In a world where misinformation distorts the essence of manhood and societal expectations push men into emotional incarceration, bestselling author and founder of the Cave of Adullam, Jason Wilson, offers a path to freedom.

The Man the Moment Demands will empower you to become the right man in every moment by embodying the ten characteristics of the comprehensive man: the Fighter, the Provider, the Leader, the Lover, the Nurturer, the Gentleman, the Friend, the Husband, the Father, and the Son. With The Man the Moment Demands you'll learn how to:

• unpack the impact of your past and unlock the power to shape your future;
• embrace transparency and express the full spectrum of your emotions while maintaining self-control;
• evolve beyond the “alpha male” myth through example, not intimidation; and
• answer the question “Who are you?” to strip away the facade and live authentically.

This is not just a transformative book; it's a blueprint. A rite of passage for those ready to rise and rediscover what it truly means to be a man—authentically human. One that will empower you to be the man the moments demands.

"The beauty of good writing is that it transports the reader inside another person's experience in some other physical place and culture," writes Padma Lakshmi in her introduction, "and, at its best, evokes a palpable feeling of being in a specific moment in time and space." The essays in this year's Best American Travel Writing are an antidote to the isolation of the year 2020, giving us views into experiences unlike our own and taking us on journeys we could not take ourselves. From the lively music of West Africa, to the rich culinary traditions of Muslims in Northwest China, to the thrill of a hunt in Alaska, this collection is a treasure trove of diverse places and cultures, providing the comfort, excitement, and joy of feeling elsewhere. THE BEST AMERICAN TRAVEL WRITING 2021 INCLUDES KIESE MAKEBA LAYMON - LESLIE JAMISON - BILL BUFORD - JON LEE ANDERSON - MEGHAN DAUM LIGAYA MISHAN - PAUL THEROUX and others

In a culture that tells men to suppress instead of express, join bestselling author, speaker, and leader Jason Wilson (featured in the award-winning ESPN documentary The Cave of Adullam) as he calls us to unlearn society's definition of masculinity and discover the power of engaging with our emotions. For decades, Jason was losing the war within--the internal battle that many men wage on a daily basis. He struggled to combat his toxic thoughts and emotions, communicating without composure, and ultimately hurting himself and his loved ones. When Jason began to release years of unresolved trauma, he learned how to acknowledge his emotions and express them in a healthy way. He discovered that he was strengthened by transparency and vulnerability, which taught him to forgive, trust, and love without limitations. Soon, Jason's newfound practices began to heal his relationships and transform his life. Throughout his journey of opening up, Jason became a better husband, father, and leader--and you can, too. Supported by Biblical teachings, the lessons that Jason shares in Battle Cry teach us that we can all be empowered to break through what we've been through. Jason calls us to become better versions of ourselves, equipping us with the mental and spiritual weapons needed to redefine modern masculinity and showing us how to: embrace our emotions rather than be ruled by them win internal battles before they become external wars break free from misconstrued masculinity and embrace our humanity communicate more effectively with the people in our lives heal trauma from our past in order to live our fullest lives in the present Battle Cry proves that it's possible to live beyond the limitations of your mind and finally experience the full life you've always longed for. What are you waiting for? It's time to win the war within.

Everyone travels for different reasons, but whatever those reasons are, one thing is certain: they come back with stories. Each year, the best of those stories are collected in The Best American Travel Writing, curated by one of the top writers in the field, and each year they "open a window onto the strange, seedy, and beautiful world, offering readers glimpses into places that many will never see or experience except through the eyes and words of these writers" (Kirkus). This far-ranging collection of top notch travel writing is, quite simply, the genre's gold standard.

The final legacy of the Nobel Prize-winning author of The Labyrinth of Solitude
Itinerary records the evolution of the political ideas of Octavio Paz, the great Mexican writer who was awarded the Nobel Prize for Literature in 1990. It is an intellectual autobiography, in a sense, but also a sentimental and even passionate one. In his thoughts Paz realized the past was inseparable from the present. And so he tells the story of his journey through time, from youth to adulthood. It is not a straight line, nor is it a circle; it is instead a spiral that turns ceaselessly over, bringing into view a time seventy years in the past and the actions of today. It is the final work by a great thinker and a magnificent writer.

When Jackie Mittoo and Leroy Sibbles migrated from Jamaica to Toronto in the early 1970s, the musicians brought reggae with them, sparking the flames of one of Canada's most vibrant music scenes. Professional reggae musician and scholar Jason Wilson tells the story of how reggae brought black and white youth together, opening up a cultural dialogue between Jamaican migrants and Canadians along the city's ethnic frontlines. This underground subculture rebelled against the status quo, broke through the bonds of race, eased the acculturation process, and made bands such as Messenjah and the Sattalites household names for a brief but important time.

The making of a great Chilean poet. Pablo Neruda was without doubt one of the greatest poets of the twentieth century but his work is extremely uneven. There is a view that there are two Nerudas, an early Romantic visionary and a later Marxist populist, who denied his earlier poetic self. By focussing on the poet's apprenticeship, and by looking closely at how Neruda created his poetic persona within his poems, this Companion tries to establish what should survive of his massive output. By seeing his early work as self exploration through metaphor and sound, as well as through varieties of love and direct experience, the Companion outlines a unity behind all the work, based on voice and a public self. Neruda's debt to reading and books is studied in depth and the change in poetics re-examined by concentrating on the early work up to Residencia en la tierra I and II and why he wanted to become a poet. Debate about quality and representativity is grounded in his Romantic thinking, sensibility and sincerity. Unlike a Borges or a Paz who accompanied their creative work with analytical essays, Neruda distilled all his experiences into his poems, which remainhis true biography. Jason Wilson is Professor Emeritus in the Department of Spanish and Latin American Studies, University College London.

An eclectic compendium of the best travel writing essays published in 2019, collected by esteemed guest editor Robert Macfarlane, author of Mountains of the Mind and Underland. The Best American Travel Writing gathers together a satisfyingly varied medley of perspectives, all exploring what it means to travel somewhere new. For the past two decades, readers have come to recognize this annual volume as the gold standard for excellence in travel writing.

The seeds of irreverent humour that inspired the likes of "The Wayne and Shuster Hour" and "Monty Python" were sown in the trenches of the First World War, and The Dumbells--concert parties made up of fighting soldiers--were central to this process. "Soldiers of Song" tells their story.

Lucky soldiers who could sing a song, perform a skit, or pass as a "lady," were taken from the line and put onstage for the benefit of their soldier-audiences. The intent was to bolster morale and thereby help soldiers survive the war.

The Dumbells' popularity was not limited to troop shows along the trenches. The group managed a run in London's West End and became the first ever Canadian production to score a hit on Broadway. Touring Canada for some twelve years after the war, the Dumbells became a household name and made more than twenty-five audio recordings. If nationhood was won on the crest of Vimy Ridge, it was the Dumbells who provided the country with its earliest soundtrack. Pioneers of sketch comedy, the Dumbells are as important to the history of Canadian theatre as they are to the cultural history of early-twentieth-century Canada.

This collection of essays situates the digital gaming phenomenon alongside broader debates in cultural and media studies. Contributors to this volume maintain that computer games are not simply toys, but rather circulate as commodities, new media technologies, and items of visual culture that are embedded in complex social practices. Apart from placing games within longer arcs of cultural history and broader critical debates, the contributors to this volume all adopt a pedagogical and theoretical approach to studying games and gameplay, drawing on the interdisciplinary resources of the humanities and social sciences, particularly new media studies.In eight essays, the authors develop rich and nuanced understandings of the aesthetic appeals and pleasurable engagements of digital gameplay. The topics include the role of 'cheats' and 'easter eggs' in influencing cheating as an aesthetic phenomenon of gameplay; the relationship between videogames, gambling, and addiction; players' aesthetic and kinaesthetic interactions with computing technology; and the epistemology and phenomenology of popular strategy-based wargames and their relationship with real-world military applications. Notes and a bibliography accompany each essay, and the work includes several screenshots, images, and photographs.

