Spain has never worked as a democracy. Throughout the country's history only one system of government has ever enjoyed any real success: dictatorship and the use of violence. Violence, in fact, is what Spain is made of, lying at the heart of its culture and identity, far more so than any other western European nation. For well over a thousand years, the country has only ever been forged and then been held together through the use of aggression - brutal, merciless terror and warfare directed against its own people. Without it the country breaks apart and Spain ceases to exist - a fact that recent events in Barcelona confirm. Authoritarianism is the Spanish default setting. Yet Spain has produced many of the most important artists and thinkers in the Western world, from Cervantes, author of the first modern novel, to Goya, the first modern painter. Much of Western artistic expression, in fact, from the Picaresque to Cubism, would be unthinkable without the Spanish contribution. This unique national genius, however, does not exist despite Spain's violent backdrop; it is, in fact, born out of it. Indeed Spain's genius and violent nature go hand in hand, locked together in a macabre, elaborate dance. This is the country's tragedy. La Violencia unveils this truth for the first time, exposing the bloody heart of Spain - from its origins in the ancient past to the Civil War and the current crisis in Catalonia. La Violencia will be in the tradition of those books which come to define our understanding of a country.

"The music started: two guitarists beating out more "Alboreas. "The women took turns to dance in a frenzy, each trying to outdo the other. "Deep Song always sings in the night," Lorca had written. It was the credo of the flamenco: a rejection of the mundane, the ordinary, the life of the everyday man, embracing, rather, an extreme world - extreme passions, extreme feelings, the extremes of life and death. And it was a way of life I wanted to believe in - its excitement, its danger, the affirmation it gave you that you were different, and alive.
"Destined for a sedate and predictable life in academia, Jason Webster was derailed in his early twenties when his first love, an aloof Florentine beauty, dumped him unceremoniously. Loveless and eager for adventure - and determined to fulfill a secret dream -- he left Oxford and headed for Spain, the country that had long captivated his imagination, and set off in search of "duende," the intense and mysterious emotional state - part ecstasy, part melancholy - that is the essence of Spain's signature art form: flamenco.
"Duende" is Webster's captivating memoir of the years he spent in Spain pursuing his obsession. Studying flamenco guitar until his fingers bleed, he becomes involved in a passionate yet doomed affair with Lola, a flamenco dancer (and older woman) married to the gun-toting Vicente, only to flee the coastal city of Alicante in fear for his life. He ends up in Madrid, miserable and lovelorn, but it's here that he has his first taste of the gritty world of flamenco's progenitors - the Gypsies whose edgy lives and fervent commitment to the art of flamenco vividly illustrate the path to "duende." Before long he is deeply immersed in a flamenco underworld that combines music and dance with drugs and crime. After two years Webster moves on to Granada where, bruised and battered, he reflects on his discovery of the emotional heart of Spain.

"From the Hardcover edition."

Having pursued a conventional enough path through school and university, Jason Webster was all set to enter the world of academe as a profession. But when his aloof Florentine girlfriend of some years dumped him unceremoniously, he found himself at a crossroads. Abandoning the world of libraries and the future he had always imagined for himself, he headed off instead for Spain in search of duende, the intense emotional state part ecstasy, part desperation so intrinsic to flamenco "Duende" is an account of his years spent in Spain feeding his obsessive interest in flamenco: he subjects himself to the tyranny of his guitar teacher, practising for hours on end until his fingers bleed; he becomes involved in a passionate affair with Lola, a flamenco dancer (and older woman) married to the gun-toting Vicente, only to flee Alicante in fear of his life; and in Madrid, he falls in with Gypsies and meets the imperious Jess. Joining their dislocated, cocaine-fuelled world, stealing cars by night and sleeping away the days in tawdry rooms, he finds himself spiralling self-destructively downwards. It is only when he arrives in Granada bruised and battered, after two years total immersion in t

As Islam and the West prepare to clash once again, Jason Webster embarks on a quest to discover Spain's hidden Moorish legacy and lift the lid on a country once forged by both Muslims and Christians. He meets Zine, a young illegal immigrant from Morocco, a twenty-first century Moor, lured over with the promise of a job but exploited as a slave labourer on a fruit farm. Jason's life is threatened as he investigates the agricultural gulag, Zine rescues him, and the unlikely pair of writer and desperado take off on a rollercoaster ride through Andalucia. While Jason unveils the neglected Arab ancestry of modern Spain - apparent in its food, language, people and culture - Zine sets out on his own parallel quest, a one-man peace mission to resolve Muslim-Christian tensions by proving irresistible to Spanish senoritas.

After twelve years in Spain, Jason Webster had developed a deep love for his adopted homeland; his life there seemed complete. But when he and his Spanish wife moved into an idyllic old farmhouse in the mountains north of Valencia, by chance he found an unmarked mass grave from the Spanish Civil War on his doorstep.Spurred to investigate the history of the Civil War, a topic many of his Spanish friends still seemed to treat as taboo, he began to uncover a darker side to the country. Witness to a brutal fist-fight sponsored by remnants of Franco's Falangists, arrested and threatened by the police in the former HQ of the Spanish Foreign Legion, sheltered by a beautiful transvestite, shunned by locals, haunted by ghosts and finally robbed of his identity, Webster encountered a legacy of cruelty and violence that seems to linger on seventy years after the bloody events of that war. As in Webster's previous books, Duende and Andalus, !Guerra! reveals the essence of modern Spain, which few outsiders ever manage to see. Fascinating true stories from the Civil War, vividly retold as he travels around the country. Yet the more Webster unveils of the passions that set one countryman against another, the more he is led to wonder: could the dark, primitive currents that ripped the country apartin the 1930s still be stirring under the sophisticated, worldly surface of today's Spain?