You could be the target of a spell or curse and not even know it.

Everyone, whether they practice witchcraft or not, is susceptible to unwanted spells and curses. The difference is that witches and magicians can do something about it. Now you can too. Protection & Reversal Magick is a complete how‑to guide to prevent, defend against, and reverse magickal attacks of any kind.

Here, renowned scholar and magick practitioner Jason Miller shows readers how to master these techniques:

• Setting up early‑warning systems
• Appeasing angry spirits through offerings
• Performing banishings and making amulets that will prevent most attacks
• Making magical “decoys” to absorb attacks against you
• Summoning guardian spirits or gods for help
• Binding, confusing, or expelling a persistent enemy who will not leave you be

These are techniques for witches, wiccans, ceremonial magicians, root doctors, and anyone else who puts magick to practical use. Like the cunning men and women of old, you can now defend yourself and your loved ones against even the strongest attacks.

This edition features a new introduction by the author and updates to the chapters.

Re-cut edition of the horror classic featuring 11 minutes of footage removed before its initial 1973 release, including the famous Spider Walk sequence. Actress Chris MacNeil (Ellen Burstyn) is disturbed by the changes taking place in her 12-year-old daughter, Regan (Linda Blair). At first sullen and withdrawn, Regan becomes aggressive and blasphemous, and ugly welts appear on her face and body. When no medical cure is forthcoming, Chris turns to local Jesuit priest Father Damien Karras (Jason Miller) for help. Karras is shocked by what he sees in the MacNeil home and calls in exorcist Father Lankester Merrin (Max von Sydow), who confirms that Regan is indeed possessed by the devil.

This book is about real magick, effecting real change, in a real world. There are some books on magick that teach it purely as spiritual advancement. There are others that teach it as a form of psychological self-help that affects only inner change. While magick can and should be both of these, it is something more. Real Sorcery is about success in practical magick; it is a book that aims at change in both the outer and inner worlds.

Beyond a mere spell book or training course, Real Sorcery is a field manual on successful sorcery written by a professional sorcerer. The first part of the book lays out the qualities, concepts, and exercises necessary to attempt practical magick. The second part presents clear strategies for tackling almost any type of issue with sorcery.

In this book you will learn how to:

• Attack problems from multiple angles, not just by casting a spell
• Blend mundane and magical action to ensure success
• Figure out whether what you are doing is working, and fix it if it isn’t
• Go beyond readings, into magical intelligence-gathering
• Influence the minds of other people
• Work most effectively on behalf of others

This book was previously published as The Sorcerer’s Secrets by New Page Books in 2009. This edition features a new introduction from the author, one new chapter, and updates throughout.

Actress Chris MacNeil (Ellen Burstyn) has every reason to be content, having just completed a film with director Burke Dennings (Jack MacGowran). However, she becomes disturbed by the changes taking place in her 12-year-old daughter, Regan (Linda Blair). At first sullen and withdrawn, Regan becomes aggressive and blasphemous, and ugly welts appear on her face and body. No medical cure is forthcoming, and after Burke is killed by being thrown from Regan's window, Chris turns to local Jesuit priest Father Damien Karras (Jason Miller) for help. Karras then calls in exorcist Father Lankester Merrin (Max von Sydow), who confirms that Regan is possessed by the devil. William Peter Blatty's screenplay, based on his own novel inspired by actual events, won an Oscar, and the film was deemed so powerful that it was refused a BBFC certificate for fifteen years.

Since Martin Luther King Jr.'s "I Have a Dream" speech, some scholars have privately suspected that King's "dream" was connected to Langston Hughes's poetry. Drawing on archival materials, including notes, correspondence, and marginalia, W. Jason Miller provides a completely original and compelling argument that Hughes's influence on King's rhetoric was, in fact, evident in more than just the one famous speech. King's staff had been wiretapped by J. Edgar Hoover and suffered accusations of communist influence, so quoting or naming the leader of the Harlem Renaissance-who had his own reputation as a communist-would only have intensified the threats against the civil rights activist. Thus, the link was purposefully veiled through careful allusions in King's orations. In Origins of the Dream, Miller lifts that veil and shows how Hughes's revolutionary poetry became a measurable inflection in King's voice. He contends that by employing Hughes's metaphors in his speeches, King negotiated a political climate that sought to silence the poet's subversive voice. By separating Hughes's identity from his poems, King helped the nation unconsciously embrace the incendiary ideas behind his poetry.

In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote-or even inaccessible-from their own. Miller offers a timely response to questions such as: How does contemporary art's politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture-from Antigone to Do the Right Thing and The Wire-this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art's capacity to effect social change.

In both politics and art in recent decades, there has been a dramatic shift in emphasis on representation of identity. Liberal ideals of universality and individuality have given way to a concern with the visibility and recognition of underrepresented groups. Modernist and postmodernist celebrations of disruption and subversion have been challenged by the view that representation is integral to social change. Despite this convergence, neither political nor aesthetic theory has given much attention to the increasingly central role of art in debates and struggles over cultural identity in the public sphere. Connecting Hegelian aesthetics with contemporary cultural politics, Jason Miller argues that both the aesthetic and political value of art are found in the reflexive self-awareness that artistic representation enables. The significance of art in modern life is that it shows us both the particular element in humanity as well as the human element in particularity. Just as Hegel asks us to acknowledge how different historical and cultural contexts produce radically different experiences of art, identity-based art calls on its audiences to situate themselves in relation to perspectives and experiences potentially quite remote-or even inaccessible-from their own. Miller offers a timely response to questions such as: How does contemporary art's politics of perception contest liberal notions of deliberative politics? How does the cultural identity of the artist relate to the representations of cultural identity in their work? How do we understand and evaluate identity-based art aesthetically? Discussing a wide range of works of art and popular culture-from Antigone to Do the Right Thing and The Wire-this book develops a new conceptual framework for understanding the representation of cultural identity that affirms art's capacity to effect social change.

The sexual act is possibly the most potent--and pleasurable--gateway to the primordial and the divine. From the Tantric mysteries of Hinduism and Buddhism and the inner alchemy of Taoism, to the sacrament of the bridal chamber in Christianity--and, of course, the traditions of Western Magic and Witchcraft--sex pervades the highest and most secret teachings all over the world.
In "Sex, Sorcery, and Spirit," Jason Miller draws upon his training in Eastern and Western mystery schools to produce a frank, comprehensive exploration of sexual sorcery and spirituality. In clear language, he will show you how to take your magic to the next level, teaching you:
How to use the moment of orgasm as a gateway to the highest levels of spiritual attainment.
The use of sexual elixirs in alchemy and practical sorcery.
How to work with sexual spirits and gods.
The dangers of sex magic and how to avoid them.
A grimoire of sexual spells and rituals.
This daring and tantalizing work throws open the doors into the realms of sexual magic that have been hidden behind secret orders and arcane terminology for far too long--until now.

As the first black author in America to make his living exclusively by writing, Langston Hughes inspired a generation of writers and activists. One of the pioneers of jazz poetry, Hughes led the Harlem Renaissance, while Martin Luther King invoked his signature metaphor of dreaming in his speeches. In this new biography, W. Jason Miller illuminates Hughes’s status as an international literary figure through a compelling look at the relationship between his extraordinary life and his canonical works. Drawing on unpublished letters and manuscripts, Miller addresses Hughes’s often ignored contributions to the civil rights movement of the 1960s and his complex and well-guarded sexuality, and repositions him as a writer, rather than merely the most beloved African American poet of the twentieth century.