The making of a great Chilean poet. Pablo Neruda was without doubt one of the greatest poets of the twentieth century. However, his work is extremely uneven, and long. The companion examines the view that there are two Nerudas, an early Romantic visionary and a later Marxist populist, who denied his earlier poetic self. By focussing on the poet's apprenticeship, his struggle to read and incorporate French poetry and travel abroad and by looking closely at how Neruda created his poetic persona within his poems, this companion tries to establish what should survive of his massive output. By seeing his early work as self exploration through metaphor and sound, as well as through varieties of love and direct experience,the companion outlines a unity behind all the work, based on voice and a public self. This companion studies Neruda's debt to reading and books in depth and re-examines his change in poetics by concentrating on the early work up to Residencia en la tierra I and II and why he wanted to become a poet. Many critics have argued that some kind of critical assessment must be made in order for Neruda's later work to be read. This companion grounds this debate about quality and representativity in his Romantic thinking, sensibility and sincerity. Unlike a Borges or a Paz who accompanied their creative work with analytical essays, Neruda distilled all his experiences into hispoems, which remain his true biography. Jason Wilson is Professor Emeritus at University College London.

BEST AMERICAN TRAVEL WRITING gathers together a satisfyingly varied medley of perspectives, all exploring what it means to travel somewhere new. For the past two decades, readers have come to recognize this annual volume as the gold standard for excellence in travel writing.

Amsterdam, 2001. A shoot-out in the city's docklands leaves one man grievously injured and a rival drug dealer killed outright. The injured man is Tony Spencer from Coventry. Aka The Old Man. Once a prolific businessman, he is now considered Public Enemy No. 1 by the National Crime Squad and the head of several smuggling rings operating between the UK, Holland, Morocco, and Spain. At the age of 50, with bank robberies, counterfeiting, and several fortunes gained and lost behind him, he is on the run and living abroad. As Spencer's life hangs in the balance, his son Jason arrives in Amsterdam. While he prays for a miraculous recovery, he ponders who his father really is. He has raced anxiously to be by his bedside and yet he is somebody he doesn't know well at all. Jason begins digging in earnest. He begins to piece together the story of The Old Man's life. It's a story that is riddled with contradictions: a man who makes millions but saves nothing, prizes freedom but spends years inside, works in a violent world but who - seemingly - avoids violence. Spencer was absent, often in prison, for much of his upbringing but now, as his father recovers from the shooting, Jason begins to wonder. Maybe, if he can come to understand his father's life, he can begin to understand his own...

The Andes form the backbone of South America. Irradiating from Cuzco the symbolic 'navel' of the indigenous world the mountain range was home to an extraordinary theocratic empire and civilization, the Incas, who built stone temples, roads, palaces and forts. The clash between Atahualpa, the last Inca, and the illiterate conquistador Pizarro, between indigenous identity and European mercantile values, has forged Andean culture and history for the last 500 years. Jason Wilson explores the 5,000-mile chain of volcanoes, deep valleys and upland plains, revealing the Andes' mystery, inaccessibility and power through the insights of chroniclers, scientists and modern-day novelists. His account starts at sacred Cuzco and Machu Picchu, moves along imagined Inca routes south to Lake Titicaca, La Paz, Potosi and then follows the Argentine and Chilean Andes to Patagonia. It then moves north through Chimborazo, Quito and into Colombia, along the Cauca valley up to Bogota and then east to Caracas. Looking at the literature inspired by the Andes as well as its turbulent history, this book brings to life the region s spectacular landscapes and the many ways in which they have been imagined. DRAMATIC SCENERY AND EVENTS: the mythic peaks of Chimborazo and Aconcagua; the ruins of Machu Picchu and the fabled mines of Potosi; plane crashes, earthquakes and high-altitude cities; guerrilla war from Tupac Amaru to Che Guevara and Sendero Luminoso. INDIGENOUS CULTURE AND RESISTANCE: the Inca empire; conquest and oppression; Quechua, Aymara and Mapundungu languages; coca, quinoa and potatoes; the political renaissance and migration to the cities. WRITERS, EXPLORERS AND MUSICIANS: the Spanish chroniclers; Humboldt and Darwin; Pablo Neruda, Vargas Llosa and Francisco Vallejo; indigenous music and urban popular culture.

