Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Ever have that shiver run down your spine just before something was going to happen. That feeling just woke me from the usual daze of scanning the instruments and the ever graying sky outside in the cold winter sky. I don't know about you, but I have learned by hard experience that when this happens, watch out. It's often said that the sea is unforgiving of mistakes, so too it is of the sky. In the unforgiving sky a calm day may suddenly become a maelstrom striving to swat the people in the small tube who's arrogance took them into the air. The Lonely Hours is a tale of the decisions which must be made when the tigress awakens to play with the small mouse which dared invade it's territory. Memory is a funny thing. Sometimes the past is so distant, but when things conspire just right, yesterday can be as clear and vibrant as if all of the years have fallen away and the engines drone once again as those Lonely Hours require once again the hard decisions be made once again.

Parisian Pauline Guyot (1805-1886), who wrote under the nom de plume Camille Lebrun, published many novels, translations, collections of tales, and articles in French magazines of her day. Yet she has largely been forgotten by contemporary literary critics and readers. Among her works is a hitherto-untranslated 1845 French novel, Amitie et devouement, ou Trois mois a la Louisiane, or Friendship and Devotion, or Three Months in Louisiana, a moralizing, educational travelogue meant for a young adult readership of the time. Lebrun's novel is one of the few perspectives we have by a mid-nineteenth-century French woman writer on the matters of slavery, abolition, race relations, and white supremacy in France's former Louisiana colony. E. Joe Johnson and Robin Anita White have recovered this work, providing a translation, an accessible introduction, extensive endnote annotations, and period illustrations. After a short preface meant to educate young readers about the geography, culture, and history of the southern reaches of the Louisiana Purchase, the novel tells the tale of two teenaged, orphaned Americans, Hortense Melvil and Valentine Arnold. The two young women, who characterize one another as "sisters," have spent the majority of their lives in a Parisian boarding school and return to Louisiana to begin their adult lives. Almost immediately upon arrival in New Orleans, their close friendship faces existential threats: grave illness in the form of yellow fever, the prospect of marriage separating the two, and powerful discrimination in the form of racial prejudice and segregation.

This collection centers on the remarkable life and career of the writer and actor Elizabeth Inchbald (1753–1821), active in Great Britain in the late eighteenth century. Inspired by the example of Inchbald’s biographer, Annibel Jenkins (1918–2013), the contributors explore the broad historical and cultural context around Inchbald’s life and work, with essays ranging from the Restoration to the nineteenth century. Ranging from visual culture, theater history, literary analyses and to historical investigations, the essays not only present a fuller picture of cultural life in Great Britain in the long eighteenth century, but also reflect a range of disciplinary perspectives. The collection concludes with the final scholarly presentation of the late Professor Jenkins, a study of the eighteenth-century English newspaper The World (1753-1756). 

This collection centers on the remarkable life and career of the writer and actor Elizabeth Inchbald (1753-1821), active in Great Britain in the late eighteenth century. Inspired by the example of Inchbald's biographer, Annibel Jenkins (1918-2013), the contributors explore the broad historical and cultural context around Inchbald's life and work, with essays ranging from the Restoration to the nineteenth century. Ranging from visual culture, theater history, literary analyses, to historical investigations, the essays not only present a fuller picture of cultural life in Great Britain in the long eighteenth century, but also reflect a range of disciplinary perspectives. The collection concludes with the final scholarly presentation of the late Professor Jenkins, a study of the eighteenth-century English newspaper The World (1753-1756).

Jimmy Sheddan was one of the many New Zealanders who joined the RNZAF, then left his native land to come to England to fight the enemies of Great Britain and her Empire during World War Two. Through his recollections we can share some of the trials and wartime tribulations they faced. Yet we can read too of the enormous amount of fun these men had despite the dangers and sacrifices of war. It is this quality which endears his book to us as well as the achievements of the airmen with whom he served.

During the war, Jim Sheddan rose from the rank of sergeant pilot to squadron leader with 486 Squadron, a considerable achievement. After starting with Spitfires, then going onto the Typhoon, Jim became an expert exponent of the Hawker Tempest, winning the DFC. In many ways his is a very special account as, amongst other things, he survived 19 hours in a dinghy off the French coast, a crash landing in a Tempest after a battle with a V1 flying bomb, and the advance across northern Europe in the final weeks of the war.

