothers, Stickley Brothers, Frank Lloyd Wright, Charles and Ray Eames, Eero Saarinen, Isamu Noguchi, Roy Lichtenstein, and Frank Gehry, among others. The chairs are arranged across four broadly chronological sections, from the early 1800s to the Civil War; from Reconstruction through the Gilded Age to the dawn of the 20th Century; from Art Nouveau to post-war Modernism; and finally, from the post-war Space Age to the Digital Age and the contemporary focus on space saving and sustainability. Each section opens with a brief introduction to its key themes.

The second volume of a two-volume set discussing the practice of psychoanalytic psychotherapy. This volume considers the responses to intervention, the patient-therapist relationship and the phases of psychotherapy.

The connections between origami, mathematics, science, technology, and education have been a topic of considerable interest now for several decades. While many individuals have happened upon discrete connections among these fields during the twentieth century, the field really took off when previously isolated individuals began to make stronger connections with each other through a series of conferences exploring the links between origami and "the outside world." The Fourth International Meeting on Origami in Science, Mathematics, and Education (4OSME), held in September, 2006, at the California Institute of Technology in Pasadena, California, brought together an unprecedented number of researchers presenting on topics ranging from mathematics, to technology, to educational uses of origami, to fine art, and to computer programs for the design of origami. Selected papers based on talks presented at that conference make up the book you hold in your hands.

The magnum opus of one of the worlds leading origami artists, the second edition of Origami Design Secrets reveals the underlying concepts of origami and how to create original origami designs. Containing step-by-step instructions for 26 models, this book is not just an origami cookbook or list of instructions it introduces the fundamental building blocks of origami, building up to advanced methods such as the combination of uniaxial bases, the circle/river method, and tree theory. With corrections and improved illustrations, this new expanded edition also covers uniaxial box pleating, introduces the new design technique of hex pleating, and describes methods of generalizing polygon packing to arbitrary angles. With coverage spanning the foundations of origami construction and advanced methods using both paper and pencil and custom-built free software, Origami Design Secrets helps readers cultivate the intuition and skills necessary to develop their own designs. It takes them beyond merely following a recipe to crafting a work of art.

To find more information about Rowman and Littlefield titles, please visit www.rowmanlittlefield.com.

Cities of Repetition provides a comprehensive graphic documentation and analysis of the largest Hong Kong housing estates built by private developers, from the late 1960s through to the early 2000s. Original drawings and diagrams illustrate and compare the ultra-dense, mass-produced, highly repetitive built environments in which hundreds of thousands of Hong Kong residents live. This book studies the practicalities of urban design in limited space, but also the effects of structure, routine, and replication on the human psyche. Its array of colour and black-and-white images will immerse the reader in Hong Kong's uniquely repetitive cityscape.

The stunning photos and brilliant essays in this book demonstrate why origami is now an international art movement-largely through the efforts and artistic genius of a few contemporary masters. The trailblazing efforts of Japanese artist Akira Yoshizawa elevated paper folding by showing how subtle shapes and figures could be created from a single sheet of paper through a variety of non-traditional folding techniques. Artists in other parts of the world-including the United States, France, England, China and Scandinavia-took Yoshizawa's cue and pushed these techniques further and further. The result has been the emergence of many new and surprising sculptural forms created through techniques such as wet folding, curved creasing, tessellating and the application of alternative materials besides paper. This book features the work of 25 contemporary master folders who are among the most innovative origami artists working today. They are pushing the boundaries of origami style, scale, materials, subject and scope in new directions. This elite group includes: Joel Cooper Erik Demaine and Martin Demaine Paul Jackson Beth Johnson Michael G. LaFosse and Richard L. Alexander Robert J. Lang Linda Mihara Bernie Peyton Richard Sweeney And many more!

The Symposium "Esophageal Carcinoma - State of the Art" has aroused very great interest. The numerous enquiries have caused us to publish the congress proceedings in the present volume. Particular attention was paid to current topical problems. One of the areas on which the present volume focuses is the epidemiol- ogy and pathology of esophageal adenocarcinoma. Compared to squamous epithelial carcinoma, this is increasing in incidence in Europe. Modern diagnostic methods are described such as laser- induced fluorescence spectroscopy or the optical coherence endo- scopic technique. The latter enables normal mucosa to be distin- guished from dysplastic or malignant lesions, in contrast to con- ventional endoscopy. As in other tumors of the gastrointestinal tract, neoadjuvant therapy is becoming of increasing importance. Since the indication crucially depends on the tumor stage, two contributions deal with postoperative staging, with the diagnostic reliability of the individual techniques and new methods such as endoluminal MRI. There is no doubt that neoadjuvant chemo- therapy is indicated in tumors which are irresectable and in tumor stages in which resectability is uncertain. However, to what extent it should also be applied in the resectable stage will be discussed in the individual contributions both for adenocarci- noma and for squamous epithelial carcinoma. In the meantime, surgical treatment of esophageal carcinoma has been largely stan- dardized. Differences with regard to radicality are still found in the extent of lymphadenectomy, especially in inclusion of cervi- cal lymph nodes.

