Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Secret World of American Communism (1995), filled with revelations about Communist party covert operations in the United States, created an international sensation. Now the American authors of that book, along with Soviet archivist Kyrill M. Anderson, offer a second volume of profound social, political, and historical importance. Based on documents newly available from Russian archives, The Soviet World of American Communism conclusively demonstrates the continuous and intimate ties between the Communist Party of the United States of America (CPUSA) and Moscow. In a meticulous investigation of the personal, organizational, and financial links between the CPUSA and Soviet Communists, the authors find that Moscow maintained extensive control of the CPUSA, even of the American rank and file. The widely accepted view that the CPUSA was essentially an idealistic organization devoted to the pursuit of social justice must be radically revised, say the authors. Although individuals within the organization may not have been aware of Moscow's influence, the leaders of the organization most definitely were. The authors explain and annotate ninety-five documents, reproduced here in their entirety or in large part, and they quote from hundreds of others to reveal the actual workings of the American Communist party. They show that: * the USSR covertly provided a large part of the CPUSA budget from the early 1920s to the end of the 1980s; * Moscow issued orders, which the CPUSA obeyed, on issues ranging from what political decisions the American party should make to who should serve in the party leadership; * the CPUSA endorsed Stalin's purges and the persecution of Americans living in Russia.

This book was commissioned by The Theatres Trust, the body charged by Acts of Parliament with 'the better protection of theatres'. After decades of destruction, theatres are now recognised as significant records of the societies that produced them and valuable cultural resources for the prsent day. This book outlines the history of theatres and music halls from the late sixteenth century to the present time, noting changing fashions in entertainment and evolving official attitudes to safety that have, at various times, influenced the architectural character of the buildings. Particular attention is given to the thirty-five years before the First World War, when music hall and variety entertainment developed rapidly, accompanied by a masive surge in theatre building. The account is enlivened with illustrations of theatres, their architects and their audiences.

Drawing on secret and therefore candid coded telegraphs exchanged between Communist Party leaders around the world and their overseers at the Communist International (Comintern) headquarters in Moscow, this book uncovers key aspects of the history of the Comintern and its significant role in the Stalinist ruling system during the years 1933 to 1943. New information on aspects of the People's Front in France, civil wars in Spain and China, World War II, and the extent of the Comintern's cooperation with Soviet intelligence is brought to light through these archival records, never examined before.