Superman’s first appearance in Action Comics #1 (1938) proclaimed that the character would “reshape the destiny of the world.” The advent of the first superhero initiated a shared narrative– the DC superhero universe– that has been evolving in depth and complexity for more than 80 years. Superman, Batman, and Wonder Woman have become key threads in the tapestry of the American mythos, shaping the way we think about life, right and wrong, and our relationship with our own universe. Their narrative world is enriched by compelling stories featuring lesser-known characters like Dr. Fate, the Doom Patrol, John Constantine, and the Legion of Super-Heroes. Stories set within this shared universe have explored questions of death, rebirth, the apocalypse, the nature of evil, the origins of the universe, and the destiny of humankind. This volume brings together the work of scholars from a range of backgrounds who explore the role of theology and religion in the comics, films, and television series set in the DC Universe. The thoughtful and incisive contributions to this collection will appeal to scholars and fans alike.

Dystopia, from the Greek dus and topos "bad place," is a revelatory genre and concept that has experienced a meteoric rise in popularity at the start of the twenty-first century. This book addresses approaches to the study of dystopia from the academic fields of theology and religious studies. Following a co-written chapter where Scott Donahue-Martens and Brandon Simonson argue that dystopia can be understood as demythologized apocalyptic, ten unique contributions each engage a work of popular culture, such as a book, movie, or television show. Topics across chapters range from the critical function of dystopia, social location and identity, violence, apocalypse and the end of everything, sacrifice, catharsis, and dystopian existentialism. This volume responds to the need for theological and religious reflection on dystopia in a world increasingly threatened by climate change, pandemics, and global war.

Theology and Spider-Man provides a look at the religious themes present in one of the most popular heroes of the past half-century, Spider-Man. In order to create a systematic theology of Spider-Man, the contributors delve into themes of sin, salvation, and creedal theology, while also addressing liberation theology, Black theology, bioethics, and hermeneutics. This volume balances theological depth with discussion of the comics and films, which makes it a perfect collection for those interested in theology, Spider-Man, or both.

The essays collected in this volume provide a resource for thinking theologically about the practice of Christian prayer. In the first of four parts, the volume begins by reaching back to the biblical foundations of prayer. Then, each of the chapters in the second part investigates a classical Christian doctrine - including God, creation, Christology, pneumatology, providence and eschatology - from the perspective of prayer. The chapters in the third part explore the writings of some of the great theorizers of prayer in the history of the Christian tradition. The final part gathers a set of creative and critical conversations on prayer responding to a variety of contemporary issues. Overall, the T&T Clark Handbook of Christian Prayer articulates a theologically expansive account of prayer - one that is deeply biblical, energetically doctrinal, historically rooted, and relevant to a whole host of critical questions and concerns facing the world today.

George Lucas spoke about the didactic role of cinema and about his own work being presented through the ""moral megaphone"" of the film industry. A considerable body of scholarship on the six-part Star Wars series argues (unconvincingly) that the franchise promoted neo-conservatism in American culture from the late 1970s onward. But there is much in Lucas' grand space opera to suggest something more ideologically complex is going on. This book challenges the view of the saga as an unambiguously violent text exemplifying reactionary politics and discusses the films' identity politics with regard to race and gender.

This title was first published in 2000. Hope in Barth's Eschatology presents a critical investigation and survey of Karl Barth's writings, particularly his Church Dogmatics IV.3, in order to locate the character and nature of 'hope' within Barth's eschatology. Arguing that Barth, with his form of hope that refuses to shy away from the dark themes of the 'tragic vision', could be seen to undermine certain tragic sensibilities necessary for a healthy account of hope, John McDowell locates Barth within the context of larger traditions of theological thinking, and influential accounts of Christian hope, examining the work of Steiner, MacKinnon, Pannenberg, Rahner, Moltmanm and others. Addressing the relative neglect that Barth commentators have paid to eschatological themes, McDowell maintains that to miss what Barth is doing in his eschatology, is to seriously misunderstand Barth's broader theological sense. This book offers a significant contribution to the ongoing task of understanding Barth's theology whilst developing a way of reading hope and eschatology that, ultimately, places some critical questions at Barth's door.

Karl Barth addressed all the major themes of dogmatic theology, and in so doing made his own distinctive contribution to each of the ongoing conversations that constitute that theology. This book presents important new 'conversations with Barth' by leading contemporary theologians and Barth scholars. Each contributor offers their own distinctive emphasis to bring to light the ways in which the depths of Barth's work may illuminate or be illuminated by the work of other prominent thinkers who preceded or followed him. The conversations they host between Barth and other philosophers and theologians raise critical questions in the reading and appreciation of Barth's thought, and explore a wide range of themes in dogmatic theology. This book not only adds to the comprehension of the riches of Barth's theology but also presents an important contribution to the ongoing conversations and debates alive in theology today. Contributors: Nicholas Lash, John Webster, Timothy Gorringe, Graham Ward, George Hunsinger, Ben Quash, Mike Higton, John McDowell, Eugene Rogers, Katherine Sonderegger, David Clough, David Ford.

