"A delight and highly recommended." -Booklist "Showcases the truth and fullness of people of color." -Book Riot In the tradition of Best American Short Stories comes Everyday People: The Color of Life, a dazzling collection of contemporary short fiction. Everyday People is a thoughtfully curated anthology of short stories that presents new and renowned work by established and emerging writers of color. It illustrates the dynamics of character and culture that reflect familial strife, political conflict, and personal turmoil through an array of stories that reveal the depth of the human experience. Representing a wide range of styles, themes, and perspectives, these selected stories depict moments that linger-crossroads to be navigated, relationships, epiphanies, and times of doubt, loss, and discovery. A celebration of writing and expression, Everyday People brings to light the rich tapestry that binds us all. The contributors are an eclectic mix of award-winning and critically lauded writers, including Mia Alvar, Carleigh Baker, Nana Brew-Hammond, Glendaliz Camacho, Alexander Chee, Mitchell S. Jackson, Yiyun Li, Allison Mills, Courttia Newland, Dennis Norris II, Jason Reynolds, Nelly Rosario, Hasanthika Sirisena, and Brandon Taylor. Some of the proceeds from the sale of Everyday People will benefit the Rhode Island Writers Colony, a nonprofit organization founded by the late Brook Stephenson that provides space for speculation, production, and experimentation by writers of color.

Robert Kroetsch: Essayist, Novelist, Poet brings together an international cast of critics, scholars, and writers to examine, re-examine, and honour the celebrated author's immense significance in the twenty-first century, and what it means to be Canadian and part of the country's literary landscape. Original essays by Dennis Cooley, Phil Hall, Nicole Markotic, Aritha van Herk, and Rudy Wiebe, among others. The author of nine novels, thirteen books of poetry, and seven non-fiction volumes, Robert Kroetsch (1927-2011) was a major figure in the development and history of literature in Canada. He won the Governor General's Award for Fiction for The Studhorse Man (1969) and was shortlisted for the Governor General's Award for Poetry for The Hornbooks of Rita K. (2001). He received honorary degrees from the University of Winnipeg (1983) and the University of Alberta (1997), and was made an Officer of the Order of Canada (2004). Robert Kroetsch stands as a seminal figure in the Canadian literary landscape. In his early fiction he introduced postmodern techniques into the mainstream of Canadian fiction. He then moved on to writing poetry while still writing fiction, and created a new vision for poets across the country, defining the nature of the poetic experience by searching out the roots of his place in the Canadian landscape. Robert Kroetsch: Essayist, Novelist, Poet is a timely reminder of the immense significance that Kroetsch holds in the twenty-first-century understanding of what it means to be Canadian and part of the country's literary landscape. This book is published in English. - Robert Kroetsch (1927-2011) est une figure majeure de l'histoire et du developpement de la litterature au Canada. Son roman intitule The Studhorse Man (1969) lui a permis de remporter le Prix litteraire du Gouverneur general dans la categorie roman et nouvelles ; par ailleurs, son recueil de poesie, intitule The Hornbooks of Rita K. (2001), a figure sur la liste des finalistes du Prix litteraire du Gouverneur general dans la categorie poesie. De plus, il s'est vu decerner un doctorat honoris causa par deux universites canadiennes, l'Universite de Winnipeg (1983) et l'Universite de l'Alberta (1997), et il a ete fait officier de l'Ordre du Canada (2004). Robert Kroetsch est une figure marquante du paysage litteraire canadien. Dans ses premiers ouvrages de fiction, il a introduit des techniques de narration postmodernes dans le courant dominant et jusqu'alors plutot conventionnel de la fiction canadienne. Il a ensuite entrepris d'ecrire de la poesie tout en poursuivant son oeuvre romanesque. Ce faisant, il a su creer une nouvelle vision pour les poetes canadiens ; il a, entre autres, defini la nature de l'experience poetique en se questionnant sur le sens de l'identite canadienne et sur la place qu'il occupait dans le paysage litteraire canadien. L'ouvrage intitule Robert Kroetsch : romancier, poete et essayiste constitue un rappel opportun de l'importance considerable de cet auteur majeur, qui nous a permis de mieux comprendre ce que cela signifiait d'etre Canadien au XXIe siecle et d'appartenir au paysage litteraire canadien. Ce livre est publie en anglais.

In this searing indictment of the juvenile justice system, one teen in detention weighs what she is willing to endure for forgiveness. All it took was one night and one bad decision for fifteen-year-old Violetta Chen-Samuels’ life to go off the rails. After driving drunk and causing the accident that kills her little sister, Violetta is incarcerated. Under the juvenile justice system, her fate lies in the hands of those she’s wronged—her family. With their forgiveness, she could go home. But without it? Well . . . Denied their forgiveness, Violetta is now left with two options, neither good—remain in juvenile detention for an uncertain sentence or participate in the Trials. The Trials are no easy feat, but if she succeeds, she could regain both her freedom and what she wants most of all: her family’s love. In her quest to prove her remorse, Violetta is forced to confront not only her family’s grief, but her own—and the question of whether their forgiveness is more important than forgiving herself.

In this searing indictment of the juvenile justice system, one teen in detention weighs what she is willing to endure for forgiveness. All it took was one night and one bad decision for fifteen-year-old Violetta Chen-Samuels’ life to go off the rails. After driving drunk and causing the accident that kills her little sister, Violetta is incarcerated. Under the juvenile justice system, her fate lies in the hands of those she’s wronged—her family. With their forgiveness, she could go home. But without it? Well . . . Denied their forgiveness, Violetta is now left with two options, neither good—remain in juvenile detention for an uncertain sentence or participate in the Trials. The Trials are no easy feat, but if she succeeds, she could regain both her freedom and what she wants most of all: her family’s love. In her quest to prove her remorse, Violetta is forced to confront not only her family’s grief, but her own—and the question of whether their forgiveness is more important than forgiving herself.