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Media and Materiality in the Neo-Avant-Garde explores the
materiality of media technologies and their impact on the
avant-garde of the late twentieth century. The essays of the volume
range between different art forms (literature, film, music, visual
art, performance) and bridge the same contested cultural divides -
high and low, ideology and form, art and everyday life - that were
once challenged by the avant-garde. Ranging in topics from the
Beach Boys to Herbert Eimert, from Scandinavian forests to Warhol's
Factory, the perspectives established and the operations performed
in Media and Materiality in the Neo-Avant-Garde thus traverse a
network of art and technology that has been crucial for more than
half a century, and still is today.
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