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A daring cultural and literary studies investigation, Cultural
Melancholy explores the legacy of unresolved grief produced by
ongoing racial oppression and resistance in the United States.
Using acute analysis of literature, drama, musical performance, and
film, Singleton demonstrates how rituals of racialization and
resistance transfer and transform melancholy discreetly across
time, consolidating racial identities and communities along the
way. He also argues that this form of impossible mourning binds
racialized identities across time and social space by way of
cultural resistance efforts. Singleton develops the concept of
"cultural melancholy" as a response to scholarship that calls for
the separation of critical race studies and psychoanalysis,
excludes queer theoretical approaches from readings of African
American literatures and cultures, and overlooks the status of
racialized performance culture as a site of serious academic
theorization. In doing so, he weaves critical race studies,
psychoanalysis, queer theory, and performance studies into
conversation to uncover a host of hidden dialogues-psychic and
social, personal and political, individual and collective-for the
purpose of promoting a culture of racial grieving, critical race
consciousness, and collective agency. Wide-ranging and
theoretically bold, Cultural Melancholy counteracts the racial
legacy effects that plague our twenty-first century multiculture.
The post-civil rights era of the 1970s offered African Americans an
all-too-familiar paradox. Material and symbolic gains contended
with setbacks fueled by resentment and reaction. African American
artists responded with black approaches to expression that made
history in their own time and continue to exercise an enormous
influence on contemporary culture and politics. This collection's
fascinating spectrum of topics begins with the literary and
cinematic representations of slavery from the 1970s to the present.
Other authors delve into visual culture from Blaxploitation to the
art of Betye Saar to stage works like A Movie Star Has to Star in
Black and White as well as groundbreaking literary works like
Corregidora and Captain Blackman. A pair of concluding essays
concentrate on institutional change by looking at the Seventies
surge of black publishing and by analyzing Ntozake Shange's for
colored girls. . . in the context of current controversies
surrounding sexual violence. Throughout, the writers reveal how
Seventies black cultural production anchors important contemporary
debates in black feminism and other issues while spurring the black
imagination to thrive amidst abject social and political
conditions. Contributors: Courtney R. Baker, Soyica Diggs Colbert,
Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa,
Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa
Woolfork
The post-civil rights era of the 1970s offered African Americans an
all-too-familiar paradox. Material and symbolic gains contended
with setbacks fueled by resentment and reaction. African American
artists responded with black approaches to expression that made
history in their own time and continue to exercise an enormous
influence on contemporary culture and politics. This collection's
fascinating spectrum of topics begins with the literary and
cinematic representations of slavery from the 1970s to the present.
Other authors delve into visual culture from Blaxploitation to the
art of Betye Saar to stage works like A Movie Star Has to Star in
Black and White as well as groundbreaking literary works like
Corregidora and Captain Blackman. A pair of concluding essays
concentrate on institutional change by looking at the Seventies
surge of black publishing and by analyzing Ntozake Shange's for
colored girls. . . in the context of current controversies
surrounding sexual violence. Throughout, the writers reveal how
Seventies black cultural production anchors important contemporary
debates in black feminism and other issues while spurring the black
imagination to thrive amidst abject social and political
conditions. Contributors: Courtney R. Baker, Soyica Diggs Colbert,
Madhu Dubey, Nadine Knight, Monica White Ndounou, Kinohi Nishikawa,
Samantha Pinto, Jermaine Singleton, Terrion L. Williamson, and Lisa
Woolfork
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