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Part history, part memoir, Outliving the White Lie: A Southerner’s Historical, Genealogical, and Personal Journey charts conflicting narratives of American and southern identity through a blend of public, family, and deeply personal history. Author James Wiggins, who was raised in rural Mississippi, pairs thorough historical research with his own lived experiences. Outliving the White Lie looks squarely at the many untruths regarding the history and legacy of race that have proliferated among white Americans, from the misrepresentations of Black Confederates to the myth of a "postracial" America. Though the US was ostensibly established to achieve freedom and shrug off an oppressive English monarchy, this mythology of the United States’ founding belies a glaring paradox—that this is a country whose foundation depends entirely on coercion and enslavement. How, then, could generations of decent people, people who valued individual liberty and personal autonomy, coexist within and alongside such a paradox? Historians suggest an answer: that these apparently dissonant points of view were reconciled in antebellum America by white citizens learning "to live with slavery by learning to live a lie." The operative lie throughout American history and the lie underpinning the institution of slavery, they argue, has always been the fallacy of race—deliberately propagated tenets asserting skin color as the preeminent marker of identity and value. Wiggins takes accepted delusions to task in this moving reconciliation of southern living.
Part history, part memoir, Outliving the White Lie: A Southerner’s Historical, Genealogical, and Personal Journey charts conflicting narratives of American and southern identity through a blend of public, family, and deeply personal history. Author James Wiggins, who was raised in rural Mississippi, pairs thorough historical research with his own lived experiences. Outliving the White Lie looks squarely at the many untruths regarding the history and legacy of race that have proliferated among white Americans, from the misrepresentations of Black Confederates to the myth of a "postracial" America. Though the US was ostensibly established to achieve freedom and shrug off an oppressive English monarchy, this mythology of the United States’ founding belies a glaring paradox—that this is a country whose foundation depends entirely on coercion and enslavement. How, then, could generations of decent people, people who valued individual liberty and personal autonomy, coexist within and alongside such a paradox? Historians suggest an answer: that these apparently dissonant points of view were reconciled in antebellum America by white citizens learning "to live with slavery by learning to live a lie." The operative lie throughout American history and the lie underpinning the institution of slavery, they argue, has always been the fallacy of race—deliberately propagated tenets asserting skin color as the preeminent marker of identity and value. Wiggins takes accepted delusions to task in this moving reconciliation of southern living.
As dialogue among the religions of the world has increased, the
promotion of these exchanges by Christians, both Roman Catholic and
Protestant, raises the question of the motives behind these
discussions. Some Christians reach out in good will, others display
defensive hostility, still others are simply following the mandates
of their church.
TractorMan is a true account of one man's journey from Southern Spain to West Yorkshire on a 1963 Spanish tractor - a distance covered of 1700 miles. As if that wasn't amazing enough, he did it pulling a caravan with just his dog, Luna, for company. Along the way Michael met strangers who opened their hearts. " Strangers prepared to give simply out of kindness reinforces all sense of humanity." Real warmth leapt from the pages. People on the continent saw Michael and his tractor as a novelty, in contrast with, in England where it was accepted as the norm! `I was literally laughing out loud at times. With detailed descriptions I journeyed through the novel, taking in all the sights and sounds on offer. TractorMan was written more like reading a letter from a friend than working through a book. A highly enjoyable read.' Julia Wilson - book reviewer
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