From the bestselling historian and acclaimed broadcaster 'A rich social history ... Paxman's book could hardly be more colourful, and I enjoyed each page enormously' DOMINIC SANDBROOK, SUNDAY TIMES 'Vividly told ... Paxman's fine narrative powers are at their best' THE TIMES Coal is the commodity that made Britain. Dirty and polluting though it is, this black rock has acted as a midwife to genius. It drove industry, religion, politics, empire and trade. It powered the industrial revolution, turned Britain into the first urban nation and is the industry that made almost all others possible. In this brilliant social history, Jeremy Paxman tells the story of coal mining in England, Scotland and Wales from Roman times, through the birth of steam power to war, nationalisation, pea-souper smogs, industrial strife and the picket lines of the Miner's Strike. Written in the captivating style of his bestselling book The English, Paxman ranges widely across Britain to explore stories of engineers and inventors, entrepreneurs and industrialists - but whilst coal inevitably helped the rich become richer, the story told by Black Gold is first and foremost a history of the working miners - the men, women and often children who toiled in appalling conditions down in the mines; the villages that were thrown up around the pit-head. Almost all traces of coal-mining have vanished from Britain but with this brilliant history, Black Gold demonstrates just how much we owe to the black stuff.

A Sympathetic History of Our Gravest Folly.

Shooting an Elephant is Orwell’s searing and painfully honest account of his experience as a police officer in imperial Burma; killing an escaped elephant in front of a crowd ‘solely to avoid looking a fool’. The other masterly essays in this collection include classics such as ‘My Country Right or Left’, ‘How the Poor Die’ and ‘Such, Such were the Joys’, his memoir of the horrors of public school, as well as discussions of Shakespeare, sleeping rough, boys’ weeklies and a spirited defence of English cooking. Opinionated, uncompromising, provocative and hugely entertaining, all show Orwell’s unique ability to get to the heart of any subject.

In On Royalty Jeremy Paxman delves deep into Britain's royal past. What is the point of Kings and Queens? What do they do all day? And what does it mean to be one of them? Jeremy Paxman is used to making politicians explain themselves - but royalty has always been off limits. Until now. He takes a long hard look at our present incumbents to find out just what makes them tick. Along the way he discovers some fascinating and little-known details. Such as: how Albania came to advertise in England for a king which English queen gave birth in front of 67 people how easy it is to beat up future kings of England and how meeting the Queen is a bit scary - whoever you are ... No other book will tell you quite as much about our kings, queens, princes and princesses: who they are and what they're for. 'Paxman's book is everyhing that royalty is not allowed to be - witty, stylish, intelligent, pugnacious and political. The Times 'On Royalty is an absorbing, well-researched book, part serious enquiry, part rollicking anecdote' Evening Standard 'Action-packed and entertaining' Sunday Telegraph Jeremy Paxman is a journalist, best known for his work presenting Newsnight and University Challenge. His books include Empire, On Royalty, The English and The Political Animal. He lives in Oxfordshire.

Fish, Fishing and the Meaning of Life brings together some of the most entertaining writing about fishing. Jeremy Paxman has included the famous and the unknown, pieces he has known for years and many he had never come across before starting the anthology.

A Higher Form of Killing opens with the first devastating battlefield use of lethal gas in World War I, and then investigates the stockpiling of biological weapons during World War II and in the decades afterward as well as the inhuman experiments con-ducted to test their effectiveness. This updated edition includes a new Introduction and a new final chapter exposing frightening developments in recent years, including the black market that emerged in chemical and biological weapons following the breakup of the Soviet Union, the acquisition of these weapons by various Third World states, the attempts of countries such as Iraq to build up arsenals, and--particularly and most recently--the use of these weapons in terrorist attacks.

In The English Jeremy Paxman sets out to find about the English. Not the British overall, not the Scots, not the Irish or Welsh, but the English. Why do they seem so unsure of who they are? Jeremy Paxman is to many the embodiment of Englishness yet even he is sometimes forced to ask: who or what exactly are the English? And in setting about addressing this most vexing of questions, Paxman discovers answers to a few others. Like: Why do the English actually enjoy feeling persecuted? What is behind the English obsession with games? How did they acquire their odd attitudes to sex and to food? Where did they get their extraordinary capacity for hypocrisy? Covering history, attitudes to foreigners, sport, stereotypyes, language and much, much more, The English brims over with stories and anecdotes that provide a fascinating portrait of a nation and its people. 'Intelligent, well-written, informative and funny...A book to chew on, dip into, quote from and exploit in arguments' Andrew Marr, Observer 'Bursting with good things' Daily Telegraph Jeremy Paxman is a journalist, best known for his work presenting Newsnight and University Challenge. His books include Empire, On Royalty, The English and The Political Animal. He lives in Oxfordshire.

