Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Benjamin Tanner has lost it all. His wife is sleeping around, he is newly unemployed, and worst of all, he just lost his daughter to the great beyond. He has no purpose and nothing to live for-or so the voices tell him. The Red Devils hide the pain, but the pills are quickly turning against him.Voices chant of his demise. They're telling him to use the gun in his hand and end it all.

Ben wanders the night in search for answers while the Red Devils burn his world into a twisted fantasy of good and evil. As the night progresses the Red Devils release their poison and Ben's mind swells with pain and anger. The revolver in his hand pulses with a wicked energy. By the end of the darkness, he may just use the gun on himself. At least it would make the voices stop; it would make the pain stop, too. How had it come to this? Why had he become the victim of so many pointless misfortunes?

But Tanner is not alone. He is being chased by a gang of dark and vicious characters who wish him harm, but there are others-those who mean him well. They stand beside him and battle for his broken soul before the Red Devil's take over and it is too late. Follow Benjamin Tanner as he desperately searches for meaning in the emptiness and takes a final stand against his pain.

The papers in this volume are in honor of Bowman L. Clarke. Bowman Clarke earned degrees from Millsaps College, the University of Mississippi, and Emory University in Atlanta, Georgia, including the PhD in philosophy from Emory in 1961. He spent most of his academic career, a total of twenty-nine years, as a member of the Philosophy Department of the University of Georgia, Athens, Georgia, from which he retired in 1990. He also served as Head of the Department for several years. He has held many positions of distinction in professional societies, including President of the Georgia Philosophical Society, President of the Society for the Philosophy of Religion, and President of the Southern Society for Philosophy and Psychology. He also served as Editor-in Chief of the International Journal for the Philosophy of Religion from 1975-1989. Professor Clarke is the author of Language and Natural Theology (The Hague: Mouton and Co., 1966) as well as numerous articles in professional journals. He has made major contributions in the areas of the philosophy of religion, the study of the philosophy of Alfred North Whitehead, and the development of the calculus of individuals. ix J. F. Harris (ed. ), Logic, God and Metaphysics, ix. (c) 1992 Kluwer Academic Publishers. Introduction The title for this volume, Logic, God, and Metaphysics, was chosen very carefully and deliberately. The papers in this volume are directed at the issues and problems which lie in the domain of the juncture of these three different areas of philosophical inquiry."

When Gene Long, editor of Kluwer's Handbook of Contemporary Philosophy of Religion Series, first invited me to write the volume on Analytic Philosophy of Religion, I accepted with great enthusiasm. My only explanation for that enthusiasm now is that I was younger and more naive at the time. Soon after starting work on the volume, my enthusiasm was dampened by the daunting magnitude of the task. I began as a sprinter and quickly settled into the pace of a long-distance runner. Although I considered myself well read in the subject, I soon discovered that I had a great deal of research to do to be confident that I had considered all of the major contributions to the various discussions, issues, and of religion. As I read more and more problems found within analytic philosophy books and articles, I realized that I had rushed into a territory already well trodden by the angels. I am greatly impressed by the sophistication and subtlety of philosophical argument that characterize the different debates in contemporary analytic philosophy of religion. This volume covers a vast amount of material. I have endeavored to provide the fairest possible reading of different authors, and, in cases where I include my own critical evaluations and develop my own positions, I have endeavored to provide the strongest possible interpretations of the positions I criticize.

First published in 1972. Routledge is an imprint of Taylor & Francis, an informa company.

First published in 1972. Routledge is an imprint of Taylor & Francis, an informa company.