Serious literary artists such T.S. Eliot, James Joyce, and Virginia Woolf loom large in most accounts of the literary art of the first half of the 20th century. And yet, working in the shadows casts by these modernists were science fiction, horror, and fantasy writers like "the Weird Tales Three": H.P. Lovecraft, Clark Ashton Smith, and Robert E. Howard. These three writers did not publish in artistically ambitious little magazines like The Dial, The Smart Set and The Little Review, but instead in commercial pulp magazines like Weird Tales. Contrary to stereotypes about pulp fiction and those who wrote it, however, the Weird Tales Three were serious literary artists that used their fiction to speculate about philosophical questions, the function of art, and the brevity of life.

This book uses the tools of the arts, humanities, social sciences, and other fields to address challenges faced by women and girls around the world, both historically and in modern day, with an emphasis on intersectionality.

The Intersectionality of Women's Lives and Resistance uses the tools of the arts, humanities, social sciences, and other fields to address challenges faced by women and girls around the world, both historically and in modern day, with an emphasis on intersectionality. Contributors offer interdisciplinary analyses of how gender intersects with race, ethnicity, class, sexuality, and other identity markers in complex ways, and how these are tied to the interconnected nature of systems of oppression, power, and privilege.