A tax reform policy aiming at a growth of prosperity requires basic guidelines. These would have to serve as a standard evaluation model for the precise assessment of the current tax system and the development of tax reform proposals. For market economies the concept of a consumption-based tax system is gaining increasing importance, especially with respect to economic efficiency. An ideal concept for reforming direct taxes would be the requirement of aligning tax bases directly to consumed income, that is, to exempt saved and invested income from taxation. The present volume contains papers dealing with the pros and cons of such a consumption-based tax system and of taxing lifetime consumption. Papers presented in this volume come from leading international scientists who discuss the tax reform under theoretical, political, legal and administrative aspects.

The management of and attitudes toward children and adults with Down syndrome have undergone considerable changes in the course of the condi tion's long history (Zellweger, 1977, 1981, Zellweger & Patil, 1987). J. E. D. Esquirol (1838) and E. Seguin (1846) were probably the first physicians to witness the condition without using currently accepted diagnostic designa tions. Seguin coined the terms furfuraceus or lowland cretinism in contradis tinction to the goiterous cretinism endemic at that time in the Swiss Alps. Esquirol, as well as Seguin, had a positive attitude toward persons who were mentally ill or mentally subnormal. Esquirol pioneered a more humane treatment in mental institutions and Seguin created the first homes in France, and later in the United States, aimed at educating persons who were mentally subnormal. The term mongolian idiocy was coined by J. H. L. Down in England (1866). The term is misleading in several respects: (1) Down identified the epicanthic folds seen in many children with Down syndrome with the additional skin fold in the upper lid occurring particularly in people of Oriental (Mongolian) descent; and (2) Down also erred by assuming that Down syndrome represented regression to an ethnic variant of lower cultural standing. Such an interpretation might have been understandable at a time when the myth of Anglo-Saxon superiority was widely accepted by the British. Charles Darwin's then highly acclaimed theory of origin of the species may have contributed to such a concept."

Origami5 continues in the excellent tradition of its four previous incarnations, documenting work presented at an extraordinary series of meetings that explored the connections between origami, mathematics, science, technology, education, and other academic fields.

The fifth such meeting, 5OSME (July 13-17, 2010, Singapore Management University) followed the precedent previous meetings to explore the interdisciplinary connections between origami and the real world. This book begins with a section on origami history, art, and design. It is followed by sections on origami in education and origami science, engineering, and technology, and culminates with a section on origami mathematics-the pairing that inspired the original meeting.

Within this one volume, you will find a broad selection of historical information, artists' descriptions of their processes, various perspectives and approaches to the use of origami in education, mathematical tools for origami design, applications of folding in engineering and technology, as well as original and cutting-edge research on the mathematical underpinnings of origami.

This beautiful origami art book is a collection of the best contemporary pieces from some of the worlds most renowned papercraft artists. Thanks to pioneering masters such as Dr. Robert J. Lang, origami has transcended its humble roots as a traditional Japanese papercraft to take its place among the global fine arts. In Folding Paper: The Infinite Possibilities of Origami, Dr. Lang and Asian art curator Meher McArthur chronicle origami's remarkable evolution and showcases the widespread applications of paper folding solutions in the fields of contemporary mathematics, engineering, design, and the international peace movement. Based around a groundbreaking museum show by the same name, Folding Paper features the work of more than forty leading origami artists from around the world. It traces the development of paper folding in both the East and the West, recognizing the global influences on this international art form. Now in the early twenty-first century, origami is a sophisticated fine art form consisting of many different styles, from representational to geometric, abstract, and even conceptual. It has become a symbol of peace, an inspiration for engineers, and a conduit for scientific advancement. Featured origami artists include: Brian Chan Erik Joisel Erik and Martin Demaine Tomoko Fuse Daniel Kwan Michael LaFosse Jeannine Moseley Akira Yoshizawa Combining Dr. Lang's and McArthur's illuminating narrative history with lavish color photographs of more than sixty breathtaking works--from Joel Cooper's haunting Cyrus mask to Linda Tomoko Mihara's delicate Crane Cube to Eric Joisel's lifelike Pangolin model--Folding Paper is an enthralling introduction to the contemporary art of paper folding.

The connections between origami, mathematics, science, technology, and education have been a topic of considerable interest now for several decades. While many individuals have happened upon discrete connections among these fields during the twentieth century, the field really took off when previously isolated individuals began to make stronger connections with each other through a series of conferences exploring the links between origami and "the outside world." The Fourth International Meeting on Origami in Science, Mathematics, and Education (4OSME), held in September, 2006, at the California Institute of Technology in Pasadena, California, brought together an unprecedented number of researchers presenting on topics ranging from mathematics, to technology, to educational uses of origami, to fine art, and to computer programs for the design of origami. Selected papers based on talks presented at that conference make up the book you hold in your hands.

