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Focusing on issues of empathy and mutuality, and self and other, as experienced in the everyday challenges of doing participant-observation fieldwork, this volume makes a significant contribution to rethinking the experiential and conceptual construction of the field. The contributors adopt a critical and self reflexive approach that goes beyond issues of voice and representation raised by early postmodern anthropology, to grapple with issues concerning the nature of knowledge transmission that lie at the very heart of the ethnographic effort. They explore how multiple modes of attending, awareness and sense making can shape the ethnographic process. Of note are those unanticipated, less palpable forms of communication that are peripheral to or transcend more formalized and structured research methods and agendas. Among these are empathy, intuition, somatic modes of attention and/or embodied knowledge and identification, as well as, shared sensory experiences and aesthetics. By the elaboration of such concepts the volume as a whole offers a substantial elaboration of a phenomenological approach.
Castles, lochs, seascapes. Coastal Scotland is one of the world's
most romanticized tourist destinations, yet it is in the midst of
severe economic decline. The North Atlantic fisheries crisis has
hit Scottish communities hard and local fisherfolk are faced with
chronic insecurity, anxiety over the decline of fishing and doubts
about their cultural survival. The decline of this traditional
industry has been accompanied by growing tourism along Scottish
shores. Fishing villages are marketed for tourist consumption and
culture has become a commodity.
Castles, lochs, seascapes. Coastal Scotland is one of the world's
most romanticized tourist destinations, yet it is in the midst of
severe economic decline. The North Atlantic fisheries crisis has
hit Scottish communities hard and local fisherfolk are faced with
chronic insecurity, anxiety over the decline of fishing and doubts
about their cultural survival. The decline of this traditional
industry has been accompanied by growing tourism along Scottish
shores. Fishing villages are marketed for tourist consumption and
culture has become a commodity.
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