From high gothic architecture to the birth of the football league, from the novels of Dickens to the technological marvels of Brunel, the paintings of the era provide an overview that ranges across the whole of Victorian life and culture Jeremy Paxman's unique portrait of the Victorian world takes readers on an exciting journey through the birth of modern Britain. Using the paintings of the era as a starting point, he tells stories of urban life, family, faith, industry, and empire that helped define the Victorian spirit and imagination. To Paxman, these paintings were the television of their day, and his exploration of Victorian art and society explains how artists like Butler, William Powell Frith, Sir Lawrence Alma-Tadema, Luke Fildes, and Ford Madox Brown were chronicling a world changing before their eyes. This enthralling history is an opinionated, informed, surprising, and hugely enthusiastic appraisal of the Victorians' influence on modern culture.

From the bestselling author of The English comes Empire, Jeremy Paxman's history of the British Empire accompanied by a flagship 5-part BBC TV series, for readers of Simon Schama and Andrew Marr. The influence of the British Empire is everywhere, from the very existence of the United Kingdom to the ethnic composition of our cities. It affects everything, from Prime Ministers' decisions to send troops to war to the adventurers we admire. From the sports we think we're good at to the architecture of our buildings; the way we travel to the way we trade; the hopeless losers we will on, and the food we hunger for, the empire is never very far away. In this acute and witty analysis, Jeremy Paxman goes to the very heart of empire. As he describes the selection process for colonial officers ('intended to weed out the cad, the feeble and the too clever') the importance of sport, the sweating domestic life of the colonial officer's wife ('the challenge with cooking meat was "to grasp the fleeting moment between toughness and putrefaction when the joint may possibly prove eatable"') and the crazed end for General Gordon of Khartoum, Paxman brings brilliantly to life the tragedy and comedy of Empire and reveals its profound and lasting effect on our nation and ourselves. 'Paxman is witty, incisive, acerbic and opinionated . . . In short, he carries the whole thing off with panache bordering on effrontery' Piers Brendon, Sunday Times 'Paxman is a magnificent historian, and Empire may be remembered as his finest work' Independent on Sunday Jeremy Paxman was born in Yorkshire and educated at Cambridge. He is an award-winning journalist who spent ten years reporting from overseas, notably for Panorama. He is the author of five books including The English. He is the presenter of Newsnight and University Challenge and has presented BBC documentaries on various subjects including Victorian art and Wilfred Owen.

Jeremy Paxman knows every maneouvre a politician will make to avoid answering a difficult question, but in The Political Animal he seeks an answer to just one: What makes politicians tick? Embarking on a journey in which he encounters movers and shakers past and present, he discovers: that Prime Ministers have often lost a parent in childhood why Trollope is the politician's novelist of choice that Lloyd George once hunted Jack the Ripper how an Admiral's speech in parliament helped win WWII Where do politicians come from? How do they get elected? What do they do all day? And why do they seek power? All these questions and many more are addressed in Paxman's thrilling dissection of that strange and elusive breed - the political animal. 'Lively, persuasive, excellent. Boisterous and funny, provocative and punchily written... an intelligent romp' Matthew Parris, Spectator 'Entertaining, informative, incisive and insightful' Andrew Rawnsley Observer 'One of the best primers on the vicissitudes of political life I have read Christopher Silvester, Sunday Times Jeremy Paxman is a journalist, best known for his work presenting Newsnight and University Challenge. His books include Empire, On Royalty, The English and The Political Animal. He lives in Oxfordshire.

A Higher Form of Killing was first published to great acclaim in 1982. The authors have written a new Introduction and a new Epilogue to take account of the events that have happened since the early 1980s - including the break-up of the former Soviet Union and the black market that appeared in chemical and biological weapons, the acquisition of these weapons by various Third World states, the attempts of various countries like Iraq to build up arsenals of these weapons and, most recently, the use of these weapons in terrorist attacks.

As the authors point out, the two generations since the Second World War lived with the threat of nuclear annihilation. Now a new generation must learn to live with weapons that are more insidious and potentially more devastating.