Originally published in 1984, this book features The French Fabliau alongisde a translation and textual notes. The original manuscript, formerly labeled Bibliotheque du Roi 7218, is rightfully considered the oldest and one of the two most imporant and complete collections of medieval literature.

Originally published in 1984, this book features The French Fabliau alongisde a translation and textual notes. The original manuscript, formerly labeled Bibliotheque du Roi 7218, is rightfully considered the oldest and one of the two most imporant and complete collections of medieval literature.

This reader provides students with key documents from colonial American history, including new English translations of non-English documents. The documents in this collection take the reader beyond the traditional story of the English colonies. Readers explore the Spanish, French, Dutch, Russian, German, and even Icelandic colonial efforts throughout North America, including California, New Mexico, Texas, the Great Plains, Louisiana, Florida, Virginia, Pennsylvania, and New England. Throughout, the collection provides not only the perspectives of Europeans but also of Native Americans and Africans. By looking beyond traditional sources, students see the power and diversity of Native Americans and learn that European domination of the continent was not inevitable. They see different forms of slavery and ways that slaves dealt with their captivity. By considering multiple perspectives, students learn that colonial history was largely the attempts of various peoples to understand strangers and adapt them to their own will.

Swift yet resonant, this masterful new verse translation conveys the immediacy, intimacy, and power of this greatest of Old French epic poems. John DuVal approaches the unadorned syntax of The Song of Roland in straightforward modern English, attuned to the nuance and detail of the narrative and the poetry of the original text. In his concise but thorough general Introduction, David Staines traces the origins of the poem and its reception in medieval society, discusses its content and its themes, and in clear, accessible prose illuminates the epic poem's chivalric spirit. Footnotes provide glosses on events, characters, and medieval terms. Endnotes discuss editorial and translational issues. This edition also includes a selected bibliography, a map, and a glossary and index. An appendix provides the entire text of the Old French original.

This is part of a new series of guides to contemporary novels. The aim of the series is to give readers accessible and informative introductions to some of the most popular, most acclaimed and most influential novels of recent years - from 'The Remains of the Day' to 'White Teeth'. A team of contemporary fiction scholars from both sides of the Atlantic has been assembled to provide a thorough and readable analysis of each of the novels in question.

Swift yet resonant, this masterful new verse translation conveys the immediacy, intimacy, and power of this greatest of Old French epic poems. John DuVal approaches the unadorned syntax of The Song of Roland in straightforward modern English, attuned to the nuance and detail of the narrative and the poetry of the original text. In his concise but thorough general Introduction, David Staines traces the origins of the poem and its reception in medieval society, discusses its content and its themes, and in clear, accessible prose illuminates the epic poem's chivalric spirit. Footnotes provide glosses on events, characters, and medieval terms. Endnotes discuss editorial and translational issues. This edition also includes a selected bibliography, a map, and a glossary and index. An appendix provides the entire text of the Old French original.

In a literature where recognition is hard earned, this anthology demonstrates what distinguishes contemporary Bolivian fiction and poetry from the rest of Latin American writing and shows clearly how Bolivian writers relate to that tradition. Bolivia is a landlocked nation of mountains and high, arid plains, a place native writer JesUs Urzagasti calls the "Land of Silence." This crucible of indigenous and European influences has contributed to the creation of a writing style that is always down-to-earth, often grittily realistic. From this fundamental base, Bolivian writers express provincial customs and values, decry political oppression, and sound universal themes of isolation, even resignation; but, more often, they show the will to move forward as a people. This rich thematic mix encourages what critic Edgar Lora has called the "dynamic and vigorous social dis course" and the resulting "subversive, militant, and revolutionary" qualities of Bolivian literature. Editor Sandra Reyes has gathered a panoramic sampling of twenty two poets and eighteen fiction writers. Focusing predominantly on living, practicing writers, this anthology defines the current literary voice of Bolivia and gives us a distillation of the contemporary Bolivian consciousness.