Chacón's work can be read as a pictorially narrated story of the problems of modern and contemporary painting. Throughout his career, genres and aesthetics are transgressed in his artistic production, "pure" painting is invaded by conceptual art or becomes an installation, and the most radical geometry shares the stage with abstract expressionism. This book is the most complete editorial work dedicated to the artist, one of the main protagonists of contemporary Venezuelan and Latin American art. It contains critical texts by authors of international and national prestige, such as Jesús Fuenmayor, Dan Cameron, Nadja Rottner and Félix Suazo; it also includes a complete interview with the artist by graphic designer and curator �lvaro Sotillo and a detailed chronology by Israel Ortega and Leonor Solá.  Illustrated with numerous reproductions of his works and a selection of previously unpublished historical photographs, it is destined to become an essential bibliographical reference.

This book was produced on the occasion of the first solo exhibition of Obregon's work in a North American public institution and includes essays by the curators Jesus Fuenmayor and Kaira M. Cabanas, in which the work is approached from the artist's own methodology and from its relevance in the current cultural context. In addition, it contains an extensive section in which all the works presented are exhaustively recorded in accordance with the curatorial structure, derived from years of work in the classification of the Archivo Obregon by Israel Ortega and Leonor Sola, and thanks to which it has been possible to open this window to investigate the intimacy and the interstices of Obregon's work. Since 2011, the Obregon Archive has formed part of the Carolina and Fernando Eseverri Collection.

Geometric abstraction found its most dynamic, sensual and enduring expression in Latin America. Between 1930 and 1970, concrete, neoconcrete art and other varieties of abstraction thrived on this continent as nowhere else, and nowhere is this rich vein better documented than in the famous Cisneros Collection. This volume draws on the collection to showcase works from Argentina, Brazil, Uruguay, Mexico, Cuba, Venezuela and Colombia, all of which are contextualized with historical and artistic documents and essays. Among the many artists gathered in this definitive overview are Carmelo Arden-Quin, Wilys de Castro, Lygia Clark, Waldemar Cordeiro, Carlos Cruz-Diez, Gego, Mathias Goeritz, Carmen Herrera, Anna Maria Maiolino, Tomas Maldonado, Jose Mijares, Helio Oiticica, Alejandro Otero, Lygia Pape, Mira Schendel, Lolo Soldevilla, Rafael Soriano, Jesus Rafael Soto and Joaquin Torres-Garcia.