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This remarkable collection of stories, includes Green Tea, The
Familiar, Mr. Justice Harbottle, The Room in the Dragon Volant, and
Carmilla. The five stories are purported to be cases by Dr.
Hesselius, a 'metaphysical' doctor, who is willing to consider the
ghosts both as real and as hallucinatory obsessions. The reader's
doubtful anxiety mimics that of the protagonist, and each story
thus creates that atmosphere of mystery which is the supernatural
experience.
From Green Tea: The evil spirits associated with man are, indeed
from the hells, but when with man they are not then in hell, but
are taken out thence. The place where they then are, is in the
midst between heaven and hell, and is called the world of spirits
-- when the evil spirits who are with man, are in that world, they
are not in any infernal torment, but in every thought and affection
of man, and so, in all that the man himself enjoys. But when they
are remitted into their hell, they return to their former state...
If evil spirits could perceive that they were associated with man,
and yet that they were spirits separate from him, and if they could
flow in into the things of his body, they would attempt by a
thousand means to destroy him; for they hate man with a deadly
hatred... Knowing, therefore, that I was a man in the body, they
were continually striving to destroy me, not as to the body only,
but especially as to the soul; for to destroy any man or spirit is
the very delight of the life of all who are in hell; but I have
been continually protected by the Lord. spirits, unless he be in
the good of faith... Nothing is more carefully guarded from the
knowledge of associate spirits than their being thus conjoint with
a man, for if they knew it they would speak to him, with the
intention to destroy him... Also included in this volume are Mr.
Justice Harbottle, Madam Crowl's Ghost, and The Dead Sexton.
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Carmilla (Hardcover)
J. Sheridan LeFanu
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R814
R727
Discovery Miles 7 270
Save R87 (11%)
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Ships in 10 - 15 working days
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"Carmilla" is the book that set the text for "Dracula," that threw
the light on our morbid fascination with the vampire legend. This
is "Carmilla," J. Sheridan LeFanu's classic novel of blood, terror
-- and a love that dare not speak its name.
Included in this volume of J. Sheridan Le Fanu's eerie tales are
Ghost Stories of Chapelizod, including "The Village Bully," "The
Sexton's Adventure," "The Specter Lovers"; "The Drunkard's Dream";
"The Ghost and the Bonesetter"; "The Mysterious Lodger"; "Laura
Silver Bell"; "Wicked Captain Walshawe, of Wauling"; "The Child
That Went with the Fairies"; Stories of Lough Guir, including "The
Magician Earl," "Moll Rial's Adventure," "The Banshee," "The
Governess's Dream," and "The Earl's Hall"; "The Vision of Tom
Chuff"; and "Dickon the Devil."
Included in this volume of J. Sheridan Le Fanu's marvellous ghost
stories are "Madam Crowl's Ghost"; "Squire Toby's Will"; "Dickon
the Devil"; "The Child That Went with the Fairies"; "The White Cat
of Drumgunniol"; "An Account of Some Strange Disturbances in
Aungier Street"; Ghost Stories of Chapelizod, including "The
Village Bully," "The Sexton's Adventure," "The Specter Lovers";
"Wicked Captain Walshawe, of Wauling"; "Sir Dominick's Bargain";
"Ultor de Lacy"; "The Vision of Tom Chuff"; and Stories of Lough
Guir, including "The Magician Earl," "Moll Rial's Adventure," "The
Banshee," "The Governess's Dream," and "The Earl's Hall."
The foremost teller of scary stories in his day and a profound
influence on both the novelists and filmmakers of the 20th century,
Anglo-Irish author JOSEPH THOMAS SHERIDAN LE FANU (18141873) has,
sadly, fallen out of scholarly and popular favor, and unfairly so.
To this day, contemporary readers who happen across his works
praise his talent for weaving a tense literary atmosphere tinged by
the supernatural and bolstered by hints of ambiguous magic. Though
his best-known works were horror tales, Le Fanus first novels were
historical in nature. The House by the Churchyard, originally
published in 1863, bridges the authors early work and his later
experiments in Gothic horror, and is said to have inspired James
Joyces Finnegans Wake. A rambling tale of the charming Irish town
of Chapelizod in 1767, it sees men of the Royal Irish Artillery
stationed in the village and disrupting the quiet life there...
though the brooding Mr. Mervyn and his coffin and the mysterious
newcomer Mr. Dangerfield lend elements of the unknown as well. With
a series of new editions of Le Fanus works, Cosimo is proud to
reintroduce modern book lovers to the writings of the early master
of suspense fiction who pioneered the concept of psychological
horror.
Included in this volume are the classic Le Fanu tales, "Green Tea,"
"The Familiar," "Mr. Justice Harbottle," "The Room in the Dragon
Volant," and "Carmilla."
