Thomas Merton, Robert Lax, and Edward Rice were college buddies who became life-long friends, literary innovators, and spiritual iconoclasts. Their friendship and collaboration began at Columbia College in the 1930s and reached its climax in the widely acclaimed magazine, which ran from 1953 to 1967, a year before Merton's death. Rice was founder, publisher, editor, and art director; Merton and Lax two of his steadiest collaborators. Well-known on campus for their high spirits, avant-garde appreciation of jazz and Joyce, and indiscriminate love of movies, they also shared their Catholic faith. Rice, a cradle Catholic, was godfather to both Merton and Lax. Merton, who died some 30 years before the other two, was the first to achieve fame with his best-selling spiritual autobiography, "The Seven-Story Mountain". Lax, whom Jack Kerouac dubbed "one of the great original voices of our times," eventually received recognition as one of "America's greatest experimental poets, a true minimalist who can weave awesome poems from remarkably few words" ("New York Times" Book Review). He spent most of the last 35 years of his life living frugally on one of the remotest of the Greek isles. After Jubilee folded, Rice wrote 20 books on world culture, religion, and biography. His 1970 biography of Merton, "The Man in the Sycamore Tree", was judged too intimate, forthright, and candid by those who, in Lax's words, "were trying so hard to get pictures of [Merton's] halo that they missed his face." His biography of the 19th century explorer and "orientalist" Sir Richard Burton became a "New York Times" bestseller. This book is not only the story of a 3-way friendship but a richly detailed depiction of the changes in American Catholic life over the past sixty-some years, a micro history of progressive Catholicism from the 1940s to the turn of the twenty-first century. Despite their loyalty to the church, the three often disagreed with its positions, grumbled about its tolerance for mediocrity in art, architecture, music, and intellectual life and its comfortableness with American materialism and military power. And each in his own way engaged in a spiritual search that extended beyond Christianity to the great religions of the East.

How One Man Masterminded the Soviet Drive Beat America to the Moon.

"Fascinating . . . packed with technical and historical detail for the space expert and enthusiast alike . . . Great stuff!"—New Scientist

"In this exceptional book, James Harford pieces together a most compelling and well-written tale. . . . Must reading."—Space News.

"Through masterful research and an engaging narrative style, James Harford gives the world its first in-depth look at the man who should rightly be called the father of the Soviet space program."—Norman R. Augustine, CEO, Lockheed Martin.

"In Korolev, James Harford has written a masterly biography of this enigmatic 'Chief Designer' whose role the Soviets kept secret for fear that Western agents might 'get at' him."—Daily Telegraph.

"Harford's fluency in Russian and his intimate knowledge of space technology give us insights that few, if any, Americans and Russians have had into this dark history of Soviet space."—Dr. Herbert Friedman, Chief Scientist, Hulburt Center for Space Research Naval Research Laboratory.

"Reveals the complex, driven personality of a man who, despite unjust imprisonment in the Gulag, toiled tirelessly for the Soviet military industrial complex. . . . More than just a biography, this is also a history of the Soviet space program at the height of the Cold War. . . . Highly recommended."—Library Journal.

"For decades the identity of the Russian Chief Designer who shocked the world with the launching of the first Sputnik was one of the Soviet Union's best-kept secrets. This book tells vividly the story of that man, Sergei Korolev, in remarkable detail, with many facts and anecdotes previously unavailable to the West."—Sergei Khrushchev, Visiting Senior Fellow, Center for Foreign Policy Development.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone