This book focus on Athenian art in the second half of the fifth century, one of the most important periods of ancient art. Including papers on architecture, sculpture, and vase painting the volume offers new and before unpublished material as well as new interpretations of famous monuments like the sculptures of the Parthenon. The contributions go back to an international conference at the American School of Classical Studies, Athens.

This volume provides an overview of the Parthenon from antiquity to the modern era. Recent discoveries, such as the marble sculpture fragments found during the current restoration work on the Acropolis, or a vase excavated in Northern Greece whose decoration echoes a lost pedimental composition, have forced scholars to reconsider many aspects of one of the most important monuments of classical antiquity. Bringing together essays on various aspects of this world-renowned temple, this book examines the dramatic setting of the temple and its impact on modern architects such as Le Corbusier; new reconstructions and interpretations of Pheidias' vast sculptural program; in-depth analysis of architectural refinements; the techniques employed in making the colossal gold-and-ivory cult statue; and a consideration of the Christian and Muslim phases of the Parthenon's history. Collectively, they enhance our understanding of one of the icons of Western art.

Hippos delves deeply into all aspects of ancient Athenian horsemanship, from the scientific analysis of a horse skeleton recently excavated at Phaleron to the roles of horses in Greek religion. Major discussion is devoted to hippotrophia, the training of equines, their competitive activities in horse racing, and their important role in the cavalry. This richly illustrated book consists of over 40 short essays on diverse topics such as the practices for naming of Athenian horses, their appearance on the city's coinage, the make-up of a chariot, the advice of the Athenian cavalry commander Xenophon, the cavalry inspection, and the possible appearance of horses on the Greek stage. This bilingual volume is the result of an exhibition held at the American School of Classical Studies at Athens in 2022. All of the objects in the exhibit are included, from small silver coins to large marble memorials for slain cavalry officers. Many of the artifacts documenting the Athenian cavalry come from wells in the Athenian Agora. Horse racing was a passion of all Greeks, but only Athens had a hero (Hippothoon) suckled by a mare. This book makes clear that hippomania was rampant in ancient Athens, just as Aristophanes implied in his comedies.

Named for a goddess, epicenter of the first democracy, birthplace of tragic and comic theatre, locus of the major philosophical schools, artistically in the vanguard for centuries, ancient Athens looms large in contemporary study of the ancient world. This Companion is a comprehensive introduction the city, its topography and monuments, inhabitants and cultural institutions, religious rituals and politics. Chapters link the religious, cultural, and political institutions of Athens to the physical locales in which they took place. Discussion of the urban plan, with its streets, gates, walls, and public and private buildings, provides readers with a thorough understanding of how the city operated and what people saw, heard, smelled, and tasted as they flowed through it. Drawing on the latest scholarship, as well as excavation discoveries at the Agora, sanctuaries, and cemeteries, the Companion explores how the city was planned, how it functioned, and how it was transformed from a democratic polis into a Roman city.

Named for a goddess, epicenter of the first democracy, birthplace of tragic and comic theatre, locus of the major philosophical schools, artistically in the vanguard for centuries, ancient Athens looms large in contemporary study of the ancient world. This Companion is a comprehensive introduction the city, its topography and monuments, inhabitants and cultural institutions, religious rituals and politics. Chapters link the religious, cultural, and political institutions of Athens to the physical locales in which they took place. Discussion of the urban plan, with its streets, gates, walls, and public and private buildings, provides readers with a thorough understanding of how the city operated and what people saw, heard, smelled, and tasted as they flowed through it. Drawing on the latest scholarship, as well as excavation discoveries at the Agora, sanctuaries, and cemeteries, the Companion explores how the city was planned, how it functioned, and how it was transformed from a democratic polis into a Roman city.

The Parthenon frieze, one of Western civilization's major monuments, has been the subject of intense study for over two hundred years. Most scholarship has sought an overall interpretation of the monument's iconography and therefore neglects the visual language of the sculpture, an essential tool for a full understanding of the narrative. Dr Jenifer Neils's study provides an in-depth examination of the frieze which decodes its visual language, but also analyzes its conception and design, style and content, and impact on the visual arts over time. Unique in its wide-ranging approach, The Parthenon Frieze also brings ethical reasoning to bear on the issue of repatriation as part of the ongoing debate on the Elgin Marbles.

The foremost religious festival of ancient Athens-the city dedicated to Athena, goddess of war, fertility, arts, and wisdom-was the Panathenaia. Challenging old assumptions and refuting new theories, Worshipping Athena addresses the many problems of interpretation and understanding that have swirled for years around the Panathenaia. Among the issues discussed is the recent sensational controversy over the Parthenon frieze, perhaps the best known but least understood work of Greek art. For centuries the frieze has been thought to represent the Panathenaia procession, but recently the argument has been advanced that it depicts the sacrifice of the daughters of the Athenian king Erechtheus. Worshipping Athena offers compelling evidence that the frieze does indeed depict the festal procession and also demonstrates that scenes of contemporary ritual were not unique to the Parthenon. Editor Jenifer Neils and the contributors-eminent classicists, archaeologists, and art historians-explore the role of the Panathenaia in Athenian life and compare it with similar festivals held throughout the ancient Greek world. They discuss such topics as the Panathenaia's mythical origins, the phenomenon of the festival's valuable prizes (oil-filled amphoras, rather than the customary laurel wreath), and the architecture, sculpture, and painting related to the festival. Worshipping Athena will provide valuable insights to scholars and students concerned with ancient religion, mythology, art, literature, and gender issues, as well as anyone with a keen interest in the ritual topography of the Athenian Acropolis and the iconography of the Parthenon frieze.