Bringing critical attention to a particular set of Science Fiction and Fantasy films - Larry and Andy Wachowski's The Matrix, George Lucas' Star Wars saga, and Joss Whedon's Avengers - this book utilises a wide-ranging set of critical tools to illuminate their political ideologies, while also examining any resistant and complicating turns or byways the films may provide. What they all have in common ideologically is that they - or at least the genres they belong to - tend to be regarded as belonging to politically conservative frames of sociocultural reference. With the Star Wars saga, however, this idea is shown to be superficial and weak.

The essays collected in this volume provide a resource for thinking theologically about the practice of Christian prayer. In the first of four parts, the volume begins by reaching back to the biblical foundations of prayer. Then, each of the chapters in the second part investigates a classical Christian doctrine - including God, creation, Christology, pneumatology, providence and eschatology - from the perspective of prayer. The chapters in the third part explore the writings of some of the great theorizers of prayer in the history of the Christian tradition. The final part gathers a set of creative and critical conversations on prayer responding to a variety of contemporary issues. Overall, the T&T Clark Handbook of Christian Prayer articulates a theologically expansive account of prayer - one that is deeply biblical, energetically doctrinal, historically rooted, and relevant to a whole host of critical questions and concerns facing the world today.

The diaspora of scholars exiled from Russian in 1922 offered something vital for both Russian Orthodoxy and for ecumenical dialogue. Liberated from scholastic academic discourse, and living and writing in new languages, the scholars set out to reinterpret their traditions and to introduce Russian Orthodoxy to the West. Yet, relatively few have considered the works of these exiles, particularly insofar as they act as critical and constructive conversation partners. This project expands upon the relatively limited conversation between such thinkers with the most significant Protestant theologian of the last century, Karl Barth. Through the topic and in the spirit of sobornost, this project charters such conversation. The body of Russian theological scholarship guided by sobornost challenges Barth, helping us to draw out necessary criticism while leading us toward unexpected insight, and vice versa. This collection will not only illuminate but also stimulate interesting and important discussions for those engaged in the study of Karl Barth's corpus, in the Orthodox tradition, and in the ecumenical discourse between East and West.

Donald M. MacKinnon has been one of the most important and influential of the post-World War British theologians, significantly impacting the development and subsequent work of the likes of Rowan Williams, Nicholas Lash and John Milbank, among many other notable theologians. A younger generation largely emerging from Cambridge, but with influence elsewhere, has more recently brought MacKinnon's eclectic and occasionalist work to a larger audience worldwide. In this collection, MacKinnon's central writings on the major themes of ecclesiology, and especially the relationship of the church to theology, are gathered in one source. The volume will feature several of MacKinnon's important early texts. These will include two short books published in the "Signposts" series during World War II, and a collection of later essays entitled "The Stripping of the Altars."

This is a collection of writings of one of Britains most prominent theologian and thinker. Donald M. MacKinnon has been one of the most important and influential of post-war British theologians and religious philosophers. Generally eclectic, frequently allusive, usually intellectually generous, persistently richly challenging and always astonishingly erudite, he had a significant impact on the development and subsequent theological work of the likes of Rowan Williams, Nicholas Lash, David Ford and John Milbank. A younger generation largely emerging from Cambridge, but with influence elsewhere, has more recently brought MacKinnon's normally occasionalist writing to a larger audience worldwide where it is beginning to receive noteworthy attention. In this collection several of MacKinnon's most outstanding papers not yet published in book format is collected together with an Editorial Introduction by a former student of one of MacKinnon's own students. They range from his reflections on theology as educational, the nature of moral reasoning, considerations of ecclesial practice, dogmatics and hope. Here is another reminder of MacKinnon's intellectual brilliance.

This short textbook, the latest volume in the Guides to Theology series, surveys key themes and aspects of Christian hope by tracing eschatological ideas as they have developed from Scripture throughout the history of theology. John McDowell and Scott Kirkland present a series of lenses on understanding eschatological statements, or the content of Christian hope. They have structured their book thematically into five chapters-four exploring apocalyptic, existential, political, and christological themes, followed by an extensive annotated bibliography. Within each chapter, McDowell and Kirkland take a history-of-ideas approach, locating the various perspectives in their historical contexts. Concise and accessible, this book is ideal for introductory undergraduate courses in eschatology.