Naturebot: Unconventional Visions of Nature presents a humanities-oriented addition to the literature on biomimetics and bioinspiration, an interdisciplinary field which investigates what it means to mimic nature with technology. This technology mirrors the biodiversity of nature and it is precisely this creation of technological metaphors for the intricate workings of the natural world that is the real subject of Naturebot. Over the course of the book, Barilla applies the narrative conventions of the nature writing genre to this unconventional vision of nature, contrasting the traditional tropes and questions of natural history with an expanding menagerie of creatures that defy conventional categories of natural and artificial. In keeping with its nature writing approach, the book takes us to where we can encounter these creatures, examining the technological models and the biotic specimens that inspired them. In doing so, it contemplates the future of the human relationship to the environment, and the future of nature writing in the 21st century. This book will be of great interest to students and scholars of biomimetics, environmental literary studies/ecocriticism, and the environmental humanities.

Naturebot: Unconventional Visions of Nature presents a humanities-oriented addition to the literature on biomimetics and bioinspiration, an interdisciplinary field which investigates what it means to mimic nature with technology. This technology mirrors the biodiversity of nature and it is precisely this creation of technological metaphors for the intricate workings of the natural world that is the real subject of Naturebot. Over the course of the book, Barilla applies the narrative conventions of the nature writing genre to this unconventional vision of nature, contrasting the traditional tropes and questions of natural history with an expanding menagerie of creatures that defy conventional categories of natural and artificial. In keeping with its nature writing approach, the book takes us to where we can encounter these creatures, examining the technological models and the biotic specimens that inspired them. In doing so, it contemplates the future of the human relationship to the environment, and the future of nature writing in the 21st century. This book will be of great interest to students and scholars of biomimetics, environmental literary studies/ecocriticism, and the environmental humanities.

The first book to follow a fly-fishing trip from coast to coast, West with the Rise is James Barilla's account of a solitary journey that begins in New England and ends in Northern California, with little more to keep him company than a secondhand pickup bought just for the trip, a pair of Nikes he cannot seem to keep dry (they're literally decomposing before his eyes), and the graphite stick and reel that the fly fisher reaches for before he has even fully awoken. The progression from the spring creeks of the East to the big sky country and its nearly mythic trout streams represents more than a search for better fishing. It marks for Barilla the transition from the Massachusetts of his childhood to the West that has become his home as an adult. Woven into his days on the streams are his thoughts of the family he and his wife are planning. More than a preoccupation, it is to some extent the very inspiration for the trip itself. The couple's years-long attempt to have a child has brought them to fertility specialists, and the options they offer, such as in vitro fertilization, Barilla explains with the same attention to detail with which he describes the water's clarity and the coolness of a newfound fishing ground. The question is not only one of successful treatment but of exactly why Barilla should desire a child and what he as a father would have to offer. It is the streams that have run through his entire life-""We are mostly water,"" he reminds us-to which Barilla now turns for answers. At times no one would mistake this world for that of Huck Finn. Barilla drives past strip malls, falls asleep to Dirty Harry playing on his motel room television, and reads in a trout magazine of a particular stream that is no longer what it once was, thanks to urban sprawl-to which one fly shop proprietor adds, ""No place is what it was."" It is almost with a sense of relief, then, that we reach so many settings of uncommon beauty-from Yellow Breeches Creek in Pennsylvania to the grand Deschutes River in Oregon-each with a singular fishing experience to offer. For Barilla this journey is a chance to reflect on his life as an angler but also on his, at turns frustrating and deeply rewarding, relationship with the outdoors and its unending capacity to surprise and instruct.