Few Tempest pilots have told their story - but Jim has, and in an honest, self-effacing way that will astound and enthrall. With a foreword by AVM J E 'Johnnie' Johnson, CB, CBE, DSO and 2 bars, DFC and bar; and an appreciation by Group Captain Johnny Iremonger DFC.

Parisian Pauline Guyot (1805-1886), who wrote under the nom de plume Camille Lebrun, published many novels, translations, collections of tales, and articles in French magazines of her day. Yet she has largely been forgotten by contemporary literary critics and readers. Among her works is a hitherto-untranslated 1845 French novel, Amitie et devouement, ou Trois mois a la Louisiane, or Friendship and Devotion, or Three Months in Louisiana, a moralizing, educational travelogue meant for a young adult readership of the time. Lebrun's novel is one of the few perspectives we have by a mid-nineteenth-century French woman writer on the matters of slavery, abolition, race relations, and white supremacy in France's former Louisiana colony. E. Joe Johnson and Robin Anita White have recovered this work, providing a translation, an accessible introduction, extensive endnote annotations, and period illustrations. After a short preface meant to educate young readers about the geography, culture, and history of the southern reaches of the Louisiana Purchase, the novel tells the tale of two teenaged, orphaned Americans, Hortense Melvil and Valentine Arnold. The two young women, who characterize one another as "sisters," have spent the majority of their lives in a Parisian boarding school and return to Louisiana to begin their adult lives. Almost immediately upon arrival in New Orleans, their close friendship faces existential threats: grave illness in the form of yellow fever, the prospect of marriage separating the two, and powerful discrimination in the form of racial prejudice and segregation.

John and Amelia Foster have let life get in the way of their five-year marriage. Careers, temptations and betrayal threaten to tear them apart, but instead of giving in, they decide to pick up the pieces together and go on a journey of discovery to find their way back to each other. Desire and passion battle jealousy and insecurity. Will they find their ALWAYS?

Joshua Jericho Battle is no stranger to adversity. An attorney who happily gave up his flourishing criminal law practice two years ago, JJ is trying a routine case when he uncovers the largest land swindle in Detroit history. It appears to have been orchestrated by the man who is about to change his life forever: Bobby Boogaloo Bennett.

Determined to bring down the corrupt conspiracy, JJ puts his life, career, and the people he loves in jeopardy. By the time he realizes that recent events are not just coincidental, he is in too deep to get out. Now the only way to survive is to play by their rules. But when JJ unexpectedly becomes a suspect in a recent string of murders, his toughest battle will be to save himself. As the authorities close in, JJ is in a race against time to unravel the mysteries of One Detroit, Inc. As ambition, greed, and revenge collide, it appears no one will survive unscathed.

In this heart-pounding thriller, a young attorney must do everything in his power to survive the greatest battle of his life as he attempts to destroy an evil enterprise and conquer the demons of his past.

Standing in the cold morning blackness in the thin air atop a mountain, in Colorado, Hillary first saw the thing which would change her world forever. Like all the others of her kind, she studied the mysteries which were the points of light against the dark blackness of space. Astronomy was like that, just one mystery followed by another. But this discovery left her blood to run coldly through her veins. Through the crystal clear light pulled in by the powerful telescope her nice, safe world ended. What she saw that night could not be. Someone, or perhaps more ominously something, seemed to be calling for help. How could something, neither she or her colleagues knew who, know to use an old, obsolete Morse Code signal of distress, and how could something as frozen in position as a star wink it's light to them in call of 'SOS'. How would they answer the old call of, Save Our Ship, which winked at them across the vastness of space. Earth had never before built a ship which could reach this winking enigma. It would take the most powerful ship ever built to reach this thing which, the few who knew of it called; Stranger One. Would the trip tell of mysterious visitors from another system, would they be able to answer the call of distress? Or just perhaps was the SOS a warning? The only way to know was to build Deep Flight then answer the siren call of distress.