John Sawyer has been known for over 40 years as one of the finest British biblical scholars, always alert to new perspectives in biblical criticism and a pioneer in fruitful applications of new, often interdisciplinary, research methods. He has been an inspiring teacher to generations of students in Glasgow (1964-65), Newcastle upon Tyne (1965-94), Lancaster (1994-2002) and Oxford (2005-2008). From the very beginning he saw the need to apply sound linguistic theory to the study of the Bible, with the fundamental insight that all texts can have, and very often have had, more than one meaning. No one meaning can claim priority over the others, he argues. The 'original meaning', more or less convincingly reconstructed by modern scholarship, can claim chronological priority, but that is all. What the text has meant to its Jewish and Christian readers down the centuries should be as much the subject of scholarly attention as any 'original' meaning. This is the unifying strand in the whole of his work, from his groundbreaking Semantics in Biblical Research: New Methods of Defining Hebrew Words for Salvation (1972) and his From Moses to Patmos: New Perspectives in Old Testament Study (1977) to his fascinating The Fifth Gospel: Isaiah in the History of Christianity (1996) and his Sacred Languages and Sacred Texts (1999). Among his most recent major contributions in this area have been his co-editorship of the Blackwell Bible Commentary Series, his edited Blackwell Companion to the Bible and Culture (2006) and his own Concise Dictionary of the Bible and its Reception (2009). In 2011 John Sawyer was elected President of the Society for Old Testament Study, and to celebrate that appointment Sheffield Phoenix Press is honoured to present this representative selection of 46 of his papers, some previously unpublished and some originally published in rather obscure places.

Until recently Leviticus has been read, especially in Christian circles, as part of a 'priestly' work with a predominantly prescriptive and ritualistic agenda. In this volume of papers read at a colloquium held in honour of Mary Douglas at Lancaster University in 1995, experts in the Hebrew Bible, Jewish law, comparative law, classical literature and social anthropology raise challenging questions about the composition, context and purpose of the book. Can it be read as an autonomous literary unit? How significant are its unique ethical insights? Is it law or narrative? Does it reflect actual Second Temple Period practice? How is it related to the Mishnah?>

There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhan Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible's impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.

This is a new type of commentary on some of the most familiar language and imagery in the Bible, showing how Isaiah has been used by Christians in all kinds of contexts up to the present. There is much interest in reader-response, the history of interpretation and the sociology of sacred texts--in what the text does as much as what it means. With full documentation and illustrations, Sawyer gives an insight into Isaiah's influence, from the cult of the Virgin Mary and anti-Semitism to Christian feminism and liberation theology.

A revised and updated edition of a classic text-book in the Oxford Bible Series about prophecy and prophets. Described as an `excellent guide ... which will serve (students) well' (Evangelical Quarterly), this is a clear and succinct study of prophecy both as a phenomenon in the wide context and as represented in the Bible. The author also looks at the interpretation of prophecy through history by Christians, Muslims, and Jews - and most recently by feminists.

This dictionary not only identifies terms and biblical figures but also examines them from the perspective of "reception history"--the history of the Bible's effect on its readers. Biblical books, passages, and characters certainly played important roles in the history of Judaism, Christianity, and Islam, but they also influenced other religious traditions, preachers, writers, poets, artists, and filmmakers. The study of such cultural effects of the Bible is an emerging field, and this work promises to open new avenues of exploration.

There have been numerous publications in the last decades on the Bible in literature, film, and art. But until now, no reference work has yet appeared on the Bible as it appears in Western music. In The Bible in Music: A Dictionary of Songs, Works, and More, scholars Siobhan Dowling Long and John F. A. Sawyer correct this gap in Biblical reference literature, providing for the first time a convenient guide to musical interpretations of the Bible. Alongside examples of classical music from the Middle Ages through modern times, Dowling Long and Sawyer also bring attention to the Bible's impact on popular culture with numerous entries on hymns, spirituals, musicals, film music, and contemporary popular music. Each entry contains essential information about the original context of the work (date, composer, etc.) and, where relevant, its afterlife in literature, film, politics, and liturgy. It includes an index of biblical references and an index of biblical names, as well as a detailed timeline that brings to the fore key events, works, and publications, placing them in their historical context. There is also a bibliography, a glossary of technical terms, and an index of artists, authors, and composers. The Bible in Music will fascinate anyone familiar with the Bible, but it is also designed to encourage choirs, musicians, musicologists, lecturers, teachers, and students of music and religious education to discover and perform some less well-known pieces, as well as helping them to listen to familiar music with a fresh awareness of what it is about.