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Uncle Silas (Hardcover)
Joseph Sheridan Lefanu, J. Sheridan LeFanu
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R1,069
Discovery Miles 10 690
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Ships in 10 - 15 working days
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The foremost teller of scary stories in his day and a profound
influence on both the novelists and filmmakers of the 20th century,
Anglo-Irish author JOSEPH THOMAS SHERIDAN LE FANU (18141873) has,
sadly, fallen out of scholarly and popular favor, and unfairly so.
To this day, contemporary readers who happen across his works
praise his talent for weaving a tense literary atmosphere tinged by
the supernatural and bolstered by hints of ambiguous magic. First
published in 1864, Uncle Silas, one of his more famous works, is a
macabre tale of the death-haunted mansion known as Knowl, and Maud
Ruthyn, who narrates for us the ominous goings-on there through her
curtain of obsession with the dark and the dead. Considered by some
to be among the best horror novels ever written, this is certainly
a pinnacle of Victorian suspense that continues to grip
sophisticated readers today. With a series of new editions of Le
Fanus works, Cosimo is proud to reintroduce modern book lovers to
the writings of the early master of suspense fiction who pioneered
the concept of psychological horror.
'Well, a corpse is a natural thing; but this was the dreadfullest
sight I ever sid...' Sheridan Le Fanu is one of the indispensable
figures in the history of Gothic and horror fiction-the most
important such writer in English, certainly, between Poe and M. R.
James. While a number of his sensation and mystery novels were
popular with mid-Victorian readers, it was in shorter forms that he
truly excelled, and most showed himself an innovator in the field
of uncanny fiction. Tales such as 'Carmilla' and 'Green Tea'
prompted M. R. James to remark, 'he succeeds in inspiring a
mysterious terror better than any other writer'. This landmark
critical edition includes the original versions of all five stories
later collected in the superb In a Glass Darkly, along with seven
equally chilling tales spanning the length of Le Fanu's career,
from 'Schalken the Painter', a pioneering story of the walking
dead, to 'Laura Silver Bell', a haunting exploration of the dark
side of fairy lore. Aaron Worth's introduction discusses the
paranoid, claustrophobic world of Le Fanu's fiction as a
counterpoint-one in its own way equally modern-to the cosmic horror
tale as practiced by such writers as H. P. Lovecraft.
`the ideal reading...for the hours after midnight' Thus Henry James
described the style of supernatural tale of which Sheridan Le Fanu
was a master. Known in nineteenth-century Dublin as `The Invisible
Prince' because of his reclusive and nocturnal habits, Le Fanu was
fascinated by the occult. His writings draw on the Gothic
tradition, elements of Irish folklore, and even on the social and
political anxieties of his Anglo-Irish contemporaries. In exploring
sometimes inexplicable terrors, the tales focus on the unease of
the haunted men and women who encounter the supernatural, rather
than on the origin or purpose of the visitant. This makes for
spine-chilling reading. The five stories presented here have been
collected by Dr Hesselius, a `metaphysical' doctor, the forerunner
of the modern psychiatrist, who is willing to consider the ghosts
both as real and as hallucinatory obsessions. The reader's doubtful
anxiety mimics that of the protagonist, and each story thus creates
that atmosphere of mystery which is the supernatural experience.
ABOUT THE SERIES: For over 100 years Oxford World's Classics has
made available the widest range of literature from around the
globe. Each affordable volume reflects Oxford's commitment to
scholarship, providing the most accurate text plus a wealth of
other valuable features, including expert introductions by leading
authorities, helpful notes to clarify the text, up-to-date
bibliographies for further study, and much more.
You are mine, you shall be mine, you and I are one for ever. One of
the most hugely influential vampire stories of all time, Le Fanu's
Carmilla was written before Bram Stoker's Dracula. A true gothic
novel, it is eery, rich in character and place and bathed in blood
and moonlight. When a mysterious carriage crashes outside their
castle home in Styria, Austria, Laura and her father agree to take
in its injured passenger, a young woman named Carmilla. Delighted
to have some company of her own age, Laura is instantly drawn to
Carmilla. But as their friendship grows, Carmilla's character
changes and she becomes increasingly secretive and volatile. As
Carmilla's moods shift and change, Laura starts to become ill,
experiencing fiendish nightmares, her health deteriorating night
after night. It is not until she and her father, increasingly
concerned for Laura's well-being, set out on a trip to discover
more about the mysterious Carmilla that the terrifying truth
reveals itself...
The five stories in In a Glass Darkly reflect a profound and deeply
disturbing uncertainty about the nature of humanity and its
relationship with spirituality. Originally published separately in
magazines, the stories are framed and linked in this collection as
cases in the papers of the fictional Dr. Hesselius. Sheridan Le
Fanu's approach to the supernatural re-works traditional Irish oral
storytelling and combines it with nineteenth-century adaptations of
the eighteenth-century Gothic novel. Appendices include Le Fanu's
correspondence about the stories, posthumous assessments of his
life and work, and twentieth-century critical commentaries by M.R.
James and Elizabeth Bowen. Engravings from the original serial
publications of several stories are also included.
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