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This book (hardcover) is part of the TREDITION CLASSICS. It
contains classical literature works from over two thousand years.
Most of these titles have been out of print and off the bookstore
shelves for decades. The book series is intended to preserve the
cultural legacy and to promote the timeless works of classical
literature. Readers of a TREDITION CLASSICS book support the
mission to save many of the amazing works of world literature from
oblivion. With this series, tredition intends to make thousands of
international literature classics available in printed format again
- worldwide.
Since 1945, the European states which had previously glamorised
their military elites, and made going to war the highest expression
of patriotism, have renounced violence as a way of settling their
disputes. Violence has been eclipsed as a tool of statesmen. This
astonishing reversal is the subject of James Sheehan's masterly
book. It is also a timely reminder of the differences between
Europe and America, at a time when the USA is asserting its right
and duty to make war for ideological or self-interested ends. And
how Europeans will live in this dangerous, violent world is a
question that becomes ever more urgent as the chaos in the Middle
East affects the stability of societies with open frontiers and
liberal traditions.
How did educated Westerners make an enemy of an inspiration that
has changed the lives of billions? Why is nationalism synonymous
with atavism, fanaticism, xenophobia, and bloodshed? In this book,
Robert Wiebe argues that we too often conflate nationalism with
what states do in its name. By indiscriminately blaming it for
terrorism, ethnic cleansing, and military thuggery, we avoid
reckoning with nationalism for what it is: the desire among people
who believe they share a common ancestry and destiny to live under
their own government on land sacred to their history.
For at least a century and a half, nationalism has been an
effective answer to basic questions of identity and connection in a
fluid world. It quiets fears of cultural disintegration and allows
people to pursue closer bonds and seek freedom. By looking at
nationalism in this clearer light and by juxtaposing it with its
two great companion and competitor movements--democracy and
socialism--Wiebe is able to understand nationalism's deep appeal
and assess its historical record.
Because Europeans and their kin abroad monopolized nationalism
before World War I, Wiebe begins with their story, identifying
migration as a motive force and examining related developments in
state building, race theory, church ambition, and linguistic
innovation. After case studies of Irish, German, and Jewish
nationalism, Wiebe moves to the United States. He discusses
America's distinctive place in transatlantic history, emphasizing
its liberal government, cultural diversity, and racism. He then
traces nationalism's spread worldwide, evaluating its adaptability
and limits on that adaptability. The state-dominated nationalism of
Japan, Turkey, and Mexico are considered, followed by
Pan-Africanism and Nigeria's anticolonial-postcolonial nationalism.
Finally, Wiebe shows how nationalism became integrated into a
genuinely global process by the 1970s, only to find itself
competing at a disadvantage with god- and gun-driven
alternatives.
This book's original answers to imperative questions will meet
with deep admiration and controversy. They will also change the
terms on which nationalism is debated for years to come.
This book is part of the TREDITION CLASSICS. It contains classical
literature works from over two thousand years. Most of these titles
have been out of print and off the bookstore shelves for decades.
The book series is intended to preserve the cultural legacy and to
promote the timeless works of classical literature. Readers of a
TREDITION CLASSICS book support the mission to save many of the
amazing works of world literature from oblivion. With this series,
tredition intends to make thousands of international literature
classics available in printed format again - worldwide.
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