The Handbook of Polish, Czech, and Slovak Holocaust Fiction aims to increase the visibility and show the versatility of works from East-Central European countries. It is the first encyclopedic work to bridge the gap between the literary production of countries that are considered to be main sites of the Holocaust and their recognition in international academic and public discourse. It contains over 100 entries offering not only facts about the content and motifs but also pointing out the characteristic fictional features of each work and its meaning for academic discourse and wider reception in the country of origin and abroad. The publication will appeal to the academic and broader public interested in the representation of the Holocaust, anti-Semitism, and World War II in literature and the arts. Besides prose, it also considers poetry and theatrical plays from 1943 through 2018. An introduction to the historical events and cultural developments in Poland, Czechoslovakia, Czech, and Slovak Republic, and their impact on the artistic output helps to contextualise the motif changes and fictional strategies that authors have been applying for decades. The publication is the result of long-term scholarly cooperation of specialists from four countries and several dozen academic centres.

This history presents a broad canvas of post-war Czech literary developments within the cultural and political context of the times. Information is provided about the many English-language translations from Czech literature, and the circumstances in which these translations came about. Analysis is by way of quoting from original Czech works, especially poetry, with English translation. "Profiles of the Most Important Czech Writers since 1945" gives biographical and bibliographical details about the most important post-war Czech writers, and links to secondary literature in English. The volume also includes a bibliographical list of the most important works in English on Czech history, literary history and politics, as well as a list of anthologies of Czech post-war literature in English. Originally published in Czech as part of a larger project (Ceska literatura od pocatku k dneku [Czech literature from its Beginnings to the Present Day], Prague, 1998, expanded edition 2002), an updated version of this History was published in German as Geschichte der tschechischen literatur des 20. Jahrhunderts (Vienna 2003). This English translation has been entirely re-worked, taking the needs of the English-speaking reader and student into consideration. The translation was made by Elizabeth S Morrison, in co-operation with Jiri Holy and Jan Culik, Senior lecturer in Czech Studies at the University of Glasgow. The book is intended for all readers interested in or studying the literatures and cultures of Central Europe. It is essential reading for students of Czech and Slavonic Studies.

This History presents a broad canvas of post-war Czech literary developments within the cultural and political context of the times. Information is provided about the many English-language translations from Czech literature, and the circumstances in which these translations came about. Analysis is by way of quoting from original Czech works, especially poetry, with English translation. 'Profiles of the Most Important Czech Writers since 1945' gives biographical and bibliographical details about the most important post-war Czech writers, and links to secondary literature in English. The volume also includes a bibliographical list of the most important works in English on Czech history, literary history and politics, as well as a list of anthologies of Czech post-war literature in English. Originally published in Czech, this English translation has been entirely re-worked, taking the needs of the English-speaking reader and student into consideration. 'Writers Under Siege' is intended for all readers interested in or studying the literatures and cultures of Central Europe. It is essential reading for students of Czech and Slavonic Studies.

arka Sladovnikova analyzes the depiction of the Holocaust in Czechoslovak and Czech Feature Films and the relevant literary pretexts. While she charts the social and cultural framework in which the films were made and how this framework changed, she also focuses on the cinematic language, the composition of and narration in each film (eg: the depiction of the war and the Shoah as a narratively closed versus a narratively open event), genre aspects of the films (e.g., the use of comedy and humor), convention and innovation in presenting motifs and characters (the division of gender roles, the character of the good German). Particular attention is paid to the portrayal of stereotypes and countertypes in the films, where already well-known images, situations, and backdrops are repeated and which meet viewers expectations or, in contrast, which form countertypes and countersituations that go against the grain. Many of the films analyzed are adaptations of literary works. Therefore, this book is also a contribution to the rapidly developing field of adaptation studies.