1995, the Swiss Alps. Patricia Highsmith, the queen of the thriller, now ageing and ailing, hides away in her study, surrounded by her collection of books and antique weaponry, finding solace in her seclusion, her cats and her cigarettes. A polished young man turns up, sent by her New York publisher to persuade her to write one final instalment of her best-selling series featuring the master manipulator, Tom Ripley. But as day breaks over the mountains, it becomes clear that the charming stranger is set on a far more sinister mission. Joanna Murray-Smith's play Switzerland is a gripping psychological thriller, filled with razor-sharp dialogue. It was first performed at the Sydney Opera House in 2014. The play received its UK premiere at the Ustinov Studio, Theatre Royal Bath, in 2018, before transferring to the Ambassadors Theatre in London's West End.

A reconciliation between a mother and the daughter she gave away at birth. Anna is a successful film editor in her 40s who has defined herself through her political conscience. Living alone in a cold, stylish apartment she believes she has come to terms with her history, until a young woman called Billie arrives at her door. Billie acts in soap operas, doesn't believe in political action and wants a mother. Together these two fractured women confront the implications of distance; between then and now, between generations and between the one who gave away and the one who was let go.

An unsettling play about infidelity seen from the perspective of the three women involved: the wife, the lover and the daughter. George and Honor have been happily married for thirty-two years. She is a successful writer, he is a revered columnist. They have a perfect understanding of each other. Until a pushy young female journalist - on an assignment to 'profile' George - quite deliberately seeks to undermine that understanding. The fallout is dreadful - but beautifully and convincingly portrayed in all its painful consequences. Joanna Murray-Smith's play Honour was first performed at the Playbox Theatre, Melbourne, Australia, in November 1995. It received its UK premiere, in this revised version, at the National Theatre, London, in February 2003, and was revived in the West End in 2006.

Six funny and perceptive monologues about the stresses of modern female life. Meryl Davenport - A mother who tells the story of her non-stop day in a rapid-fire internal monologue. Tiggy Entwhistle - A cactus lover bravely attempting to rise above her relationship crisis. Mary O'Donnell - A feisty teenage schoolgirl competing in a talent quest. Theresa McTerry - An increasingly disillusioned bride on her wedding day. Winsome Webster - A widow with an appetite for the unexpected. Zoe Struthers - An American cabaret singer who's had her fair share of personal problems. Joanna Murray-Smith's play Bombshells was first performed by Caroline O'Connor at the Fairfax Theatre, Victorian Arts Centre, Melbourne, Australia, in December 2001. It was revived at the same venue in 2004, transferring to the York Theatre in Sydney in April 2004. A reduced version consisting of four monologues was performed by Caroline O'Connor as part of the Edinburgh Festival Fringe at the Assembly Rooms, Edinburgh, in 2004. This production - now consisting of all six monologues - transferred to the Arts Theatre in the West End in September 2004.

It's twilight, and a mother and father wait for the promised return of their daughter who vanished ten years earlier. A stranger arrives at their doorstep, warning them that their daughter will only return on certain, agonising terms.

Rapture is a vivid, timely new play that shines a revealing light on Australia's unsettled soul. It is set among smart and educated people - whose cynicism appears to answer all questions. They navigate a world of uncertainty with ease. What could possibly shock or unsettle them? Faith. When two of their number 'find God', the consequences are profound. Ethics and certainties are tested on the battleground of inexplicable belief. Long-term friendships are pushed to their limits as the faithless wrestle with the affront of moral judgement.

A deliciously wicked comedy that proves that the female of the species is not only deadlier, but funnier than the male. From the author of the West End-hit, Honour. Thirty years ago Margot Mason, pioneer of the 1970's Women's Liberation movement and fearless academic, wrote her groundbreaking work, The Cerebral Vagina. Numerous best-sellers and international adulation followed, but now she has writer's block. As she sits in her country house struggling with a deadline, in walks Molly Rivers, student, idealist and daughter of one of Margot's most dedicated followers. Initially flattered, Margot is less pleased when Molly handcuffs her to the desk and pulls a gun... Joanna Murray-Smith's play The Female of the Species was premiered in Melbourne, Australia, in 2006. This revised version was premiered at the Vaudeville Theatre in the West End in 2008.