Create timeless figures with clear, step-by-step instructions, helpful diagrams. Simple to advanced objects: cube, parrot, rabbit, seagull, cuckoo clock, rocket, mouse, elephant, violinist, Viking ship, more.

Twists, Tilings, and Tessellation describes the underlying principles and mathematics of the broad and exciting field of abstract and mathematical origami, most notably the field of origami tessellations. It contains folding instructions, underlying principles, mathematical concepts, and many beautiful photos of the latest work in this fast-expanding field.

This collection of projects by the "father of modern origami" contains detailed instructions for 60 of the master's original works. Master origami artist Akira Yoshizawa was a true innovator who played a seminal role in the rebirth of origami in the modern world. He served as a bridge between past and present--between the ancient traditional craft and the development of origami as a contemporary practice--inventing new techniques and in preserving the traditional Japanese forms. In fact, the notational system of diagrams widely used today to indicate how models are folded was developed mainly by him. Above all, Yoshizawa was responsible for elevating origami to the status of an art form. This beautiful origami book is the first comprehensive survey of the extraordinary work of Akira Yoshizawa. In addition to 60 models from his private collection, it features over 1,000 original drawings by the artist, and English translations of his writings in Japanese on origami, all of which are published here for the very first time. Origami projects include: The Koinobori and the Helmet Butterflies of Every Kind Fairy Tale Crowns and Caps The Lion Mask The Tengu Masks and much more! Akira Yoshizawa also contains an explanation of the Master's personal philosophy of origami by Yoshizawa's widow, Kiyo Yoshizawa and an insightful introduction from Robert Lang, a leading artist and exponent of origami art in the West.

Dieser Buchtitel ist Teil des Digitalisierungsprojekts Springer Book Archives mit Publikationen, die seit den Anfangen des Verlags von 1842 erschienen sind. Der Verlag stellt mit diesem Archiv Quellen fur die historische wie auch die disziplingeschichtliche Forschung zur Verfugung, die jeweils im historischen Kontext betrachtet werden mussen. Dieser Titel erschien in der Zeit vor 1945 und wird daher in seiner zeittypischen politisch-ideologischen Ausrichtung vom Verlag nicht beworben.

Die Humanpharmakologie wendet heute differenziert Modelle zur Absch{tzung der Medikamentenwirksamkeit an, sie liefert Kernaussagen zur Vertr{glichkeit, sie standardisiert und optimiert Untersuchungsmethoden. Dasvorliegende Buch ist dem Schwerpunkt Good Clinical Practice gewidmet. Die dazu k}rzlich fertiggestellten europ{ischen Richtlinien bieten sich durch die Vorgabe einheitlicher Kriterien als Richtschnur f}r alle klinischen Pr}fungen an. Folgende Aspekte werden behandelt: Planung von Studien, Kriterien f}r Good Clinical Practice, rechtliche und ethische Fragen, Probanden, Verarbeitung der gewonnenen Informationen. F}r Mitarbeiter in der Arzneimittelforschung liefert das Buch eine hochaktuelle Diskussions- und Arbeitsgrundlage.

GOETHE bemerkt in seinen "Maximen und Reflexionen": "Zur Verewigung des Irrtums tragen die Werke besonders bei, die enzyklopadisch das Wahre und Falsche des Tages uberliefern. Hier kann die Wissenschaft nicht bearbeitet werden, sondern was man weiss, glaubt, wahnt, wird aufgenommen; deswegen sehen solche Werke nach funfzig Jahren gar wunderlich aus. " Diese kritische Einstellung zum "Handbuch" hatte ich vor Augen, als ich mit den Vorbereitun gen fur den Band "Mikrozirkulation" begann. Den Mut, dennoch ein nicht abgeschlossenes Werk vorzulegen, begrunde ich damit, dass die Sorge, zur Ver ewigung des Irrtums beizutragen, fur das heutige Verstandnis der Wissenschaft nicht mehr gilt. Zwar halten manche Forscher daran fest - und das ist auch ihr gutes Recht - zu versuchen, einmal Erarbeitetes mit neuen Methoden oder durch erganzende Befunde zu bestatigen und zu erharten, im Grunde geben sie aber durch ihre weiteren Arbeiten zu - und sie sind auch darauf gefasst -, dass jeder einzelne Befund, jede Grundlage und jede entwickelte Hypothese sich als falsch erweisen kann. Diese skeptische Grundhaltung der Forscher gegen uber den Ergebnissen der Wissenschaft ruhrt daher, dass sie einerseits nicht mehr glauben, sich mit Hilfe der Wissenschaft jemals der Wahrheit direkt versi chern zu koennen, andererseits koennen sie Glauben im Sinne des Fest-fur-wahr Haltens in der Wissenschaft nicht gelten lassen. In dem Bestreben, die Dinge kritisch und realistisch zu sehen, bemuhen sich die theoretischen, d. h.