European Writers in Exile collects a series of original essays that address the writers' universal existential dilemma, when viewed through the lens of exile: who am I, where am I from, and what do I write, and to whom? While we often understand the term "exile" to refer to writers who have either been forced to leave their home country or region or chosen self-exile, this term need not be defined so narrowly, and the contributors to this volume explore a range of interesting and evolving definitions. Various countries in Europe have long been both a refuge for people and writers from many countries and a strife-torn region which has forced many to flee within the continent or beyond it. The phrase "in exile" involves writers moving across borders in multiple directions and for multiple reasons, including for reasons of duress or personal quest, and these themes are addressed and critiqued in these essays. This volume naturally examines the cataclysmic and near-universal exilic experiences relating to the world wars, including essays on Thomas Mann, Vladimir Nabokov, Hannah Arendt and Leo Strauss. Additionally, essays address the unique early twentieth-century experiences of Emile Zola, Franz Kafka, Joseph Conrad, and James Joyce. More contemporary essay subjects include Milan Kundera, Norman Manea, Eva Hoffman, Caryl Phillips, and W. G. Sebald. This collection of transnational, globalized European literature studies envisions understanding the intersection of our contemporary world and various writers in exile in new cultural, historical, spatial, and epistemological frameworks. How does literary production in an increasingly globalized world-when seen from exile-affect a view back towards a country or region left behind? Or, conversely, how does exile push a writer to look outward to new (trans-)nationalized space(s)? These and other questions are important to investigate. Taken in sum, European Writers in Exile offers an academically rigorous, important, and cohesive volume.

Captures the learning process of Nazi-era literary exiles following in the footsteps of legendary literary exemplars of exile. Exile is as old as humanity itself but a radically new fate for the "novice" exile, who falls into a world about which personal experience can tell him nothing. He does, however, know a great number of stories -- myths, legends, allegories, biblical or historical accounts -- about exile. The novice's search for a foothold initiates a learning process in which the exilic tradition assumes a major role. The present book captures this learning process:it is a cultural history of exile as it was experienced by thousands of German and Austrian writers and intellectuals who opposed National Socialism: among them Brecht, Canetti, Seghers, Remarque, the Manns, and Ludwig Marcuse. It shows how, slowly, exile becomes a reality through the growing awareness of -- and reference to -- the exemplary figures of a shared fate. Scores of fellow travelers, from the mythic figures Odysseus and Ahasverus ("The EternalJew") to writers such as Heinrich Heine and Victor Hugo, frame the experience of exile, imbuing it with meaning, giving it depth, and even elevating it to a "High Moral Office." They frequently make appearances in the narratives of the Nazi-era exiles. The Russian-American exile poet Joseph Brodsky called writers in exile "retrospective and retroactive beings." What their retrospective gazes yield as they search for meaning in banishment is at the heart ofthis book.. Johannes F. Evelein is Professor of Language and Culture Studies at Trinity College, Hartford, Connecticut.