Surveying some 20 years of Swiss video art, this book includes works by Alexander Hahn, Klara Kuchta, Eric Lanz, Jean Otth, Pipilotti Rist, Alex Silber and Hannes Vogel, it reviews discussion surrounding the exhibiting of video art and the problems associated with long-term conservation.

Conservation of Time-based Media Art is the first book to take stock of the current practices and conceptual frameworks that define the emerging field of time-based media conservation, which focuses on contemporary artworks that contain video, audio, film, slides or software components. Written and compiled by a diverse group of time-based media practitioners around the world, including conservators, curators, registrars and technicians among others, this volume offers a comprehensive survey of specialized practices that have developed around the collection, preservation and display of time-based media art. Divided into 23 chapters with contributions from 36 authors and 85 additional voices, the narrative of this book provides both an overview and detailed guidance on critical topics, including the acquisition, examination, documentation and installation of time-based media art; cross-medium and medium-specific treatment approaches and methods; the registration, storage, and management of digital and physical artwork components; collection surveys and project advocacy; lab infrastructures, staffing and the institutional implementation of time-based media conservation. Conservation of Time-based Media Art serves as a critical resource for conservation students and for a diverse professional audience who engage with time-based media art, including conservation practitioners and other collection caretakers, curators, art historians, collectors, gallerists, artists, scholars and academics.

Preserving collections of analogue video art is no easy task. Not only must collection caretakers ensure that their magnetic tapes are appropriately catalogued and stored, they must also properly inspect the content of the analogue videotapes in order to make an informed assessment of their condition. This is the only way to prevent unintended image errors - caused by a damaged videotape or video player, or by simple operator error - from being irreversibly merged with the artist's original image content during the digitisation process and thereby permanently compromising the artwork. This publication aims to provide caretakers of our audiovisual artistic and cultural heritage with a general guide to identifying, viewing, cataloguing and assessing the condition of analogue videotapes. The symptoms and causes of 28 common image errors are described in detail, and further illustrated by video sequences on an accompanying DVD. A technical chapter explains the basic principles of video technology, while an art history chapter discusses the deliberate use of image errors as creative tools in analogue video art.