A dynamic and authoritative collection on material religion with contributions from leading figures in the field. Deep and thorough coverage of material religion, essential for any student religious studies and media studies. The Handbook will also be very useful for those in related fields, such as cultural studies, sociology, anthropology, and art history.

Tells the story of the founding of American Christianity against the backdrop of devastating disease, and of the Indigenous survivors who kept the nascent faith alive Many scholars have come to think of the European Christian mission to the Americas as an inevitable success. But in its early period it was very much on the brink of failure. In 1576, Indigenous Mexican communities suffered a catastrophic epidemic that took almost two million lives and simultaneously left the colonial church in ruins. In the crisis and its immediate aftermath, Spanish missionaries and surviving pueblos de indios held radically different visions for the future of Christianity in the Americas. The Church of the Dead offers a counter-history of American Christian origins. It centers the power of Indigenous Mexicans, showing how their Catholic faith remained intact even in the face of the faltering religious fervor of Spanish missionaries. While the Europeans grappled with their failure to stem the tide of death, succumbing to despair, Indigenous survivors worked to reconstruct the church. They reasserted ancestral territories as sovereign, with Indigenous Catholic states rivaling the jurisdiction of the diocese and the power of friars and bishops. Christianity in the Americas today is thus not the creation of missionaries, but rather of Indigenous Catholic survivors of the colonial mortandad, the founding condition of American Christianity. Weaving together archival study, visual culture, church history, theology, and the history of medicine, Jennifer Scheper Hughes provides us with a fascinating reexamination of North American religious history that is at once groundbreaking and lyrical.

In 1543, in a small village in Mexico, a group of missionary friars received from a mysterious Indian messenger an unusual carved image of Christ crucified. The friars declared it the most poignantly beautiful depiction of Christ's suffering they had ever seen. Known as the Cristo Aparecido (the "Christ Appeared"), it quickly became one of the most celebrated religious images in colonial Mexico. Today, the Cristo Aparecido is among the oldest New World crucifixes and is the beloved patron saint of the Indians of Totolapan.
In Biography of a Mexican Crucifix, Jennifer Scheper Hughes traces popular devotion to the Cristo Aparecido over five centuries of Mexican history. Each chapter investigates a single incident in the encounter between believers and the image. Through these historical vignettes, Hughes explores and reinterprets the conquest of and mission to the Indians; the birth of an indigenous, syncretic Christianity; the violent processes of independence and nationalization; and the utopian vision of liberation theology. Hughes reads all of these through the popular devotion to a crucifix that over the centuries becomes a key protagonist in shaping local history and social identity. This book will be welcomed by scholars and students of religion, Latin American history, anthropology, and theology.

Tells the story of the founding of American Christianity against the backdrop of devastating disease, and of the Indigenous survivors who kept the nascent faith alive Many scholars have come to think of the European Christian mission to the Americas as an inevitable success. But in its early period it was very much on the brink of failure. In 1576, Indigenous Mexican communities suffered a catastrophic epidemic that took almost two million lives and simultaneously left the colonial church in ruins. In the crisis and its immediate aftermath, Spanish missionaries and surviving pueblos de indios held radically different visions for the future of Christianity in the Americas. The Church of the Dead offers a counter-history of American Christian origins. It centers the power of Indigenous Mexicans, showing how their Catholic faith remained intact even in the face of the faltering religious fervor of Spanish missionaries. While the Europeans grappled with their failure to stem the tide of death, succumbing to despair, Indigenous survivors worked to reconstruct the church. They reasserted ancestral territories as sovereign, with Indigenous Catholic states rivaling the jurisdiction of the diocese and the power of friars and bishops. Christianity in the Americas today is thus not the creation of missionaries, but rather of Indigenous Catholic survivors of the colonial mortandad, the founding condition of American Christianity. Weaving together archival study, visual culture, church history, theology, and the history of medicine, Jennifer Scheper Hughes provides us with a fascinating reexamination of North American religious history that is at once groundbreaking and lyrical.

In 1543, in a small village in Mexico, a group of missionary friars received from a mysterious Indian messenger an unusual carved image of Christ crucified. The friars declared it the most poignantly beautiful depiction of Christ's suffering they had ever seen. Known as the Cristo Aparecido (the "Christ Appeared"), it quickly became one of the most celebrated religious images in colonial Mexico. Today, the Cristo Aparecido is among the oldest New World crucifixes and is the beloved patron saint of the Indians of Totolapan.
In Biography of a Mexican Crucifix, Jennifer Scheper Hughes traces popular devotion to the Cristo Aparecido over five centuries of Mexican history. Each chapter investigates a single incident in the encounter between believers and the image. Through these historical vignettes, Hughes explores and reinterprets the conquest of and mission to the Indians; the birth of an indigenous, syncretic Christianity; the violent processes of independence and nationalization; and the utopian vision of liberation theology. Hughes reads all of these through the popular devotion to a crucifix that over the centuries becomes a key protagonist in shaping local history and social identity. This book will be welcomed by scholars and students of religion, Latin American history, anthropology, and theology.