Buddhism, love, Henry James, and the tango are just a few of the topics Jorge Luis Borges, Argentina's master writer, and extraordinary conversationalist, discusses in the first volume of the remarkable new series, Conversations. The eighty-four-year-old blind man's wit is unending and results in lively and insightful discussions that configure a loose autobiography of a subtle, teasing mind. Borges' favorite concepts such as time and dreaming are touched upon, but these dialogues are not a true memoir, they are unrestricted conversations about life at present. The Argentine short-story writer, essayist, poet and translator, contributed immensely to twentieth-century literature, and more specifically to the genres of magical realism and fantasy. As he progressively lost his sight he became completely blind by the age of fifty-five the darkness behind his eyelids held enchanting imagery that translated into rich symbolism in his work. The inner workings of his curious mind are seen vividly in his conversations with Ferrari, and there's not a subject on which he doesn't cast surprising new light. As in his tale The Other, where two Borgeses meet up on a bench beside the River Charles, this is a dialogue between a young poet and the elder teller of tales where all experience floats in a miracle that defies linear time.

"Travel is not about finding something. It's about getting lost -- that is, it is about losing yourself in a place and a moment. The little things that tether you to what's familiar are gone, and you become a conduit through which the sensation of the place is felt." -- from the introduction by Susan Orlean
The twenty pieces in this year's collection showcase the best travel writing from 2006. George Saunders travels to India to witness firsthand a fifteen-year-old boy who has been meditating motionless under a tree for months without food or water, and who many followers believe is the reincarnation of the Buddha. Matthew Power reveals trickle-down economics at work in a Philippine garbage dump. Jason Anthony describes the challenges of everyday life in Vostok, the coldest place on earth, where temperatures dip as low as minus-129 degrees and where, in midsummer, minus-20 degrees is considered a heat wave.
David Halberstam, in one of his last published essays, recalls how an inauspicious Saigon restaurant changed the way he and other reporters in Vietnam saw the world. Ian Frazier analyzes why we get sick when traveling in out-of-the-way places. And Kevin Fedarko embarks on a drug-fueled journey in Djibouti, chewing psychotropic foliage in "the worst place on earth."
Closer to home, Steve Friedman profiles a 410-pound man who set out to walk cross-country to lose weight and find happiness. Rick Bass chases the elusive concept of the West in America, and Jonathan Stern takes a hilarious Lonely Planet approach to his small Manhattan apartment.

Octavio Paz (1914-1998), the eminent Mexican poet and critic, attempted to evaluate the neglected role of poetry in the twentieth century in terms of a liberating, semi-religious vocation. Jason Wilson, in this study, approaches Paz's poetics through his close relationship with Andre Breton (1896-1966), the surrealist leader. This is a 'spiritual biography' of a poet-thinker (Paz); a study of a fertile relationship (Paz and Breton); a re-evaluation of surrealism itself and, finally, a coping with those acute problems that all poets and readers of poetry must face in an age lacking an acceptable cultural tradition: why write? What is a poem? Who are the genuine poets? Who am I? Wilson analyses Paz's reaction to these related concerns in the poet's examination of 'the values of poetry' in terms of a liberating poetics.

When Jackie Mittoo and Leroy Sibbles migrated from Jamaica to Toronto in the early 1970s, the musicians brought reggae with them, sparking the flames of one of Canada's most vibrant music scenes. Professional reggae musician and scholar Jason Wilson tells the story of how reggae brought black and white youth together, opening up a cultural dialogue between Jamaican migrants and Canadians along the city's ethnic frontlines. This underground subculture rebelled against the status quo, broke through the bonds of race, eased the acculturation process, and made bands such as Messenjah and the Sattalites household names for a brief but important time.